http://www.hackteria.org/wiki/api.php?action=feedcontributions&user=Pei&feedformat=atomHackteria Wiki - User contributions [en]2024-03-29T13:02:07ZUser contributionsMediaWiki 1.28.0http://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22655Klöntal Biohack Retreat - Switzerland 20172017-09-03T10:52:48Z<p>Pei: /* PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br />
http://www.laiichern.com/<br />
<br clear=all><br />
<br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br />
http://lifepatch.org<br />
<br />
http://landscapeindonesia.com<br />
<br clear=all><br />
<br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br />
<br clear=all><br />
==== Jukka Hautamäki (FI) ====<br />
[[File:jukka_tripple.jpg|left|thumb|200px]]Artist Jukka Hautamäki works with found materials, electronics, light, sound and video. His works, which are often presented in the form of an installation, are supported by sound and visual imagery. Hautamäki places everyday objects and materials into new contexts and forms. The emphasis is often on the reciprocal dynamic between the individual works and the overall mood of the exhibition. Hautamäkis sound performances are microscopic studies into electronic sound. Live setup consists of DIY sound devices, which he manipulates in real time by changing components and reconnecting circuits. Recent setup has included under-hood work lights, solar cells, electronicmagnetic sources, coil mics, diy amps and potatoes. Relationship between performativity and sound plays a significant role in the live performances. Music style could be described as abstract ambient noise with a twist.<br />
<br />
http://jukkahautamaki.com/<br />
<br />
<br clear=all><br />
<br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22654Klöntal Biohack Retreat - Switzerland 20172017-09-03T10:52:12Z<p>Pei: /* Living Schedules */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br />
http://www.laiichern.com/<br />
<br clear=all><br />
<br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br />
http://lifepatch.org<br />
<br />
http://landscapeindonesia.com<br />
<br clear=all><br />
<br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br />
<br clear=all><br />
==== Jukka Hautamäki (FI) ====<br />
[[File:jukka_tripple.jpg|left|thumb|200px]]Artist Jukka Hautamäki works with found materials, electronics, light, sound and video. His works, which are often presented in the form of an installation, are supported by sound and visual imagery. Hautamäki places everyday objects and materials into new contexts and forms. The emphasis is often on the reciprocal dynamic between the individual works and the overall mood of the exhibition. Hautamäkis sound performances are microscopic studies into electronic sound. Live setup consists of DIY sound devices, which he manipulates in real time by changing components and reconnecting circuits. Recent setup has included under-hood work lights, solar cells, electronicmagnetic sources, coil mics, diy amps and potatoes. Relationship between performativity and sound plays a significant role in the live performances. Music style could be described as abstract ambient noise with a twist.<br />
<br />
http://jukkahautamaki.com/<br />
<br />
<br clear=all><br />
<br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
'''P'''ei uses field recording and audio software as conceptual tools to create listening works and installations. Because of her reluctances to become a lonely digital artist who works only with her computer, she began to curate and host experimental sound and art events. Additionally, she is particularly interested in the crossrelations of art and science, interdisciplinary approaches of workshop and festival. She creates soundings as cultural practices. <br />
<br />
'''T'''obias, moved from Hannover Germany to Zurich Switzerland with a background of physics, special education and media art. Since 36 years old, he has never again pick up a painting brush and making his own canvas. However, he continues to explore a wilder world with guitar, radio waves, signals in the internet and codes. He often mentions the culture of technology shall always have an initial departure from people and benevolence.<br />
<br />
'''z'''hi-yu '''N'''iels, an unstopable yet fresh explorer<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22647Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:29:59Z<p>Pei: /* PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== Echo of the Lake // Listening Workshop by PTzN // ====<br />
<br />
'''Mentor: Pei'''<br />
<br />
[[File:echos_leaves.gif|thumb|left|200px]]<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
<br clear=all><br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
'''P'''ei uses field recording and audio software as conceptual tools to create listening works and installations. Because of her reluctances to become a lonely digital artist who works only with her computer, she began to curate and host experimental sound and art events. Additionally, she is particularly interested in the crossrelations of art and science, interdisciplinary approaches of workshop and festival. She creates soundings as cultural practices. <br />
<br />
'''T'''obias, moved from Hannover Germany to Zurich Switzerland with a background of physics, special education and media art. Since 36 years old, he has never again pick up a painting brush and making his own canvas. However, he continues to explore a wilder world with guitar, radio waves, signals in the internet and codes. He often mentions the culture of technology shall always have an initial departure from people and benevolence.<br />
<br />
'''z'''hi-yu '''N'''iels, an unstopable yet fresh explorer<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22646Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:25:11Z<p>Pei: /* Echo of the Lake // Listening Workshop by PTzN // */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== Echo of the Lake // Listening Workshop by PTzN // ====<br />
<br />
'''Mentor: Pei'''<br />
<br />
[[File:echos_leaves.gif|thumb|left|200px]]<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
<br clear=all><br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
'''P'''ei is born and grow up in Taipei, Taiwan, studied in Sydney, Gothenburg, Montreal. Received MFA in Digital Media from Gothenburg University, Sweden. Now resided in Zurich, Switzerland. Since 1999, Pei uses field recording and software as conceptual tools to create listening works and installations. Because of her reluctances to become a lonely digital artist who works only with her computer, she began to curate and host experimental sound and art events. Additionally, she is particularly interested in the hybrid of art and science, interdisciplinary approaches of workshop and festival. She creates soundings as cultural practices. <br />
<br />
'''T'''obias, moved from Hannover Germany to Zurich Switzerland with a background of physics, special education and media art. Since he was 36 years old, he has never again pick up a painting brush and making his own canvas. However, he continues to explore a wilder world with guitar, radio waves, signals in the internet and codes. He often mentions the culture of technology shall always have an initial departure from people and benevolence.<br />
<br />
'''z'''hi-yu '''N'''iels, an unstopable yet fresh explorer<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22645Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:24:37Z<p>Pei: /* PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== Echo of the Lake // Listening Workshop by PTzN // ====<br />
<br />
'''Mentor: Pei-Wen Liu'''<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
'''P'''ei is born and grow up in Taipei, Taiwan, studied in Sydney, Gothenburg, Montreal. Received MFA in Digital Media from Gothenburg University, Sweden. Now resided in Zurich, Switzerland. Since 1999, Pei uses field recording and software as conceptual tools to create listening works and installations. Because of her reluctances to become a lonely digital artist who works only with her computer, she began to curate and host experimental sound and art events. Additionally, she is particularly interested in the hybrid of art and science, interdisciplinary approaches of workshop and festival. She creates soundings as cultural practices. <br />
<br />
'''T'''obias, moved from Hannover Germany to Zurich Switzerland with a background of physics, special education and media art. Since he was 36 years old, he has never again pick up a painting brush and making his own canvas. However, he continues to explore a wilder world with guitar, radio waves, signals in the internet and codes. He often mentions the culture of technology shall always have an initial departure from people and benevolence.<br />
<br />
'''z'''hi-yu '''N'''iels, an unstopable yet fresh explorer<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22644Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:19:39Z<p>Pei: /* PTzN // Echo of the Lake */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== Echo of the Lake // Listening Workshop by PTzN // ====<br />
<br />
'''Mentor: Pei-Wen Liu'''<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22643Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:18:46Z<p>Pei: /* PTzN // Echo of the Lake */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== PTzN // Echo of the Lake ====<br />
'''Mentor: Pei-Wen Liu'''<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22642Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:17:43Z<p>Pei: /* PTzN // Echo of the Lake */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== PTzN // Echo of the Lake ====<br />
'''Mentor: Pei-Wen Liu'''<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
[[File:echos_leaves.gif|thumb|left|200px]]<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22641Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:17:02Z<p>Pei: /* PTzN // Echo of the Lake */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== PTzN // Echo of the Lake ====<br />
<br />
'''Mentor: Pei-Wen Liu'''<br />
<br />
[[File:echos_leaves.gif|thumb|left|200px]]<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22640Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:16:09Z<p>Pei: /* PTzN // Echo of the Lake */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== PTzN // Echo of the Lake ====<br />
<br />
'''Mentor: Pei-Wen Liu'''<br />
<br />
[[File:echos_leaves.gif|200px|left]]<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake in Kloental to investigate how sound echos at the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angle. Listening Workshop will be divided into two parts : <br />
<br />
1.) 22. Sep, Friday 22h (Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation.<br />
<br />
2.) 23 Sep, Saturday 22h (Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=File:Echos_leaves.gif&diff=22639File:Echos leaves.gif2017-09-02T22:15:22Z<p>Pei: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>Peihttp://www.hackteria.org/wiki/index.php?title=Kl%C3%B6ntal_Biohack_Retreat_-_Switzerland_2017&diff=22638Klöntal Biohack Retreat - Switzerland 20172017-09-02T22:01:45Z<p>Pei: /* Pei-Wen Liu (TW/CH) */</p>
<hr />
<div>[[File:Biohack_Retreat_Flyer_web.jpg|right|500px]]<div class="toclimit-3">__TOC__</div><br />
<br />
== [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017/ Support Us on We Make It - Science Booster] ==<br />
<br />
[[File:wemakeit_campaign_shot.png|800px]]<br />
<br />
Please visit our [https://wemakeit.com/projects/biohack-retreat-kloental-2017-2017WE MAKE IT campaign] to support our visions and dreams for this Retreat!<br />
Pre-register through the campaign if you want to actively participate!<br />
<br />
Every amount counts! Thanks to the [https://wemakeit.com/pages/science Science Booster] program we have the chance to double all backing supports, with an extra backing from Gebert Rüf Stiftung.<br />
<br />
{{#widget:Iframe<br />
|url=https://www.youtube.com/embed/BXtQjicyMrI<br />
|width=640<br />
|height=480<br />
|border=0<br />
}}<br />
<br />
== Klöntal Biohack Retreat ==<br />
<br />
'''Dates: 20 - 24. September 2017'''<br />
<br />
Original [http://www.kloentaltriennale.ch/events_detail.php?project_id=12 website]<br />
<br />
Currently co-editing ideas [https://docs.google.com/document/d/1faEEIrvB5bb-y-wc2e6GdHxjMXaJU3C7iG_dUfXkhfk/edit# here]<br />
<br />
Discussion on the [http://forum.hackteria.org/c/hackterialab/klontal-biohack-retreat Forum]<br />
<br />
=== Where ===<br />
<br />
The Ferienheim Niederurnen is a camp house / artist colony able to host up to 54 people and has vast recreation space, industrial size kitchen and a big garden for making fires and collect herbs. The house is situated a few steps away from a natural waterfall and the lake Klöntal. <br />
<br />
See [https://www.google.co.id/maps/place/Kl%C3%B6ntalersee/@47.0278552,8.9588895,5966m/data=!3m2!1e3!4b1!4m5!3m4!1s0x4785322defece941:0xbd18b8fa9cca9c41!8m2!3d47.0224341!4d8.9596699?hl=en map]<br />
<br />
<gallery mode="packed-hover" widths=400px heights=300px><br />
Nierdurnen Ferienheim.jpeg<br />
File:Kloentalersee_um_1900.jpg<br />
File:Klöntalersee_-_camping_Vorauen_(9694971696).jpg<br />
</gallery><br />
<br />
== Living Schedules ==<br />
<br />
<br />
=== Workshops ===<br />
<br />
==== PTzN // Echo of the Lake ====<br />
<br />
'''Mentor: Pei-Wen Liu'''<br />
<br />
Despite all the visible influences on the ecosystem of the region, once again we will take a walk around the lake to investigate how sound echos towards the surrounding and how other sounds come through the lake from different aspects of human activities. During the field research, we would record synchronised tracks of four, of each a different angel. Listening Workshop will be divid into two parts : 1. Approx. 45 mins) What is an echo in the nature environment? We will listen to various of soundscape examples of field recording and its manipulation. 2. Approx. 45 mins) Field Research of “Echo of the Lake” Kloental.<br />
<br />
== Klöntal Biohack Retreat People ==<br />
<br />
===Invited Practitioners, Mentors and Workshopologists ===<br />
<br />
==== I-Chern Lai (TW) ====<br />
[[File:iChern.jpg|thumb|left|200px]]<br />
I-Chen Lai is an artist and a gardener. She works at Taipei Botanical Garden and she makes interventions in different kinds of “public space” from beach, park to public library and fine art museum. I-Chen has long been interested in man-made nature environment and recently more focus on gardens and botany, taking them as the reflection of human-nature relationships.<br />
I-Chen completed her undergraduate study in landscape architecture at Taiwan University and received her MFA degree from Edinburgh University's “Art, Space and Nature” programme, focused on site-specific art and art-science cross-disciplinary practice. Her projects have taken place in many cities in Asia and Europe, including Taipei, Nagoya, The Hague, Rotterdam, Aberdeen and Edinburgh. In 2016, her project Transaction / Translation was included in the 2016 Taipei Biennial “Gestures and archives of the present, genealogies of the future: A new lexicon for the biennial”, where she sat next to the installation in order to allow conversation with visitors.<br />
<br clear=all><br />
==== Urs Gaudenz (CH) ====<br />
[[File:Urs_BioGeek.jpg|thumb|left|200px]]<br />
Urs Gaudenz is an engineer and interdisciplinary scholar working in Lucerne, Switzerland. He was born 1971 in Seattle USA. He got his master in science of Microtechnologoy from the Swiss Federal Institute of Technology, Lausanne. Subsequent to that he attended Post-Graduate programs in international business and innovation-management. In 2016 completed the course of study in the Principles and Applications of Synthetic Biology as directed by Georg Curch, Professor of Genetics at Harward Medical School. He is founder of GaudiLabs, a third space for third culture. He is a founding member and member of the board of Hackteria International Society. He is currently on the faculty of the Lucerne School for Applied Science and Arts. In his professional practice, Urs Gaudenz makes use of various forms of work and expression such as prototype development, open scientific research and collaborative workshops. He is combining his different backgrounds to explore new technological and cultural fields and his works often emerges out of the void in this intersection. Remarkable in his work is the wide span from speculative and futuristic to very functional and applied. He worked with and was inspired by Dr. Marc Dusseiller - dusjagr labs, the Swiss Mechatronic Art Society, the GynePunk, BioDesign for the Real World, Sci | Art NanoLab Summer Institute at UCLA, LifePatch. He was invited to give workshops or exhibit projects at renown institutions and festivals such as Ars Electronica - Projekt Genesis, ISEA - International Symposium on Electronic Art, DOCK18, space for media cultures of the world, Kapelica Gallery / BioTehna, Schloss Werdenberg, N/O/D/E festival, Medialab-Prado Madrid, CYNETART-Festival - Trans-Media-Akademie.<br />
<br />
http://www.gaudi.ch/GaudiLabs/<br />
<br clear=all><br />
==== Wawies Wisnu Wisdantio (ID) ====<br />
[[File:wawies_photographer.jpg|thumb|left|200px]]<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of [http://lifepatch.org Lifepatch], a community base organization working in creative and appropriate application in the field of art, science and technology.<br />
<br clear=all><br />
==== Vanessa Lorenzo (ES/CH) ====<br />
<br />
<br clear=all><br />
==== Servando Barreiro (ES/DE) ====<br />
[[File:servando_mate.jpg|left|thumb|200px]]Servando Barreiro its a nomadic sound nerd with interests in Biochemistry, entheogens, DIY hardware & software, Lucid dreaming and many other topics..<br />
With background in Electronics and Audio engineering and experience in live visuals, graphical programming, human-computer interaction and artificial stupidity. <br />
<br />
http://servando.teks.no<br />
<br clear=all><br />
<br />
==== Ke-ting Chen aka Kurt (TW) ====<br />
[[File:kurt.jpg|thumb|left|200px]]<br />
Ke-ting Chen is a collector, farmer, art creator, and Ethnobotany researcher. He was born in 1985 and grew up between Taipei City and the tea village, Pinglin in Taiwan. He researched the biodiversity of the lichen Family Collemataceae in Taiwan, and received his MSc degree from the Plant Pathology of National Chung Hsing University. Then he did some agricultural technical cooperation projects in Saint Vincent and the Grenadines and Palau. From 2013, he joined the Ethnobotany research group in the Botanical Garden Division, Taiwan Forestry Research Institute. His survey is focusing on taro, other crops and the Traditional Ecological Knowledge of Taiwanese Aboriginals. During the period in TFRI, he also assisted operating the exhibition room and Japanese garden, "Nanmon-cho 323" in Taipei Botanical Garden. Besides, he continued his creation of photography, paper cutting and nature material weaving. His exhibitions “Conflux”, “Specimen of Time”, and an ongoing project “Lei for Love” are showing his interest of daily life, work and nature environment. Now he is back to his hometown, Pinglin. And he tries to set up a sustainable farm and co-studio combining plant, art and living.<br />
<br clear=all><br />
<br />
==== PTzN (Pei-Wen Liu, Tobias Hoffmann, Zhi-Yu Niels Hoffmann) (TW/CH/DE) ====<br />
[[File:Niels Hand2.jpeg|thumb|left|200px]]<br />
<br />
<br clear=all><br />
<br />
=== Hosts, Team, Co-Organizers ===<br />
==== Maya Minder (CH) ====<br />
[[File:maya_blumenstrauss.jpg|thumb|left|200px]]<br />
Maya Minder‘s (b. 1983, lives in Zürich) Gasthaus combines artistic, curatorial, and activist interests into communal culinary events at various locations. For the Klöntal Triennial, she designed the opening dinner and also offers a series of workshops, including a biohacking workshop and a fermentation workshop, over the course of the Triennial‘s duration. Fermentation repeatedly features as a central aspect of her work, not only literally but also as a metaphor for social ferment, agitation, and incitation to resistance. Minder opposes the structures of food industry by promoting local selforganization, ecological sustainability, and community. She resuscitates traditional food productions methods with a certain relish, saving them from otherwise being forgotten. Her interests span the fields of art, politics, and biohacking, and she often invites other protagonists from these and various other fields to participate in the process of communal exchange. Facilitating interdisciplinary, intercultural dialogue amongst the participants is one of the primary goals of her practice.<br />
<br />
http://mayaminder.tk<br />
<br clear=all><br />
==== Marc Dusseiller aka dusjagr (CH) ====<br />
[[File:dusjagr_coconut.jpg|thumb|left|200px]]<br />
Marc Dusseiller aka dusjagr is a nomadic researcher and workshopologist and works in an integral way, combining science, art and education. He is part of the Center for Alternative Coconut Research and the Swiss Mechatronic Art Society (SGMK), co-founder of the global Hackteria network and co-organizer of the different editions of HackteriaLab 2010 - 2014 in Zürich, Romainmotier, Bangalore and Yogyakarta. Before travelling the world for making DIY / DIWO laboratories for creative biological experimentation with living media, Marc entered the world of DIY electronics, designing printed circuit boards for synthesizers and organizing workshops and festivals in Switzerland and Slovenia. He lives and works in Zürich, Yogyakarta and Taipei. He also loves coconuts.<br />
<br />
http://me.dusjagr.guru<br />
<br clear=all><br />
==== Klöntal Triennale Curation ====<br />
<br />
==== Cooks and Hosts, tba ====<br />
<br />
== Related Projects on this wiki ==<br />
<br />
As one of our key formats we have developed a series of "Collaborative Events for Production and Research", so called Temporary Labs. <br />
<br />
See other editions on [[Temporary Labs Overview]].<br />
<br />
== Notes about the Region ==<br />
<br />
The lake is owned by the bigest Swiss Energy Holding called AXPO. See [https://en.wikipedia.org/wiki/Axpo_Holding] Axpo is also the operating company of the world oldest nuclear power plant, Beznau. See [https://www.watson.ch/Schweiz/Energiewende/404180384-Klage-erfolgreich--Greenpeace-darf-mehr-%C3%BCber-das-AKW-Beznau-wissen=de watson]</div>Peihttp://www.hackteria.org/wiki/index.php?title=File:Niels_Hand2.jpeg&diff=22637File:Niels Hand2.jpeg2017-09-02T22:00:28Z<p>Pei: File uploaded with MsUpload</p>
<hr />
<div>File uploaded with MsUpload</div>Peihttp://www.hackteria.org/wiki/index.php?title=HSC&diff=12690HSC2014-07-28T15:28:10Z<p>Pei: /* Potential Speakers */</p>
<hr />
<div>=Hackteria Swiss Curriculum=<br />
<br />
<br />
<br />
<br />
== Corner College ==<br />
<br />
<br />
<br />
== Team ==<br />
<br />
Pei, Boris, Marc<br />
<br />
<br />
=HSC Series 2014=<br />
<br />
<br />
== General Info about Hackteria ==<br />
<br />
{{#widget:Iframe<br />
|url=http://www.slideshare.net/slideshow/embed_code/37082970<br />
|width=476<br />
|height=400<br />
|border=0<br />
}}<br />
<br />
== HSC#1: The case study and review of HackteriaLab 2014 – Yogyakarta ==<br />
<br />
http://hackteria.org/discourse/hsc1-hackterialab2014/<br />
<br />
<br />
== HSC#2: Hybrid Ecology | The Finnish Society of Bioart ==<br />
<br />
http://hackteria.org/discourse/hsc2-hybrid-ecology/<br />
<br />
<br />
== HSC#3: A critical perspective on bio-art between tactical media and artistic playground ==<br />
<br />
http://hackteria.org/discourse/hsc3/<br />
<br />
= Upcoming Aug-Dec =<br />
<br />
== HSC#4: Water ==<br />
<br />
* Sachiko Hirosue<br />
<br />
== Potential Speakers ==<br />
<br />
* Pavillon_45 - Nov<br />
* Jens Hauser<br />
* Jill Scott<br />
* Eugene Thacker<br />
* Simon Park<br />
* Sachiko Hirosue<br />
* Brian Degger<br />
* Center for Genomic Gastronomy<br />
* <br />
*</div>Peihttp://www.hackteria.org/wiki/index.php?title=Explorations_in_BioLuminescence&diff=12689Explorations in BioLuminescence2014-07-27T10:20:52Z<p>Pei: </p>
<hr />
<div>[[File:bioluminescence.jpg|320px|thumb|DIY bioluminescent mushroom :-)|none]]<br />
'''From fireflies to stinky squids... the future is bright'''<br />
<br />
== General Introduction ==<br />
<br />
Bioluminescence is visible light made by living creatures. Such creatures are rare on land but extremely common in the oceans. see more on Marine Bioluminescence by BioScience | Explained here: [[File:BiolumEN.pdf]]<br />
<br />
'''Bioluminescence is not the same as phosphorescence'''<br />
<br />
Even though Steinbeck, Hemmingway and even Darwin referred to the “phosphorescence of the sea” this is a literary rather than a scientific description. Phosphorescence is the delayed emission of light from a source that has been excited by light. Examples include glow-in-the-dark paints and toys.<br />
<br />
'''Bioluminescence is not the same as fluorescence'''<br />
<br />
As with phosphorescence light emission is stimulated by light not by a chemical reaction. With fluorescence the excitation wavelength is always shorter, that is, higher energy, than the emission wavelength and emission ceases as soon as the excitation source is turned off. Some of this confusion may have arisen because some, but not all, luciferins are fluorescent and a few pass their excitation energy along to fluorescent proteins like GFP.<br />
<br />
== Isolation of luminous bacteria from fish or squid ==<br />
<br />
[[File:Photobacterium_phosphoreum.jpg|thumb|from [http://en.citizendium.org/wiki/Photobacterium_phosphoreum citizendium]|320px|right]]<br />
<br />
from [http://www.bioscience-explained.org/ bioScience | Explained], download [[File:BioSci_expl_PhotoLumen.pdf]]<br />
<br />
[http://en.wikipedia.org/wiki/Photobacterium_phosphoreum ''P. phosphoreum''] is one of the commonest spoilage organisms of fish such as cod. It is not known to cause disease, but there are reports of people being startled by glowing fish fingers in the fridge!<br />
<br />
To isolate glowing bacteria from fish, obtain a freshly-caught seafish or squid. It is very important that the fish has not been frozen or washed in fresh water. It is also better if the fish has not been stored on ice. Place the fish in a container with 3% NaCl solution. The liquid should be deep enough to come half way up the fish.<br />
<br />
Cover the container and store the fish for 24 hours at about 12–15 °C. Note: if this temperature is difficult to achieve, place the fish in a fridge at about 4 °C for 48–72 hours.<br />
<br />
After incubation, take the container with the fish into a dark room. When your eyes have been adopted to dark, light spots will be visible on<br />
the skin of the fish. Use a sterile toothpick or disposable sterile loop or needle to aseptically transfer the brightest spots onto sterile fish enrichment agar plates. Tip: some people find it useful to use a dim red lamp (e.g., a photographic safety lamp) for this step. Turn the fish away from the lamp so that the glowing colonies are in the shade and therefore visible.<br />
<br />
Transfer the cultures to new agar plates every second day if you are incubating them at temperatures around 12 °C or once a week if you are<br />
storing them in a fridge. P. phosphoreum will grow at 4 °C; V. fischeri will not. By selecting the brightest colonies when inoculating, it should be possible to isolate a pure culture.<br />
<br />
'''Fish enrichment medium'''<br />
* Boil 250 g fish meat in 1 l of water.<br />
* Add 30 g NaCl and sieve to remove solids.<br />
* Add 10 g peptone, 10 ml glycerol and 1 g yeast extract.<br />
* Adjust the pH to 7.<br />
* Autoclave at 121 °C for 15–20 minutes.<br />
<br />
For a solid medium add 15–20 g of agar to every litre of broth.<br />
<br />
<br />
'''Safety note'''<br />
Several species of Vibrio are pathogenic. The chances of inadvertently isolating pathogens in this procedure can be reduced by using at least 3% salt solution and incubating fish and plates at no more than 15 °C. Human pathogens are unlikely to grow under such conditions.<br />
<br />
=== Further links ===<br />
<br />
* [http://www.instructables.com/id/Bioluminescent-Bacterial-Lightbulb-Water-Polluti/?ALLSTEPS Bioluminescent Bacterial Lightbulb on Instructables]<br />
* http://jb.asm.org/content/104/1/313.abstract<br />
<br />
== Bioluminescent Algae ==<br />
<br />
'''DINOFLAGELLATES'''[[File:ag.jpg|thumb|from [http://www.mdpi.com/2076-2607/1/1/3] Microorganisms 2013|320px|right]]<br />
<br />
* [http://siobiolum.ucsd.edu/dino_intro.html '''What is a dinoflagellate?''' Latz Laboratory Scripps Institution of Oceanography]<br />
<br />
* [http://www.youtube.com/watch?v=7_3cDZ3yVrg '''GEO Reportage: Die Leuchtkraft der Natur''' (About Dinoflagellates)]<br />
<br />
* [http://tolweb.org/notes/?note_id=5621 '''Bioluminescence in Dinoflagellates''' (Rüdiger Hardeland and Mona Hoppenrath)]<br />
<br />
* [http://www.mdpi.com/2076-2607/1/1/3 Microorganisms 2013: '''Understanding Bioluminescence in Dinoflagellates—How Far Have We Come?''']<br />
<br />
<br />
'''Material for growing dinoflagellates:'''<br />
<br />
A clear growing container (shallow containers with lots of surface area)Sanitation is necessary so your batch doesn‘t crash.<br />
REALLY wash out the grow container, make sure there is absolutely no residue left.<br />
Culture flasks -- Sterilized glassware if autoclave is available, otherwise use disposable tissue culture flasks.<br />
If you use sterile media and glassware, your cultures will continue forever; every month pour about 1/4 of the culture into some new medium. If you can‘t maintain sterile culture conditions, the cells will last for a few weeks to a month before bacteria overgrow the culture. <br />
<br />
Water<br />
* Use purified water as tap water can contain chlorine or other things that might kill your batch.<br />
* No tap water, tap water may contain metal ions that are detrimental to algal growth.<br />
* Temperature: 22° C<br />
<br />
Sea Salt from pet or aquarium stores<br />
<br />
Light and timer<br />
* Indirect natural light is good, but not direct sunlight.<br />
* Illumination with cool-white fluorescent lamps<br />
* Fluorescent light, either cool white or full spectrum, is also sufficient. Avoid incandescent lamps, as they can overheat the water and kill your algae.<br />
* A grow light or an aquarium/terriarium light<br />
* 12 hours of light and 12 hours of darkness every 24 hours<br />
<br />
Nutrients (Growth medium)<br />
* Dinoflagellates require nitrate, phosphate, trace metals, and vitamins.<br />
* (Micro Algae Grow)<br />
* [http://siobiolum.ucsd.edu/dino_culture.html Growth medium:]<br />
* [http://biopop.com/products/dino-food Dino Food]<br />
* [http://biopop.com/products/dino-refills Dino Refill]<br />
<br />
A Starter Culture <br />
* A15 Bioluminescent Algae 250ml cultures from Sciento.<br />
* Planktonic marine, bioluminescent dinoflagellate (Pyrocystis sp.)<br />
<br />
'''Supplier of Dinoflagellates:'''<br />
<br />
* Sciento Manchaster UK http://www.sciento.co.uk/catalog/item/553/<br />
* Empco Holdings Menlo Park USA http://empco.org/edu/index.php/bioluminescent-algae.html<br />
* Sunnyside Sea Farms Goleta California USA http://seafarms.com/html/products.html<br />
* [http://www.carolina.com/catalog/search-results.jsp;jsessionid=5966B9500D8C2F230D8EB7DA1E28C96D.stageworker5?_dyncharset=UTF-8&question=dinoflagellates&_D%3Aquestion=+&questionSaved=&%2Fatg%2Fuserprofiling%2FProfile.searchTabSelection=Products&_D%3A%2Fatg%2Fuserprofiling%2FProfile.searchTabSelection=+&%2Fatg%2Fcommerce%2Fsearch%2Fcatalog%2FQueryFormHandler.search=Search&_D%3A%2Fatg%2Fcommerce%2Fsearch%2Fcatalog%2FQueryFormHandler.search=+&searchExecByFormSubmit=true&_DARGS=%2Fincludes%2Fgadgets%2Fheader-search.jsp.mainSearchForm Carolina Burlington USA]<br />
<br />
'''Art / Design / Products using dinoflagellates'''<br />
<br />
* [http://biopop.com/products/dino-pet '''Dino Pet''' Powered by dinoflagellates] We like to think of it as lighting in a bottle, only without the pesky thunder.<br />
* [https://www.kickstarter.com/projects/yonder/dino-pet-a-living-bioluminescent-night-light-pet Dino Pet at Kickstarter][[File:dino-pet_medium.jpg|thumb|from [http://biopop.com/products/dino-pet biopop.com]|180px|none]]<br />
* '''Sophia Sobers''' [http://sophiasobers.net/heartbeats-bioluminescence/ Heartbeats & Bioluminescence / Necklace, heartbeat monitor is a concept][[File:Sophia_Sobers_1.jpg|thumb|from [http://sophiasobers.net/heartbeats-bioluminescence/ Sophia Sobers]|none]]<br />
<br />
=== Further links ===<br />
<br />
* [http://www.instructables.com/id/The-Light-Fountain-a-Bioluminescent-Hourglass/?ALLSTEPS Bioluminescent Hourglass using Dinoflagellatets by BioCurious]<br />
* [http://www.instructables.com/id/Grow-Your-Own-Bioluminescent-Algae/?ALLSTEPS Grow Your Own Bioluminescent Algae on Instructables]<br />
<br />
== Hacking Fireflies ==<br />
<br />
[http://www.gluehwuermchen.ch/aktuell/aktuell.htm '''Gluehwuermchen.ch''']<br />
<br />
[http://www.gluehwuermchen.ch/led_falle/led_falle.htm LED-Falle]<br />
<br />
'''Artists working with the topic of firefly'''<br />
<br />
* [http://andy.dorkfort.com/andy/digitalnatural/2013/12/27/living-lightning-critical-making-workshop-and-performance/ '''Living Lightning:''' Critical Making Workshop and Performance]<br />
* [http://www.mariotti.ch/ '''Francesco Mariotti''']<br />
<br />
== DIY Bioluminescent Dormice ==<br />
<br />
== Luminous Workshopology ==<br />
<br />
[[File:luminous_drinks.jpg|thumb|drinking?|320px|right]]<br />
interested Brian Degger<br />
<br />
* '''--- the future is bright ---'''<br />
* '''Why the hell should everything glow?'''<br />
<br />
'''Phototaxis''' is a kind of taxis, or locomotory movement, that occurs when a whole organism moves towards or away from stimulus of light.This is advantageous for phototrophic organisms as they can orient themselves most efficiently to receive light for photosynthesis.<br />
[http://en.wikipedia.org/wiki/Phototaxis (wikipedia.org)]<br />
<br />
'''Phototropism''' is the movement or growth of organisms in response to lights or colors of light (e.g.- the sunflower)<br />
[http://en.wikipedia.org/wiki/Phototropism (wikipedia.org)]<br />
<br />
'''Heliotropism''' is the motion of plant parts (flowers or leaves) in response to the direction of the sun. A. P. de Candolle called this phenomenon in any plant heliotropism (1832). It was renamed phototropism in 1892, because it is a response to light rather than to the sun.<br />
[http://en.wikipedia.org/wiki/Heliotropism (wikipedia.org)]<br />
<br />
== Towards a mini citizen science festival in Zuri ==<br />
[http://piratepad.net/BioLuminescence-CC BioLuminescence@Corner's College]<br />
<br />
<br />
== other links and reference ==<br />
<br />
[[File:Visual compendium of glowing creatures.png|800px]]<br />
<br />
Poster designed by Seattle-based artist [http://tabletopwhale.com/2014/07/21/a-visual-compendium-of-glowing-creatures.html Eleanor Lutz]</div>Peihttp://www.hackteria.org/wiki/index.php?title=File:Visual_compendium_of_glowing_creatures.png&diff=12688File:Visual compendium of glowing creatures.png2014-07-27T10:17:13Z<p>Pei: </p>
<hr />
<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=Explorations_in_BioLuminescence&diff=12664Explorations in BioLuminescence2014-07-09T09:19:26Z<p>Pei: </p>
<hr />
<div>[[File:bioluminescence.jpg|320px|thumb|DIY bioluminescent mushroom :-)|none]]<br />
'''From fireflies to stinky squids... the future is bright'''<br />
<br />
== General Introduction ==<br />
<br />
Bioluminescence is visible light made by living creatures. Such creatures are rare on land but extremely common in the oceans. see more on Marine Bioluminescence by BioScience | Explained here: [[File:BiolumEN.pdf]]<br />
<br />
'''Bioluminescence is not the same as phosphorescence'''<br />
<br />
Even though Steinbeck, Hemmingway and even Darwin referred to the “phosphorescence of the sea” this is a literary rather than a scientific description. Phosphorescence is the delayed emission of light from a source that has been excited by light. Examples include glow-in-the-dark paints and toys.<br />
<br />
'''Bioluminescence is not the same as fluorescence'''<br />
<br />
As with phosphorescence light emission is stimulated by light not by a chemical reaction. With fluorescence the excitation wavelength is always shorter, that is, higher energy, than the emission wavelength and emission ceases as soon as the excitation source is turned off. Some of this confusion may have arisen because some, but not all, luciferins are fluorescent and a few pass their excitation energy along to fluorescent proteins like GFP.<br />
<br />
== Isolation of luminous bacteria from fish or squid ==<br />
<br />
[[File:Photobacterium_phosphoreum.jpg|thumb|from [http://en.citizendium.org/wiki/Photobacterium_phosphoreum citizendium]|320px|right]]<br />
<br />
from [http://www.bioscience-explained.org/ bioScience | Explained], download [[File:BioSci_expl_PhotoLumen.pdf]]<br />
<br />
[http://en.wikipedia.org/wiki/Photobacterium_phosphoreum ''P. phosphoreum''] is one of the commonest spoilage organisms of fish such as cod. It is not known to cause disease, but there are reports of people being startled by glowing fish fingers in the fridge!<br />
<br />
To isolate glowing bacteria from fish, obtain a freshly-caught seafish or squid. It is very important that the fish has not been frozen or washed in fresh water. It is also better if the fish has not been stored on ice. Place the fish in a container with 3% NaCl solution. The liquid should be deep enough to come half way up the fish.<br />
<br />
Cover the container and store the fish for 24 hours at about 12–15 °C. Note: if this temperature is difficult to achieve, place the fish in a fridge at about 4 °C for 48–72 hours.<br />
<br />
After incubation, take the container with the fish into a dark room. When your eyes have been adopted to dark, light spots will be visible on<br />
the skin of the fish. Use a sterile toothpick or disposable sterile loop or needle to aseptically transfer the brightest spots onto sterile fish enrichment agar plates. Tip: some people find it useful to use a dim red lamp (e.g., a photographic safety lamp) for this step. Turn the fish away from the lamp so that the glowing colonies are in the shade and therefore visible.<br />
<br />
Transfer the cultures to new agar plates every second day if you are incubating them at temperatures around 12 °C or once a week if you are<br />
storing them in a fridge. P. phosphoreum will grow at 4 °C; V. fischeri will not. By selecting the brightest colonies when inoculating, it should be possible to isolate a pure culture.<br />
<br />
'''Fish enrichment medium'''<br />
* Boil 250 g fish meat in 1 l of water.<br />
* Add 30 g NaCl and sieve to remove solids.<br />
* Add 10 g peptone, 10 ml glycerol and 1 g yeast extract.<br />
* Adjust the pH to 7.<br />
* Autoclave at 121 °C for 15–20 minutes.<br />
<br />
For a solid medium add 15–20 g of agar to every litre of broth.<br />
<br />
<br />
'''Safety note'''<br />
Several species of Vibrio are pathogenic. The chances of inadvertently isolating pathogens in this procedure can be reduced by using at least 3% salt solution and incubating fish and plates at no more than 15 °C. Human pathogens are unlikely to grow under such conditions.<br />
<br />
=== Further links ===<br />
<br />
* [http://www.instructables.com/id/Bioluminescent-Bacterial-Lightbulb-Water-Polluti/?ALLSTEPS Bioluminescent Bacterial Lightbulb on Instructables]<br />
* http://jb.asm.org/content/104/1/313.abstract<br />
<br />
== Bioluminescent Algae ==<br />
<br />
'''DINOFLAGELLATES'''<br />
<br />
* [http://www.mdpi.com/2076-2607/1/1/3 Microorganisms 2013: '''Understanding Bioluminescence in Dinoflagellates—How Far Have We Come?'''][[File:ag.jpg|thumb|from [http://www.mdpi.com/2076-2607/1/1/3] Microorganisms 2013|320px|right]]<br />
<br />
* [http://www.youtube.com/watch?v=7_3cDZ3yVrg '''GEO Reportage: Die Leuchtkraft der Natur''' (About Dinoflagellates)]<br />
<br />
<br />
<br />
'''Material for growing dinoflagellates:'''<br />
<br />
A clear growing container (shallow containers with lots of surface area)<br />
We start with a 60l container. Sanitation is necessary so your batch doesn‘t crash.<br />
REALLY wash out the grow container, make sure there is absolutely no residue left.<br />
<br />
Water<br />
* Use purified water as tap water can contain chlorine or other things that might kill your batch.<br />
* No tap water, tap water may contain metal ions that are detrimental to algal growth.<br />
* Temperature: 22° C<br />
<br />
Sea Salt from pet or aquarium stores<br />
<br />
Light and timer<br />
* Indirect natural light is good, but not direct sunlight.<br />
* Fluorescent light, either cool white or full spectrum, is also sufficient. Avoid incandescent lamps, as they can overheat the water and kill your algae.<br />
* A grow light or an aquarium/terriarium light<br />
* 12 hours of light and 12 hours of darkness every 24 hours<br />
<br />
Nutrients<br />
* (Micro Algae Grow)<br />
* [http://biopop.com/products/dino-food Dino Food]<br />
* [http://biopop.com/products/dino-refills Dino Refill]<br />
<br />
A Starter Culture <br />
* A15 Bioluminescent Algae 250ml cultures from Sciento.<br />
* Planktonic marine, bioluminescent dinoflagellate (Pyrocystis sp.)<br />
<br />
'''Supplier of Dinoflagellates:'''<br />
<br />
* Sciento Manchaster UK http://www.sciento.co.uk/catalog/item/553/<br />
* Empco Holdings Menlo Park USA http://empco.org/edu/index.php/bioluminescent-algae.html<br />
* Sunnyside Sea Farms Goleta California USA http://seafarms.com/html/products.html<br />
* [http://www.carolina.com/catalog/search-results.jsp;jsessionid=5966B9500D8C2F230D8EB7DA1E28C96D.stageworker5?_dyncharset=UTF-8&question=dinoflagellates&_D%3Aquestion=+&questionSaved=&%2Fatg%2Fuserprofiling%2FProfile.searchTabSelection=Products&_D%3A%2Fatg%2Fuserprofiling%2FProfile.searchTabSelection=+&%2Fatg%2Fcommerce%2Fsearch%2Fcatalog%2FQueryFormHandler.search=Search&_D%3A%2Fatg%2Fcommerce%2Fsearch%2Fcatalog%2FQueryFormHandler.search=+&searchExecByFormSubmit=true&_DARGS=%2Fincludes%2Fgadgets%2Fheader-search.jsp.mainSearchForm Carolina Burlington USA]<br />
<br />
'''Art / Design / Products using dinoflagellates'''<br />
<br />
* [http://biopop.com/products/dino-pet '''Dino Pet''' Powered by dinoflagellates] We like to think of it as lighting in a bottle, only without the pesky thunder.<br />
* [https://www.kickstarter.com/projects/yonder/dino-pet-a-living-bioluminescent-night-light-pet Dino Pet at Kickstarter][[File:dino-pet_medium.jpg|thumb|from [http://biopop.com/products/dino-pet biopop.com]|180px|none]]<br />
* '''Sophia Sobers''' [http://sophiasobers.net/heartbeats-bioluminescence/ Heartbeats & Bioluminescence / Necklace, heartbeat monitor is a concept][[File:Sophia_Sobers_1.jpg|thumb|from [http://sophiasobers.net/heartbeats-bioluminescence/ Sophia Sobers]|none]]<br />
<br />
=== Further links ===<br />
<br />
* [http://www.instructables.com/id/The-Light-Fountain-a-Bioluminescent-Hourglass/?ALLSTEPS Bioluminescent Hourglass using Dinoflagellatets by BioCurious]<br />
* [http://www.instructables.com/id/Grow-Your-Own-Bioluminescent-Algae/?ALLSTEPS Grow Your Own Bioluminescent Algae on Instructables]<br />
<br />
== Hacking Fireflies ==<br />
<br />
[http://www.gluehwuermchen.ch/aktuell/aktuell.htm '''Gluehwuermchen.ch''']<br />
<br />
[http://www.gluehwuermchen.ch/led_falle/led_falle.htm LED-Falle]<br />
<br />
'''Artists working with the topic of firefly'''<br />
<br />
* [http://andy.dorkfort.com/andy/digitalnatural/2013/12/27/living-lightning-critical-making-workshop-and-performance/ '''Living Lightning:''' Critical Making Workshop and Performance]<br />
* [http://www.mariotti.ch/ '''Francesco Mariotti''']<br />
<br />
== DIY Bioluminescent Dormice ==<br />
<br />
== Luminous Workshopology ==<br />
<br />
[[File:luminous_drinks.jpg|thumb|drinking?|320px|right]]<br />
*interested Brian Degger<br />
<br />
== Towards a mini citizen science festival in Zuri ==<br />
[http://piratepad.net/BioLuminescence-CC BioLuminescence@Corner's College]</div>Peihttp://www.hackteria.org/wiki/index.php?title=Hackteria_Wiki:Biologische_Kunst_%E2%80%93_Wissenschaft,_Natur_und_Biohacking_-_Schaffhausen&diff=12562Hackteria Wiki:Biologische Kunst – Wissenschaft, Natur und Biohacking - Schaffhausen2014-07-01T11:35:07Z<p>Pei: /* Soundscapes Performance */</p>
<hr />
<div><div class="toclimit-2">__TOC__</div><br />
<br />
=Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking, Donnerstag, 12. Juni bis Samstag, 14. Juni=<br />
[[File:hackteria_schaffhausen_poster_web.png|thumb|400px]]<br />
Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking"<br />
<br />
Organisiert von Marc Dusseiller, Leo Bettina Roost und Hackteria, in Zusammenarbeit mit dem Kunstverein Schaffhausen.<br />
<br />
== Überblick ==<br />
<br />
Im Rahmen der Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" im Museum zu Allerheiligen, wird hackteria einem interessierten Publikum diesen noch jungen, internationalen und avantgardistischen Zweig an der Schnittstelle von Kunst und Wissenschaft vorstellen.<br />
<br />
<br />
=== Was ist Hackteria? ===<br />
'''Open Source Biological Art | DIY Biology |Generic Laboratory Infrastructure'''<br />
<br />
In den mittlerweile 5 Jahren seit der Gründung von "Hackteria | Open Source Biological Art" hat sich ein globales Netzwerk entwickelt, welches mit einem Ansatz der radikalen Transdisziplinarität, wie auch einer Offenheit zum Amateurismus in der Ausseinandersetzung mit Themen der Biologie durch künstlerische, wissenschaftliche und DIY (do-it-yourself) Praktiken widmet. Ein Schwerpunkt des Projektes ist es über die Website hackteria.org einen niederschwelligen Zugang zu schaffen für Künstler, Hacker / Maker, Forscher und Pädagogen sich ein Know-how anzueignen um selbstständing in einfachen und selbstgebauten Heimlaboren mit Biotechnologie, Umweltanalytik und Genetik zu experimentieren. Im Rahmen von 1-2 wöchigen Veranstaltungen, das [http://hackteria.org/category/hackterialab/ HackteriaLab 2010 - 2014], trafen sich regelmässig eine Vielzahl von internationalen Teilnehmer, um gemeinsam in kollaborativer Praxis an neuen Projekten zu tüfteln, ihr Wissen durch Workshops und Präsentationen untereinander und mit der Öffentlichkeit zu teilen und durch interdisziplinäre Zusammenarbeit eine gemeinsame und konstruktive neue Sprache und Methodik zu finden.<br />
<br />
=== Mehr zum Program ===<br />
<br />
Für das jugendliche Publikum gibt es zu Beginn am Donnerstag einen Workshop. Sie werden zusammen mit hackteria ein Do-it-Yourself Mikroskop im Museum zu Allerheiligen bauen.<br />
<br />
In der Diskussionsrunde am Freitag kommen persönliche, künstlerische, ökologische und politische Beweggründe sich mit „Bioart“ zu beschäftigen zur Sprache. Einzelne Künstler/Wissenschaftler aus Finnland, Indonesien und der Schweiz, halten kurze Vorträge zu ihrer Arbeitsweise und ihren Schwerpunkten. Danach ist die Diskussion für das Publikum geöffnet.<br />
<br />
Tagsüber am Samstag bietet ein Klangspaziergang auf dem Randen die Möglichkeit an einem „Biologisch inspirierten Kunsterlebnis“ teilzuhaben. Soundscapes und Fieldrecordings, Klangexperimente und elektromagnetische Wahrnehmungserweiterungen. Bringt euer Smartphone und Headset mit!<br />
<br />
In der Überführung dessen wird Abends im Rahmen eines Konzertes zurück im Raum innerhalb des Museums, gemeinsam mit den Teilnehmern, eine aussergewöhnliche künstlerische Soundperformance zu erfahren und zu hören sein.<br />
<br />
Download the [https://dl.dropboxusercontent.com/u/6072669/Hackteria-Schaffhausen_Flyer_sm.pdf Hackteria-Schaffhausen Flyer here]<br />
<br />
= Workshop: DIY Mikroskopie =<br />
Donnerstag, 12. Juni, 13.00 - 16.00 Uhr<br />
<br />
''Ein eigenes Do-it-Yourself Mikroskop bauen'' <br />
[[File:dusjagr_akbar_UGM.jpg|left|200px]]<br />
<br />
Kurs für SchülerInnen und weitere Interessierte. Limitierte Plätze!<br />
CHF 25.- inkl. Material<br />
<br />
'''Anmeldung:''' Mail an [mailto:marc@dusseiller.ch Marc Dusseiller]<br />
<br />
Ort: Vortragssaal, Museum zu Allerheiligen, Schaffhausen<br />
<br />
Der Kurs wird geleitet von Marc Dusseiller und Nur Akbar Arofatullah (ID), ein langjähriger Projektpartner aus Yogyakarta, Student Mikrobiologie, welcher diesen Workshop schon viele Male in Indonesien durchgeführt hat. Zusammen mit Lehrern und Schülern der Kantonschule Schaffhausen garantieren wir einen interessanten Nachmittag als Einstieg in verschiedene Themen des Do-It-With-Others / Do-It-Yourself Biologie, wie auch einen Einblick in die Welt der Mikroorganismen.<br />
<br />
Detailierte Informationen zum Workshop weiter hier: [[Mikroskopie-SH]]<br />
<br />
== Eindrücke vom Workshop ==<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SH-Microscopy_01_workshop_museum.jpg<br />
File:SH-Microscopy_02_workshop_start.jpg<br />
File:SH-Microscopy_03_workshop_hacking_cams.jpg<br />
File:SH-Microscopy_04_workshop_nice_students.jpg<br />
File:SH-Microscopy_05_workshop_dusjagr_presents.jpg<br />
File:SH-Microscopy_06_workshop_kräutergarten.-trip.jpg<br />
File:SH-Microscopy_07_kräutergarten_discussion.jpg<br />
File:SH-Microscopy_08_workshop_Kräutergarten_sampling.jpg<br />
File:SH-Microscopy_09_workshop_results_students.jpg<br />
File:SH-Microscopy_10_workshop_PetriScope.jpg<br />
File:SH-Microscopy_11_workshop_resultMicroscope.jpg<br />
File:SH-Microscopy_12_workshop_microscope_versions.jpg<br />
<br />
</gallery><br />
<br />
= Soirée Talks: Nature, Art & Science =<br />
Freitag, 13. Juni, 18.15 Uhr<br />
<br />
''Diskussionsrunde über Biokunst, Biohacking und Transdisziplinarität mit Gästen aus Finnland und Indonesien.'' <br />
<br />
Erich Berger (AT/FI) - Finnish Society of Bioart, gibt einen Einblick das Ars Bioarctica Residency Programm in Kilpisjärvi, Nord-Lappland, wie auch verschiedene künstlerische Engagements im Bezug zu Nuklearkraft in Finnland, gefolgt von der Vorstellung ihrer letzten Buchpublikation “Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon”. Wawies Wisnu Wisdianto (ID) - Lifepatch Citizen Initiative in Art, Science and Technology & Landscape Indonesia, gibt einen Überblick über die Zusammenarbeiten von Lifepatch mit Hackteria, BioDesign.cc und anderen Partnern im Rahmen des JRP, Jogja River Project. Im Weiteren stellt er ihre Amateur Photographie-Platfrom vor "Landscape Indonesia", mit welcher sie Photobände von Indonesiern für Indonesier produzieren. Marc Dusseiller stellt allgemein das Projekt Hackteria | Open Source Biological Art vor, und gibt einen Einblick über HackteriaLab 2014 - Yogyakarta, welcher er mitorganisiert hat diesen April in Indonesien. Boris Magrini (CH), Kunsthistoriker, wird einen Versuch machen, die verschiedenen vorgestellten Themen, wie auch die BioKunst allgemein, aus seiner Sicht zusammenzufassen, wie auch zwischen zeitgenössischer Kunst und Neomodernem Aktivismus zu positionieren. Das Publikum ist anschliessend eingeladen in eine offene Diskussionsrunde moderiert von Leo Bettina Roost und Boris Magrini.<br />
<br />
Die Vorträge der Indonesischen Gäste sind in Englischer Sprache, Diskussionen in Deutsch.<br />
<br />
* Einführung: Marc, Leo & Lynn<br />
* Vorträge: Boris - Erich - Wawies - Marc (12 Minutes each)<br />
* Soundscape Intermezzo: Pei (5 min)<br />
* Publikums-Diskussion / Panel: Moderation Leo & Boris (ev. Lynn?). Zusätzliche Gäste: Mark Liebenberg (SN), 1 Person aus NGSH / BioLehrer<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SoireeTalks_01_intro.jpg<br />
File:SoireeTalks_02_erich.jpg<br />
File:SoireeTalks_03_dusjagr_DIY.jpg<br />
File:SoireeTalks_04_wawies_JRP.jpg<br />
File:SoireeTalks_05_Boris.jpg<br />
File:SoireeTalks_06_Apero.jpg<br />
File:SoireeTalks_07_roundTable.jpg<br />
<br />
</gallery><br />
<br />
= Randen Listening Fields - Nature and Phenomena =<br />
Samstag, 14. Juni, 11.30h - 17:00h<br />
<br />
''Klangspaziergang auf dem Randen mit internationalen Soundkünstlern''<br />
<br />
'''Treffpunkt: Vortragssaal, Museum zu Allerheiligen, 11:30h'''<br />
[[File:P1140672.JPG|200px|thumb|left|Treffpunkt: MzA Vortragssaal]]<br />
<br />
'''Treffpunkt auf dem Hagen, Heidenbaum Parkplatz, 12:00h'''<br />
<br />
https://maps.google.com/maps?q=47.758709,+8.565961&num=1&t=h&vpsrc=0&ie=UTF8&z=19&iwloc=A<br />
<br />
'''Pause und Diskussion in der SAC-Hütte Hasenbuck, 13:30h'''<br />
<br />
https://maps.google.com/maps?q=47.761663,+8.574165&num=1&t=h&vpsrc=0&ie=UTF8&z=20&iwloc=A<br />
<br />
<br />
== Aktivitäten ==<br />
<br />
<br />
Plain nature, everyday surrounding of a vast grass ground, a journey of rediscovery to our early summer, the crossing border of the visible soundings of those native cricket, winds, cows, birds, timelessness, we record. We may as well react and listen to the soundings of the invisible; with simply diy gadget along the walk or at the fields of experiment, we can listen to the vibrations of living matters and other materials that sounds. The designed soundwalk will be accompanied with three of collective listening and sound interventions co-ordinated by Kaspar König (NL/CH), Pei-Wen Liu (TW/CH) und Christoph Stähli (CH)<br />
<br />
'''Methods of Participation'''<br />
* Wear a pair of good walking shoes (nearly a must)<br />
* Open mind and your ear<br />
* Download Andriod App - [http://noisetracks.com Noisetrack] (free will)<br />
* Bring your own audio recording devices (free will)<br />
* we encourage the participant to re-use the experience of soundwalk to join the soundscape performance at the same evening (free will)<br />
* non of above, simple join the listening (free will)<br />
<br />
'''Transportation to Randen'''<br />
* The team will organise transportation between MzA meeting & Randen walking point, with the capacity approx. 12 - 16 pp inlcuding the team.<br />
* Everyone is welcome to join us, and we enourgage you to drive up together with the van to (GPS location). <br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:Randenspaziergang_01_arrival_heidenbaum.jpg<br />
File:Randenspaziergang_02_group_discussion.jpg<br />
File:Randenspaziergang_03_magic_ball.jpeg<br />
File:Randenspaziergang_04_KasparResonator.jpeg<br />
File:Randenspaziergang_05_exploring_resonanceBodies.jpeg<br />
File:Randenspaziergang_06_Mark_mushroom.jpeg<br />
File:Randenspaziergang_07_beeHacking.JPG<br />
File:Randenspaziergang_08_lunchbreak.jpeg<br />
File:Randenspaziergang_09_theTower.jpeg<br />
File:Randenspaziergang_10_GeekingUrs.jpeg<br />
File:Randenspaziergang_11_group_on_tower.jpeg<br />
File:Randenspaziergang_12_turmInstruments.jpeg<br />
File:Randenspaziergang_13_wawies_turm.JPG<br />
<br />
</gallery><br />
<br />
<br />
=== Map ===<br />
<br />
[[File:Randen_map_klangsiech_arrows.jpg.png|800px]]<br />
<br />
Weitere Details folgen in den nächsten Tagen... stay tuned.<br />
<br />
=== Impressionen frühere Hagen-Sessions ===<br />
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<gallery mode="packed-hover" widths=200px heights=160px><br />
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File:IMG_2947.JPG<br />
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File:tina_listens_to_ants.JPG<br />
File:veli_sheep_speakers.jpg<br />
<br />
</gallery><br />
<br />
=== Soundwalk mit ~ ===<br />
<br />
==== Kaspar - the forrest-score ====<br />
<br />
[[File:Kasper yourforresttalks.jpg|300px]]<br />
<br />
Wollten Sie den Klang der Geräusche des Windes durch Baumwipfel und Blätterwerk simulieren, bräuchten Sie tausende von Oszillatoren, welche alle ein klein weinig anders eingestellt sind. Das wäre für uns eine Menge Arbeit. Wind und Bäume hingegen erzeugen diese Musik völlig nebenher und selbstverständlich.<br />
Auf dem Soundwalk können wir die Wald-Musik ad hoc mit DIY gebauten Waldinstrumenten bereichern, ein Stück Holz mit Resonanzqualität, ein paar Seiten, ein Steg und schon klingt etwas zusätzlich mit. Am Bach spielen wir mit dem Wasser, auf dem Turm machen wir spontan Windharfen. Spätestens da möchten wir gemeinsam erleben wie der Sound des Waldes als Partitur hörbar wird. Hoffen wir, dass die Vögel uns kräftig unterstützen. Der Wald ist voller überraschender Geräusche, viel mehr als wir erwarten.<br />
<br />
''English''<br />
<br />
If you liked to simulate the sound of the noise of the wind through some basic leaves, you would have to make Thousends of oscilators slightly different tuned. This would be a lot of work which one or 2 or 3 trees just do like that.<br />
There is more sound in a forrest then you would expect. However one can also play the forrest. On our soundwalk we`ll find natural resonance body that can sound unexpectedly or suprisingly. Without to much technic, we`ll try to make a tree-birembau or instruments just as they occur. With some simple strings and bridges we can even make a small harmonic sound. In the river we can tune the water and on the tower we`ll be just spontanuously making some Aeolharps. And from that point on, you`ll see the whole forrest as a score. If we`re good, we play the score together. And we`ll find many more scores in micro and macro environments. Let`s see if we get the birds around to embody our orchestra even stronger.<br />
<br />
http://kasparkoenig.com<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
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File:DSC03226.jpeg<br />
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<br />
</gallery><br />
<br />
=== Pei - active and passive listening ===<br />
[[File:pei_in_the_fog.JPG|200px]]<br />
<br />
Die alltägliche Klanglandschaft als ein fortlaufendes Musikstück zu hören, schärft den Sinn unsere tägliche akustischen Umgebung als ein Ereignis unseres Lebens wahrzunehmen und gleichzeitig als Musik zu hören. Letzteres lenkt unsere Aufmerksamkeit für die Sinneswahrnehmung des reinen Hörens, des messbaren Klanges, hin zu der Frage nach der Bedeutung des Gehörten. Der Akt diese Klänge zu hören, lässt uns als Teil eines grossen Ganzen spüren und unser Leben in einem Klangraum verorten, der aus täglicher Geräuschkulisse unserer modernen Welt und der allgegenwärtigen Natur gespeist ist.<br />
<br />
Der fâneur ist ein aktiver Zuhörer, der die Stille wählt und sich ihr zuwendet. Wir hören die Musik der Stille jedoch mit den Ohren des passiven Hörens.<br />
In der Reduktion der Klangerzeugung durch Körperbewegung, wird die Luft zum Sound-Verstärker (Amplifier) der bewegten, pulsierenden Luft.<br />
<br />
Während der Wanderung und Feldexperimenten, bekommen Sie Tipps zu aktivem und passivem Hören, welche Sie alleine oder in der Gruppe ausprobieren können. Eine nützliche Bereicherung zudem auch für all diejenigen die sich mit Aussentonaufnahmen beschäftigen. <br />
<br />
''English''<br />
<br />
Listening to everyday soundscapes as an ongoing piece of music creates a subtlety between the daily acoustic environment as life events, and as music. The latter transcends our perceptual sensory from recognising a sound, of its connate characteristics of physical (measurable) nature to the meaning it produces. The act of soundscape listening engages us closer to how life is composed, in another words, listen to the daily soundscape shared by the contemporary world and its nature.<br />
<br />
The fâneur as an active spectator, and silence becomes an active choice. We hear,<br />
those soundings endure the ears of a passive listener, the reduction of man-made movement as the apmlifier adopts the vibrant of air.<br />
<br />
During the walk and field experiment, we can exercise as individual or a pair of few of common soundwalk tips to enhance the experiece of active & passive listening, which is sometimes very useful for field recording. <br />
<br />
http://www.little-object.com<br />
<br />
=== Stahl - Noisetracks ===<br />
[[File:stahl_noisetracks.JPG|200px]]<br />
<br />
Noisetracks ist eine App für Smartphones mit der kurze Audio Aufnahmen gemacht werden können. Diese werden lokalisiert mittels GPS, anschliessend visualisiert und mit der Noisetracks community geteilt. So entsteht ein Archiv des Alltags, eine soziale Soundscape, eine Erinnerung, ein Remix.<br />
<br />
Konzert:<br />
Basierend auf Noisetracks stellt Christoph Stähli in seiner Performance Fragen an die kompositorischen Möglichkeiten des Materials. Durch die einfache Technik des Wiederholens der kurzen Sounds entsteht eine Klangsimulation, die zwischen abstrakten Soundfetzen und hyperrealen Überlagerungen von Alltag meandriert.<br />
<br />
Download App: http://www.noisetracks.com<br />
Access code: noisetracker<br />
<br />
= Soundscapes Performance =<br />
Samstag, 14. Juni, Türöffnung 19:00, Konzertbeginn 19:30<br />
<br />
Recordings line-up:<br />
Hackteria_SH_20140614-1_Stahl.wav 43.8 MB <br />
<br />
Hackteria_SH_20140614-2_Kaspar.wav 61.6 MB <br />
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Hackteria_SH_20140614-3_Pei.wav 97.7 MB <br />
<br />
Hackteria_SH_20140614-4_Yashas_Marc.wav 101.7MB<br />
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{{#widget:Iframe<br />
|url=https://archive.org/embed/HackteriaSH_WAV<br />
|width=410<br />
|height=150<br />
|border=0<br />
}}<br />
<br />
[[File:P1140666.JPG|200px|thumb|left|The Sound Room-Front]]<br />
<br />
''Biologisch inspirierte Klangexperimente und Soundperformances''<br />
<br />
Line-Up:<br />
* Kaspar Konig - carte blanche<br />
* Pei - The Philosophy of Constant Waiting, Chapter 7 Yogyakarta<br />
* Stahl - Noise and Nature <br />
* (tbc) Special guests und Teilnehmer - Randen Listening Fields <br />
<br />
Living Matters, that sounded. What is selected or excluded? Soundscape space is also the space of possibilities to listening, where it holds something together, called music. By knitting the physical representations of sound, scales varied, the listening experience would be shared at this reality, in this room. The merge of given sound movements invite you to walk with them, to walk along with the music. A series of improvisational soundscape composition would be present at Hackteria Soundscape Evening, the team will set up the room for real-time acoustic environment of presence, and the invited artists will sculpture the soundscape with a quadraphonic system.<br />
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<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:soundScapes_00_kaspar_setting_up.JPG<br />
File:soundScapes_01_setupKaspar.jpeg<br />
File:soundScapes_02_stahl.jpg<br />
File:soundScapes_03_kaspar.jpg<br />
File:soundScapes_04_pei.jpg<br />
File:soundScapes_05_yashas_dusjagr.jpg<br />
<br />
</gallery><br />
<br />
<br />
== Links zu Partnern ==<br />
<br />
http://www.allerheiligen.ch/en/what-s-on/guided-tours-and-talks<br />
<br />
http://www.ngsh.ch/ngsh/veranstaltungen_aktuell.htm<br />
<br />
http://www.kunstverein-sh.ch/programm/jahresprogramm<br />
<br />
short link to [[Schaffhausen]]<br />
<br />
= Biographien =<br />
<br />
=== Dr. Marc Dusseiller (CH) === <br />
<br />
[http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
* http://hackteria.org/<br />
* http://mechatronicart.ch/<br />
* http://www.dusseiller.ch/labs/<br />
<br />
=== Pei-Wen Liu (CH/TW) ===<br />
<br />
As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, Java&Sumatra of Indoensia, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== Leo Bettina Roost (CH/I) ===<br />
<br />
Leo Bettina Roost (*1961) schöpft ihre Kunst aus Geschehnissen des alltäglichen, populären oder öffentlichen Lebens und entwickelt Aspekte davon zu eigenständigen Aussagen. Oft verknüpft sie dabei Texte mit der Gestalt des Kunstwerks. "Fehler, Ungereimtheiten - sie versucht jene Momente zu finden, die ihr Werk auf der Kippe stehen lassen und somit den Prozess eines Übergangs andeuten." (Stéphanie Stamm 2012) In dieser Auseinandersetzung entstehen raumbezogenen Installationen, Zeichnungen, Fotografien und Skulpturen.<br />
Sie studierte Freie Bildhauerei an der Staatlichen Kunstakademie Düsseldorf (1985-1991, Meisterschülerin). Ihre Professoren waren u.a. Tony Cragg, Ulrich Rückriem, Fritz Schwegler. Nach Stationen in London, New York und Köln, lebt sie seit 2011 in Schaffhausen. Nebst ihrer künstlerischen Arbeit führt sie Kunst im öffentlichen Raum aus, kuratiert regelmässig Ausstellungen (u.a. Manor Kunstpreis Schaffhausen 2013), arbeitet mit Kindern in Kunstprojekten und als Werklehrerin an Schulen. Ihre Kunstwerke sind seit 1991 in zahlreichen Ausstellungen zu sehen. <br />
<br />
* http://www.leo-bettina-roost.de/<br />
<br />
=== Erich Berger (AT/FI) ===<br />
<br />
Erich Berger is a visual artist and trained as a communication engineer and in philosophy. He has produced interactive art installations, artistic wearable interfaces, audiovisual performances and sound-art, which have been shown internationally since the mid 90ties. He also works as educator, curator, content developer and facilitator, focusing on the intersection of art, technology and science. Research interests include telerobotics and telematically mediated environments, interactive participatory spaces, sonification and visualisation of real-time processes with related questions in composition, semiotics and linguistics, generative processes, feedback situations and autopoietic systems. His research engages with hybrid space, deep time processes, biology and ecology and involves the facilitation of interdisciplinary environments for working and learning. His research also includes close cooperation with international partners within the arts and sciences.<br />
<br />
* http://bioartsociety.fi/<br />
* http://randomseed.org/<br />
<br />
=== Nur Akbar Arrofatullah (ID) ===<br />
[[File:akbar_UGM.JPG|180px|thumb|right|Nur Akbar Arofatullah in Microbiology Lab UGM]]<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://lifepatch.org/<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Boris Magrini (CH) ===<br />
<br />
Boris Magrini (*1975) is a Swiss art historian and curator. He earned a Master’s degree in art history and philosophy at the University of Geneva and is currently performing research for his PhD in the field of media arts at the University of Zurich, with a thesis on computer and generative art. He was curator at Duplex (Geneva), I Sotterranei dell’Arte (Monte Carasso) and assistant curator at Kunsthalle Fribourg and Kunsthalle Zürich. Among other projects, he has curated Mutamenti (Bellinzona, 2007), Anathema (Fri-Art, Fribourg, 2007-2008), Modifier (Dienstgebäude, Zurich, 2010) and co-curated Leise Rehe – Wilde Beeren (Cabaret Voltaire, Zurich, 2011-2012). In 2013, he has organized at Kunsthalle Zürich the series of talks and encounters Reality Check. He is editor of the Italian pages of the Swiss art journal Kunst-Bulletin and he regularly publishes on contemporary art and media art in magazines, books and exhibition catalogues.<br />
<br />
=== Kaspar König (CH/NL) tbc ===<br />
<br />
1975 Maastricht, Kaspar König ist seit seinem Masterabschluss (2012) an der HfM in Mainz und seinem Abschluss an der UDK in Berlin (2002) als freischaffender Komponist und Klangkünstler tätig. Sein Designhintergrund wird in seinen erfundenen Instrumenten und Sound Installationen sicht- und hörbar.<br />
Kaspar König hat bereits bei zahlreichen Tanz- und Theaterproduktionen als Komponist gearbeitet und wirkte als Klangkünstler in verschiedensten Installationen und Performances. In seiner Funktion als wissenschaftliche Hilfskraft konnte er viel Erfahrung im Hochschulwesen, im organisatorischen Bereich und in der Öffentlichkeitsarbeit sammeln.<br />
<br />
* http://www.kasparkoenig.com<br />
* http://www.arm.nu<br />
<br />
=== Wawies Wisnu Wisdantio (ID) tbc ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://lifepatch.org<br />
* http://landscapeindonesia.com<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Christoph Stähli (CH) ===<br />
Christoph Stähli is working as freelance artist, hacker and programmer. He studied New Media (BA) and Fine Arts (MA) at the Universitiy of the Arts Zurich, ZHdK. His interest lies in the broad scientific field of media technologies and their applications in artist based practices. He developed content and software for the 3d LED display NOVA of ETH Zurich. As a member of the Swiss Mechatronic Art Society SGMK he's giving workshops and is co-organizer of the diy*-festival. 2010 he founded ZAAK (Zentrum für angewandte Automation und Kunst). At the momement Christoph Stähli is working as research associate at the Institute for Computer Music and Sound Technology ICST at ZHdK.<br />
<br />
* http://www.stahlnow.com<br />
<br />
=== Effi Tanner (CH) tbc ===<br />
<br />
= Partners and Supporters =<br />
<br />
Die Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" ist eine Zusammenarbeit von Hackteria und dem Kunstverein Schaffhausen, mit Unterstützung unserer Partner: Lifepatch, Finnish Society of Bioart, Schweizerische Gesellschaft für Mechatronische Kunst, Landscape Indonesia Naturforschende Gesellschaft Schaffhausen, Museum zu Allerheiligen und den Sponsoren: Migros Kulturprozent.<br />
<br />
'''Organizer'''<br />
<br />
''Hackteria | Open Source Biological Art''<br />
<br />
[[File:hackteria_logo2012_green_black.png|480px|link=http://hackteria.org/]]<br />
<br />
Hackteria is a collection of Open Source Biological Art Projects instigated in February 2009 by Andy Gracie, Marc Dusseiller and Yashas Shetty, after collaboration during the Interactivos?09 Garage Science at Medialab Prado in Madrid. The aim of the project is to develop a rich web resource for people interested in or developing<br />
projects that involve DIY bioart, open source software and electronic experimentation. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, write critical and theoretical reflections, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, festival and meetings.Since 2009, Hackteria has conducted workshops in Europe (Switzerland, Slovenia, Norway, Austria, Hungary, Serbia, United Kingdom, Germany) , Asia (India, Indonesia, Taiwan, Hong Kong), Africa (Kenya) and North America (US, Canada).<br />
<br />
Link:<br />
* http://hackteria.org/?page_id=2<br />
<br />
''Kunstverein Schaffhausen''<br />
<br />
[[File:KunstvereinSH_Logo.png|240px|link=http://www.kunstverein-sh.ch/]]<br />
<br />
Der Kunstverein Schaffhausen besteht seit 1846 und zählt rund 1000 Mitglieder. Sein Engagement für die Gegenwartskunst findet aufmerksame Beachtung. Ziele des Kunstvereins Schaffhausen sind den Sinn für bildende Kunst zu fördern und zu pflegen und eine Sammlung von Werken regionaler und schweizerischer Kunstschaffender aufzubauen. Der Kunstverein unterstützt die Ausstellungen der Kunstabteilung des Museum zu Allerheiligen in Schaffhausen, dem er auch seine Sammlung als Dauerleihgabe zur Verfügung stellt. Das Programm der Kunstabteilung des Museums umfasst Ausstellungen zu aktuellen Positionen internationaler und Schweizer Kunst unter kontinuierlichem Einbezug des Kunstschaffens der Region. Zudem organisiert der Kunstverein Ausstellungen von regionalen Kunstschaffenden. Mit einem vielseitigen Veranstaltungs-Programm ermöglicht der Kunstverein seinen Mitgliedern und weiteren Interessierten Kreisen Begegnungen mit Kunst und Kunstschaffenden.<br />
<br />
Link:<br />
* http://www.kunstverein-sh.ch/<br />
<br />
'''Partners'''<br />
<br />
[[File:SBS_eng_bw_rgb.jpg|240px|link=http://www.bioartsociety.fi/]]<br />
<br />
[[File:lifepatch_black.png|240px|link=http://www.lifepatch.org/]]<br />
<br />
[[File:Logo-LI.png|240px|link=http://www.landscapeindonesia.com/]]<br />
<br />
[[File:sgmk_logo_text_web.png|240px|link=http://www.mechatronicart.ch]]<br />
<br />
[[File:logo-ngsh-12.jpg|240px|link=http://www.ngsh.ch/]]<br />
<br />
[[File:logo-museum_680s.jpg|240px|link=http://www.allerheiligen.ch/]]<br />
<br />
<br />
'''Sponsors'''<br />
<br />
[[File:migros_logo.jpg|none|240px|link=http://www.kulturprozent.ch/]]<br />
<br />
= Zusätzliche Texte und Links =<br />
<br />
== Medien ==<br />
<br />
http://www.radiomunot.ch/news/2014/06/12/hackteria_biologie_als_kunst_und_bastelprojekt<br />
<br />
http://www.shf.ch/index.php?huet-im-gschpraech<br />
<br />
== Literatur ==<br />
<br />
[[File:Schweiz_am_Sonntag.jpg|right|thumb|200px]]<br />
'''Zu Besuch bei den Biohackern , Schweiz am Sonntag, Nr. 18, 5. Mai 2013 , R. Schuppisser'''<br />
<br />
http://hackteria.org/2013/05/05/article-on-biohackers-in-schweiz-am-sonntag/<br />
<br />
„... Bakterien kultivieren und mit Gentechnik experimentieren: Das geht auch im Heimlabor, nennt sich Amateur-Biologen bauen selber Laborinstrumente und träumen von leuchtenden Pflanzen. Einige auch vom grossen Geld. <br />
<br />
DER ERSTE VERSUCH des Experiments ist fehlgeschlagen. Marc, Tuuli und Urs hatten verschiedene Fische gekauft, in Salzwasser eingelegt und einige Tage liegen gelassen. Nun sollten sich eigentlich die biolumineszierenden Bakterien auf dem Fisch vermehren, sodass man ihr Leuchten im Dunkeln erkennt. Die Bakterien sollten dann in einer Nährlösung aus Salzwasser, Pepton und Agar kultivieren. Doch nun muss erst einmal neuer Fisch her. Experimentieren im Heimlabor braucht Geduld. Marc, Urs und Tuuli sind Biohacker und damit Teil einer Bewegung, die die Welt ähnlich verändern könnte, wie in den 70er-Jahren die Computer-Tüftler mit der Entwicklung des PC in der Garage. Das zumindest glauben euphorische Journalisten und Technik-enthusiastische Wissenschafter. So meinte etwa der Physiker und Freidenker Freeman Dyson 2007 in einem Essay, «dass die domestizierte Biotechnologie unser Leben in den nächsten 50 Jahren mindestens so stark prägen werde, wie die Domestizierung des Computers in den letzten 50 Jahren». - ...„<br />
<br />
''«Ich will, dass Wissen und Technik der ganzen Welt zugänglich ist.»'' <br />
MARC DUSSEILLER, BIOHACKER <br />
<br />
<br />
[[File:ScreenShot_Magrini.png|right|thumb|200px]]<br />
'''Hackteria: An example of neomodern activism. Leonardo Online 2013, Boris Magrini'''<br />
<br />
http://www.leoalmanac.org/wp-content/uploads/2014/05/LeaVol20No1_-Magrini.pdf<br />
<br />
As a platform for knowledge sharing and artistic exploration, Hackteria constitutes a network of artists and researchers that merge the use of biotechnologies with hacking and do-it-yourself strategies. Its process-oriented and performative approaches, opposing to the materialistic imperatives of the art market, lean to the tradition of political art. In the present paper, I am arguing that Hackteria embodies what could be considered a neomodern activism, other recent examples of which are emerging within the new media art field. Instead of rejecting new controversial technologies, they propose a vision of a society that is moved forward by a more democratic use and discussion of these technologies. The activities of Hackteria are examined through the presentation of a bio-lab created in Ljubljana. <br />
<br />
The roots of Hackteria: from performative art to tactical media. <br />
<br />
The events organized by Hackteria are rooted in a long tradition of media art, as well as process-oriented and performative approaches. Performative art is not equivalent to process-oriented art; as Andreas Broeckmann correctly pointed out, “it only makes sense to speak of process-orientation in cases where the evolving process itself is a main factor of the aesthetic experience of the work.” [4] Nonetheless, neither performative nor process-oriented art focus on the creation of a finite product, a distinctive trait of the activities run by Hackteria. Furthermore, the BioTehna project, for example, share both performative, interactive and process-oriented qualities, for it is not the lab as such that is meaningful to the artistic intent of the group but rather the process involved in building and running it. <br />
<br />
<br />
[[File:FN_cover_front.jpg|right|thumb|200px]]<br />
'''Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon, Finnish Society of Bioart, 2013'''<br />
<br />
http://bioartsociety.fi/Field_Notes_Teaser.pdf<br />
<br />
Every second year the Finnish Society of Bioart invites a significant group of artists and scientists to the Kilpisjärvi Biological Station in Lapland/Finland to work for one week on topics related to art, biology and the environment. “Field_Notes – From Landscape to Laboratory” is the first in a series of publications originating from this field laboratory. It emphasizes the process of interaction between fieldwork, locality and the laboratory. Oron Catts, Antero Kare, Laura Beloff, Tarja Knuuttila amongst others explore the field and laboratory as sites for art&science practices.<br />
<br />
BETWEEN LANDSCAPE AND LABORATORY<br />
<br />
How to define the evolving field of art&science, including bioart, and where can the historical trajectory of this area within the arts be found? In very general terms one could divide currently existing artistic interests in the field into two very broad subject categories: artists that are concerned with the environment, and artists whose work focuses on the human as subject matter. The previous group deals with environment, landscape, natural phenomena, plants, and animals typically in their natural habitat. The latter group is interested in the human as such and within his technologically augmented environment. This includes work with human enhancement and organs, with devices and manipulation of human and animal cells. The work is carried out either under laboratory conditions or with technologically mediated social structures including human and non-human actors. Shared aspects across the field are e.g. politics, ethical debates and projections of the possible futures. This publication is specifically focusing on work that is concerned with the environment and ecology. However, the human is strongly present in all the arguments, statements and accounts. It is very apparent that we live in the era of the anthropocene, where viewpoints and actions are unavoidably developed with and projected from a human perspective.<br />
<br />
The publication is edited by Laura Beloff, Erich Berger and Terike Haapoja. It is bilingual in Finnish and English and contains 17 articles and additional material of Finnish and international contributors. You can buy the book now from our website:<br />
<br />
<br />
[[File:homemade_bio_dusseiller.png|right|thumb|200px]]<br />
'''Home Made Bio Electronic Arts Do-it-yourself: Microscopes, Sensors, Sonifications - Christoph Merian Verlag / Migros-Kulturprozent: Dominik Landwehr, Verena Kuni (Ed.), 2013'''<br />
<br />
http://hackteria.org/2013/05/23/home-made-bio-electronic-arts-published/<br />
<br />
After 2 years of discussions with various people in the field of DIYbio, hackteria and BioArt, Dominik Landwehr and Verena Kuni published a new book in their HomeMade series. This time with the title “Home Made Bio Electronic Arts” they go some steps closer to interfacing the living world with DIY tinkering and electronics, easy accessible instructions for everybody. Additionally some editorial essays and an interview with Gerfried Stocker. A production by Migros-Kulturprozent with the Christoph Merian Verlag.<br />
<br />
* Six easy do-it-yourself experimental projects<br />
* For biotechnology and electronics do-it-yourself enthusiasts<br />
<br />
“Science for all” is the motto of a new movement which deals with biology and electronics. It applies the do-it-yourself approach, well established in the electronic and computer scene, to natural sciences. Here the boundaries between the arts and sciences are fluid. The artists and scientists who work together in an interdisciplinary manner call themselves “bio-hackers” or “bio-punks” and deliberately continue in the creative tradition of those two movements. Their research is designed to communicate scientific insights which are otherwise reserved for scientists. Home Made Bio Electronic Arts introduces leading exponents and presents six easy do-it-yourself experimental projects.<br />
<br />
<br />
[[File:MCD.png|right|thumb|200px]]<br />
'''The Art of Open and Free Science, MCD #68, 2012, Ed. A. Delfanti, Interview S. Tocchetti'''<br />
<br />
http://www.digitalmcd.com/mcd-68-la-culture-libre-the-open/<br />
<br />
Download the [http://hackteria.org/wp-content/uploads/2012/10/MCD68-OpenScience.pdf extracted pages from the Open Science section here].<br />
<br />
Could you explain what is Open Source Biological Art and how it relates to DIY biology? <br />
<br />
Whether it is a wiki or a workshop or both doesn’t really matter, what is essential is to enable people to collaborate and shaer knowle edge and instructions. Open Source Biological Art enables people to perform complex scientific protocols without the support of an official institution. We believe that it is important to enable more people to feel confident in working with living systems in order for creative and new ideas to emerge. When applied to science and art, it can create a new type of public participation and understanding of both domains. <br />
<br />
What is your view on the future of citizen science? <br />
<br />
My hope is that if more people are making things with their hands and have this direct and everyday experience with scientific protocols, we can demystify science and open the whole decision making process to more people and opinions. I think this is the future society, where I want to live, a place where tinkerers and lay people find new and unexpected uses and functions of technologies and scientific knowledge, where they hack it and adapt it to their dreams and lives and don’t wait for some big corporation or government to decide what is good or safe for them. <br />
<br />
<br />
[[File:ABSTRAKT_Interview.jpg|right|thumb|200px]]<br />
'''Der Aufstand der Bastler, November 2012, ABSTRAKT N°8 “Machen ist Macht”'''<br />
<br />
http://hackteria.org/?p=1870<br />
<br />
Gespräch mit Marc Dusseiller. Von Max Celko.<br />
<br />
In Garagenlaboren macht sich analog zu den Computernerds der späten Siebzigerjahre eine junge Generation von Amateurbiologen ans Werk: die Biohacker. Marc Dusseiller ist Gründer des Hacker-Netzwerks Hackteria. Dass in der Szene der Bill Gates der Do-it-yourself-Forschung zu finden ist, glaubt er aber trotzdem nicht. <br />
<br />
... Worin liegt denn der gesellschaftliche Mehrwert des Selberforschens? <br />
<br />
Ein zentraler gesellschaftlicher Nutzen ist es, dass die DIYBioszene auch Laien den Zugang zur wissenschaftlichen Diskussion ermöglicht. Damit wird die Biotechnologie zumindest ein Stück weit demokratisiert. Ich halte dies für sehr wichtig, denn wir stehen heute an einem Punkt, an dem die Biotechnologie rasante Fortschritte macht und völlig neue Möglichkeiten eröffnet, lebende Materie zu manipulieren. Es liegt jetzt an uns allen, gemeinsam als Gesellschaft zu definieren, welche Forschung wir möchten und welche gesetzlichen Schranken wir der Biotechnologie auferlegen. Als Folge des grösseren Wissens sind die Leute auch weniger anfällig für populistische Ideen von Politikern oder leere Marketingversprechen von Firmen. <br />
<br />
<br />
[[File:Dazed_Confuser_BioArt_Now.png|right|thumb|200px]]<br />
'''Dazed & Confused: BIOART NOW: August 2013, S. Fortune'''<br />
<br />
http://www.dazeddigital.com/artsandculture/article/16465/1/bioart-now-%E2%80%93-part-1<br />
<br />
„... On the global stage biohacking collective Hackteria has lead the way on demystifing bioart and providing people with easy practical ways to engage with it. Formed in 2009 and featuring chapters in Europe, India and Indonesia the Hackteria Wikipedia has become the de-facto resource for all budding biohackers. The interplay between biohacking and bioart is particularly fluid among Hackteria affiliated practitioners. “Hackteria is not, generally speaking, about finished products or finished works. The bioart just happens, but is not the primary goal” said Hackteria co-founder Marc Dusseiller. Some of that 'incidental bioart' has been quite sublime. -....“<br />
<br />
„...The Hackteria flavour of bioart and biotech education is particularly visible in Indonesia, where sister organisation Lifepatch complements the bioart residencies hosted by media-art lab the House of Natural Fiber (HONF), helping underfunded school students with such ingenious hacks as converting a webcam into a functioning microscope. At HONF in 2010, Julian Abraham and others initiated a project aimed at creating a safe form of fermentation based on tropical fruit, after the Indonesian government raised prohibitively high duties on alcohol. After leaving HONF, Abraham continued the theme, creating sound-based bioart pieces under the name Kapitän Biopunk. He provided workshops in homebrewing alcohol to accompany his Fermentation Madness, a sound-art piece that converts the processes of fermentation into an interactive soundscape. -....“<br />
<br />
<br />
[[File:DIYbioEU_vs_US-BioEssays.png||right|thumb|200px]]<br />
'''European do-it-yourself (DIY) biology: Beyond the hope, hype and horror, Günter Seyfried et. al. BioEssays, Volume 36, Issue 6, June 2014'''<br />
<br />
http://onlinelibrary.wiley.com/doi/10.1002/bies.201300149/full<br />
<br />
The encounter of amateur science with synthetic biology has led to the formation of several amateur/do-it-yourself biology (DIYBio) groups worldwide. Although media outlets covered DIYBio events, most seemed only to highlight the hope, hype, and horror of what DIYBio would do in the future. Here, we analyze the European amateur biology movement to find out who they are, what they aim for and how they differ from US groups. We found that all groups are driven by a core leadership of (semi-)professional people who struggle with finding lab space and equipment. Regulations on genetic modification limit what groups can do. Differences between Europe and the US are found in the distinct regulatory environments and the European emphasis on bio-art. We conclude that DIYBio Europe has so far been a responsible and transparent citizen science movement with a solid user base that will continue to grow irrespective of media attention.<br />
<br />
Comparison between European and North American groups<br />
<br />
The DIYBio movements in the US and Europe have a lot in common. Beliefs in the democratization of science and the enabling of citizens to do biotechnology are shared by all groups on both sides of the Atlantic. In general, they have more in common than what sets them apart. However, there also seems to be aspects where the groups in the US and Europe differ from one another.<br />
<br />
In contrast to the USA (minding different state legislations), the groups in Europe need to obtain a license in order to carry out genetic engineering experiments. So far, the European groups have not done these types of experiments, but some of them plan to go through the licensing procedure and obtain a license. As an exception, the UK-Netherlands based C-LAB art collective did obtain a license to exhibit a bioart work with living genetically modified organisms in London, UK (http://c-lab.co.uk/projects.html). The work itself, however, was done in collaboration with a university research lab.<br />
<br />
A rather surprising finding, compared to the US, is a stronger collaboration of amateur biologists with artists and designers in Europe. It remains to be seen whether this observation is only due to the small sample size of groups, or if the art-science interaction is a real European characteristic.<br />
<br />
<br />
[[File:NZZ_biohacking.jpg|right|thumb|200px]]<br />
'''Forschen auf eigene Faust. Über einen Besuch bei Hobbybiologen in Los AngelesLena Stallmach 4. April 2012'''<br />
<br />
http://hackteria.org/2012/04/04/diybio-article-and-interview-in-neue-zurcher-zeitung/<br />
<br />
An article in today’s issue of NZZ (4. April 2012 Neue Zürcher Zeitung) gives a nice overview of the amateur biologist scene in LA. The journalist Lena Stallmach visited the people from LA biohackers in their own space/lab (which is currently in boxes, prepared for the move to a bigger space) and describes their working environment, dreams of inventions, ongoing projects and workshops in collaboration with the FBI.<br />
<br />
In the interview dusjagr gives some info about the local movement in switzerland and the hackteria network, some critical reflections on the promises the DIYbio movement paralleling the agro/chem industries, the potential of garage biotech for developing countries and generally the role of DIY science in educating and empowering a democratic society.</div>Peihttp://www.hackteria.org/wiki/index.php?title=Hackteria_Wiki:Biologische_Kunst_%E2%80%93_Wissenschaft,_Natur_und_Biohacking_-_Schaffhausen&diff=12559Hackteria Wiki:Biologische Kunst – Wissenschaft, Natur und Biohacking - Schaffhausen2014-07-01T11:33:17Z<p>Pei: /* Soundscapes Performance */</p>
<hr />
<div><div class="toclimit-2">__TOC__</div><br />
<br />
=Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking, Donnerstag, 12. Juni bis Samstag, 14. Juni=<br />
[[File:hackteria_schaffhausen_poster_web.png|thumb|400px]]<br />
Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking"<br />
<br />
Organisiert von Marc Dusseiller, Leo Bettina Roost und Hackteria, in Zusammenarbeit mit dem Kunstverein Schaffhausen.<br />
<br />
== Überblick ==<br />
<br />
Im Rahmen der Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" im Museum zu Allerheiligen, wird hackteria einem interessierten Publikum diesen noch jungen, internationalen und avantgardistischen Zweig an der Schnittstelle von Kunst und Wissenschaft vorstellen.<br />
<br />
<br />
=== Was ist Hackteria? ===<br />
'''Open Source Biological Art | DIY Biology |Generic Laboratory Infrastructure'''<br />
<br />
In den mittlerweile 5 Jahren seit der Gründung von "Hackteria | Open Source Biological Art" hat sich ein globales Netzwerk entwickelt, welches mit einem Ansatz der radikalen Transdisziplinarität, wie auch einer Offenheit zum Amateurismus in der Ausseinandersetzung mit Themen der Biologie durch künstlerische, wissenschaftliche und DIY (do-it-yourself) Praktiken widmet. Ein Schwerpunkt des Projektes ist es über die Website hackteria.org einen niederschwelligen Zugang zu schaffen für Künstler, Hacker / Maker, Forscher und Pädagogen sich ein Know-how anzueignen um selbstständing in einfachen und selbstgebauten Heimlaboren mit Biotechnologie, Umweltanalytik und Genetik zu experimentieren. Im Rahmen von 1-2 wöchigen Veranstaltungen, das [http://hackteria.org/category/hackterialab/ HackteriaLab 2010 - 2014], trafen sich regelmässig eine Vielzahl von internationalen Teilnehmer, um gemeinsam in kollaborativer Praxis an neuen Projekten zu tüfteln, ihr Wissen durch Workshops und Präsentationen untereinander und mit der Öffentlichkeit zu teilen und durch interdisziplinäre Zusammenarbeit eine gemeinsame und konstruktive neue Sprache und Methodik zu finden.<br />
<br />
=== Mehr zum Program ===<br />
<br />
Für das jugendliche Publikum gibt es zu Beginn am Donnerstag einen Workshop. Sie werden zusammen mit hackteria ein Do-it-Yourself Mikroskop im Museum zu Allerheiligen bauen.<br />
<br />
In der Diskussionsrunde am Freitag kommen persönliche, künstlerische, ökologische und politische Beweggründe sich mit „Bioart“ zu beschäftigen zur Sprache. Einzelne Künstler/Wissenschaftler aus Finnland, Indonesien und der Schweiz, halten kurze Vorträge zu ihrer Arbeitsweise und ihren Schwerpunkten. Danach ist die Diskussion für das Publikum geöffnet.<br />
<br />
Tagsüber am Samstag bietet ein Klangspaziergang auf dem Randen die Möglichkeit an einem „Biologisch inspirierten Kunsterlebnis“ teilzuhaben. Soundscapes und Fieldrecordings, Klangexperimente und elektromagnetische Wahrnehmungserweiterungen. Bringt euer Smartphone und Headset mit!<br />
<br />
In der Überführung dessen wird Abends im Rahmen eines Konzertes zurück im Raum innerhalb des Museums, gemeinsam mit den Teilnehmern, eine aussergewöhnliche künstlerische Soundperformance zu erfahren und zu hören sein.<br />
<br />
Download the [https://dl.dropboxusercontent.com/u/6072669/Hackteria-Schaffhausen_Flyer_sm.pdf Hackteria-Schaffhausen Flyer here]<br />
<br />
= Workshop: DIY Mikroskopie =<br />
Donnerstag, 12. Juni, 13.00 - 16.00 Uhr<br />
<br />
''Ein eigenes Do-it-Yourself Mikroskop bauen'' <br />
[[File:dusjagr_akbar_UGM.jpg|left|200px]]<br />
<br />
Kurs für SchülerInnen und weitere Interessierte. Limitierte Plätze!<br />
CHF 25.- inkl. Material<br />
<br />
'''Anmeldung:''' Mail an [mailto:marc@dusseiller.ch Marc Dusseiller]<br />
<br />
Ort: Vortragssaal, Museum zu Allerheiligen, Schaffhausen<br />
<br />
Der Kurs wird geleitet von Marc Dusseiller und Nur Akbar Arofatullah (ID), ein langjähriger Projektpartner aus Yogyakarta, Student Mikrobiologie, welcher diesen Workshop schon viele Male in Indonesien durchgeführt hat. Zusammen mit Lehrern und Schülern der Kantonschule Schaffhausen garantieren wir einen interessanten Nachmittag als Einstieg in verschiedene Themen des Do-It-With-Others / Do-It-Yourself Biologie, wie auch einen Einblick in die Welt der Mikroorganismen.<br />
<br />
Detailierte Informationen zum Workshop weiter hier: [[Mikroskopie-SH]]<br />
<br />
== Eindrücke vom Workshop ==<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SH-Microscopy_01_workshop_museum.jpg<br />
File:SH-Microscopy_02_workshop_start.jpg<br />
File:SH-Microscopy_03_workshop_hacking_cams.jpg<br />
File:SH-Microscopy_04_workshop_nice_students.jpg<br />
File:SH-Microscopy_05_workshop_dusjagr_presents.jpg<br />
File:SH-Microscopy_06_workshop_kräutergarten.-trip.jpg<br />
File:SH-Microscopy_07_kräutergarten_discussion.jpg<br />
File:SH-Microscopy_08_workshop_Kräutergarten_sampling.jpg<br />
File:SH-Microscopy_09_workshop_results_students.jpg<br />
File:SH-Microscopy_10_workshop_PetriScope.jpg<br />
File:SH-Microscopy_11_workshop_resultMicroscope.jpg<br />
File:SH-Microscopy_12_workshop_microscope_versions.jpg<br />
<br />
</gallery><br />
<br />
= Soirée Talks: Nature, Art & Science =<br />
Freitag, 13. Juni, 18.15 Uhr<br />
<br />
''Diskussionsrunde über Biokunst, Biohacking und Transdisziplinarität mit Gästen aus Finnland und Indonesien.'' <br />
<br />
Erich Berger (AT/FI) - Finnish Society of Bioart, gibt einen Einblick das Ars Bioarctica Residency Programm in Kilpisjärvi, Nord-Lappland, wie auch verschiedene künstlerische Engagements im Bezug zu Nuklearkraft in Finnland, gefolgt von der Vorstellung ihrer letzten Buchpublikation “Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon”. Wawies Wisnu Wisdianto (ID) - Lifepatch Citizen Initiative in Art, Science and Technology & Landscape Indonesia, gibt einen Überblick über die Zusammenarbeiten von Lifepatch mit Hackteria, BioDesign.cc und anderen Partnern im Rahmen des JRP, Jogja River Project. Im Weiteren stellt er ihre Amateur Photographie-Platfrom vor "Landscape Indonesia", mit welcher sie Photobände von Indonesiern für Indonesier produzieren. Marc Dusseiller stellt allgemein das Projekt Hackteria | Open Source Biological Art vor, und gibt einen Einblick über HackteriaLab 2014 - Yogyakarta, welcher er mitorganisiert hat diesen April in Indonesien. Boris Magrini (CH), Kunsthistoriker, wird einen Versuch machen, die verschiedenen vorgestellten Themen, wie auch die BioKunst allgemein, aus seiner Sicht zusammenzufassen, wie auch zwischen zeitgenössischer Kunst und Neomodernem Aktivismus zu positionieren. Das Publikum ist anschliessend eingeladen in eine offene Diskussionsrunde moderiert von Leo Bettina Roost und Boris Magrini.<br />
<br />
Die Vorträge der Indonesischen Gäste sind in Englischer Sprache, Diskussionen in Deutsch.<br />
<br />
* Einführung: Marc, Leo & Lynn<br />
* Vorträge: Boris - Erich - Wawies - Marc (12 Minutes each)<br />
* Soundscape Intermezzo: Pei (5 min)<br />
* Publikums-Diskussion / Panel: Moderation Leo & Boris (ev. Lynn?). Zusätzliche Gäste: Mark Liebenberg (SN), 1 Person aus NGSH / BioLehrer<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SoireeTalks_01_intro.jpg<br />
File:SoireeTalks_02_erich.jpg<br />
File:SoireeTalks_03_dusjagr_DIY.jpg<br />
File:SoireeTalks_04_wawies_JRP.jpg<br />
File:SoireeTalks_05_Boris.jpg<br />
File:SoireeTalks_06_Apero.jpg<br />
File:SoireeTalks_07_roundTable.jpg<br />
<br />
</gallery><br />
<br />
= Randen Listening Fields - Nature and Phenomena =<br />
Samstag, 14. Juni, 11.30h - 17:00h<br />
<br />
''Klangspaziergang auf dem Randen mit internationalen Soundkünstlern''<br />
<br />
'''Treffpunkt: Vortragssaal, Museum zu Allerheiligen, 11:30h'''<br />
[[File:P1140672.JPG|200px|thumb|left|Treffpunkt: MzA Vortragssaal]]<br />
<br />
'''Treffpunkt auf dem Hagen, Heidenbaum Parkplatz, 12:00h'''<br />
<br />
https://maps.google.com/maps?q=47.758709,+8.565961&num=1&t=h&vpsrc=0&ie=UTF8&z=19&iwloc=A<br />
<br />
'''Pause und Diskussion in der SAC-Hütte Hasenbuck, 13:30h'''<br />
<br />
https://maps.google.com/maps?q=47.761663,+8.574165&num=1&t=h&vpsrc=0&ie=UTF8&z=20&iwloc=A<br />
<br />
<br />
== Aktivitäten ==<br />
<br />
<br />
Plain nature, everyday surrounding of a vast grass ground, a journey of rediscovery to our early summer, the crossing border of the visible soundings of those native cricket, winds, cows, birds, timelessness, we record. We may as well react and listen to the soundings of the invisible; with simply diy gadget along the walk or at the fields of experiment, we can listen to the vibrations of living matters and other materials that sounds. The designed soundwalk will be accompanied with three of collective listening and sound interventions co-ordinated by Kaspar König (NL/CH), Pei-Wen Liu (TW/CH) und Christoph Stähli (CH)<br />
<br />
'''Methods of Participation'''<br />
* Wear a pair of good walking shoes (nearly a must)<br />
* Open mind and your ear<br />
* Download Andriod App - [http://noisetracks.com Noisetrack] (free will)<br />
* Bring your own audio recording devices (free will)<br />
* we encourage the participant to re-use the experience of soundwalk to join the soundscape performance at the same evening (free will)<br />
* non of above, simple join the listening (free will)<br />
<br />
'''Transportation to Randen'''<br />
* The team will organise transportation between MzA meeting & Randen walking point, with the capacity approx. 12 - 16 pp inlcuding the team.<br />
* Everyone is welcome to join us, and we enourgage you to drive up together with the van to (GPS location). <br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:Randenspaziergang_01_arrival_heidenbaum.jpg<br />
File:Randenspaziergang_02_group_discussion.jpg<br />
File:Randenspaziergang_03_magic_ball.jpeg<br />
File:Randenspaziergang_04_KasparResonator.jpeg<br />
File:Randenspaziergang_05_exploring_resonanceBodies.jpeg<br />
File:Randenspaziergang_06_Mark_mushroom.jpeg<br />
File:Randenspaziergang_07_beeHacking.JPG<br />
File:Randenspaziergang_08_lunchbreak.jpeg<br />
File:Randenspaziergang_09_theTower.jpeg<br />
File:Randenspaziergang_10_GeekingUrs.jpeg<br />
File:Randenspaziergang_11_group_on_tower.jpeg<br />
File:Randenspaziergang_12_turmInstruments.jpeg<br />
File:Randenspaziergang_13_wawies_turm.JPG<br />
<br />
</gallery><br />
<br />
<br />
=== Map ===<br />
<br />
[[File:Randen_map_klangsiech_arrows.jpg.png|800px]]<br />
<br />
Weitere Details folgen in den nächsten Tagen... stay tuned.<br />
<br />
=== Impressionen frühere Hagen-Sessions ===<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
<br />
File:IMG_2947.JPG<br />
File:IMG_2964.JPG<br />
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File:IMG_2974.JPG<br />
File:IMG_2975.JPG<br />
File:IMG_2980.JPG<br />
File:P1050405.JPG<br />
File:tina_listens_to_ants.JPG<br />
File:veli_sheep_speakers.jpg<br />
<br />
</gallery><br />
<br />
=== Soundwalk mit ~ ===<br />
<br />
==== Kaspar - the forrest-score ====<br />
<br />
[[File:Kasper yourforresttalks.jpg|300px]]<br />
<br />
Wollten Sie den Klang der Geräusche des Windes durch Baumwipfel und Blätterwerk simulieren, bräuchten Sie tausende von Oszillatoren, welche alle ein klein weinig anders eingestellt sind. Das wäre für uns eine Menge Arbeit. Wind und Bäume hingegen erzeugen diese Musik völlig nebenher und selbstverständlich.<br />
Auf dem Soundwalk können wir die Wald-Musik ad hoc mit DIY gebauten Waldinstrumenten bereichern, ein Stück Holz mit Resonanzqualität, ein paar Seiten, ein Steg und schon klingt etwas zusätzlich mit. Am Bach spielen wir mit dem Wasser, auf dem Turm machen wir spontan Windharfen. Spätestens da möchten wir gemeinsam erleben wie der Sound des Waldes als Partitur hörbar wird. Hoffen wir, dass die Vögel uns kräftig unterstützen. Der Wald ist voller überraschender Geräusche, viel mehr als wir erwarten.<br />
<br />
''English''<br />
<br />
If you liked to simulate the sound of the noise of the wind through some basic leaves, you would have to make Thousends of oscilators slightly different tuned. This would be a lot of work which one or 2 or 3 trees just do like that.<br />
There is more sound in a forrest then you would expect. However one can also play the forrest. On our soundwalk we`ll find natural resonance body that can sound unexpectedly or suprisingly. Without to much technic, we`ll try to make a tree-birembau or instruments just as they occur. With some simple strings and bridges we can even make a small harmonic sound. In the river we can tune the water and on the tower we`ll be just spontanuously making some Aeolharps. And from that point on, you`ll see the whole forrest as a score. If we`re good, we play the score together. And we`ll find many more scores in micro and macro environments. Let`s see if we get the birds around to embody our orchestra even stronger.<br />
<br />
http://kasparkoenig.com<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
<br />
File:DSC03226.jpeg<br />
File:DSC03227.jpeg<br />
File:DSC03228.jpeg<br />
File:DSC03231.jpeg<br />
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File:DSC03267.jpeg<br />
File:DSC03268.jpeg<br />
File:DSC03269.jpeg<br />
<br />
<br />
</gallery><br />
<br />
=== Pei - active and passive listening ===<br />
[[File:pei_in_the_fog.JPG|200px]]<br />
<br />
Die alltägliche Klanglandschaft als ein fortlaufendes Musikstück zu hören, schärft den Sinn unsere tägliche akustischen Umgebung als ein Ereignis unseres Lebens wahrzunehmen und gleichzeitig als Musik zu hören. Letzteres lenkt unsere Aufmerksamkeit für die Sinneswahrnehmung des reinen Hörens, des messbaren Klanges, hin zu der Frage nach der Bedeutung des Gehörten. Der Akt diese Klänge zu hören, lässt uns als Teil eines grossen Ganzen spüren und unser Leben in einem Klangraum verorten, der aus täglicher Geräuschkulisse unserer modernen Welt und der allgegenwärtigen Natur gespeist ist.<br />
<br />
Der fâneur ist ein aktiver Zuhörer, der die Stille wählt und sich ihr zuwendet. Wir hören die Musik der Stille jedoch mit den Ohren des passiven Hörens.<br />
In der Reduktion der Klangerzeugung durch Körperbewegung, wird die Luft zum Sound-Verstärker (Amplifier) der bewegten, pulsierenden Luft.<br />
<br />
Während der Wanderung und Feldexperimenten, bekommen Sie Tipps zu aktivem und passivem Hören, welche Sie alleine oder in der Gruppe ausprobieren können. Eine nützliche Bereicherung zudem auch für all diejenigen die sich mit Aussentonaufnahmen beschäftigen. <br />
<br />
''English''<br />
<br />
Listening to everyday soundscapes as an ongoing piece of music creates a subtlety between the daily acoustic environment as life events, and as music. The latter transcends our perceptual sensory from recognising a sound, of its connate characteristics of physical (measurable) nature to the meaning it produces. The act of soundscape listening engages us closer to how life is composed, in another words, listen to the daily soundscape shared by the contemporary world and its nature.<br />
<br />
The fâneur as an active spectator, and silence becomes an active choice. We hear,<br />
those soundings endure the ears of a passive listener, the reduction of man-made movement as the apmlifier adopts the vibrant of air.<br />
<br />
During the walk and field experiment, we can exercise as individual or a pair of few of common soundwalk tips to enhance the experiece of active & passive listening, which is sometimes very useful for field recording. <br />
<br />
http://www.little-object.com<br />
<br />
=== Stahl - Noisetracks ===<br />
[[File:stahl_noisetracks.JPG|200px]]<br />
<br />
Noisetracks ist eine App für Smartphones mit der kurze Audio Aufnahmen gemacht werden können. Diese werden lokalisiert mittels GPS, anschliessend visualisiert und mit der Noisetracks community geteilt. So entsteht ein Archiv des Alltags, eine soziale Soundscape, eine Erinnerung, ein Remix.<br />
<br />
Konzert:<br />
Basierend auf Noisetracks stellt Christoph Stähli in seiner Performance Fragen an die kompositorischen Möglichkeiten des Materials. Durch die einfache Technik des Wiederholens der kurzen Sounds entsteht eine Klangsimulation, die zwischen abstrakten Soundfetzen und hyperrealen Überlagerungen von Alltag meandriert.<br />
<br />
Download App: http://www.noisetracks.com<br />
Access code: noisetracker<br />
<br />
= Soundscapes Performance =<br />
Samstag, 14. Juni, Türöffnung 19:00, Konzertbeginn 19:30<br />
<br />
Recordings line-up:<br />
Hackteria_SH_20140614-1_Stahl.wav 43.8 MB <br />
Hackteria_SH_20140614-2_Kaspar.wav 61.6 MB <br />
Hackteria_SH_20140614-3_Pei.wav 97.7 MB <br />
Hackteria_SH_20140614-4_Yashas_Marc.wav 101.7MB<br />
<br />
{{#widget:Iframe<br />
|url=https://archive.org/embed/HackteriaSH_WAV<br />
|width=410<br />
|height=150<br />
|border=0<br />
}}<br />
<br />
[[File:P1140666.JPG|200px|thumb|left|The Sound Room-Front]]<br />
<br />
''Biologisch inspirierte Klangexperimente und Soundperformances''<br />
<br />
Line-Up:<br />
* Kaspar Konig - carte blanche<br />
* Pei - The Philosophy of Constant Waiting, Chapter 7 Yogyakarta<br />
* Stahl - Noise and Nature <br />
* (tbc) Special guests und Teilnehmer - Randen Listening Fields <br />
<br />
Living Matters, that sounded. What is selected or excluded? Soundscape space is also the space of possibilities to listening, where it holds something together, called music. By knitting the physical representations of sound, scales varied, the listening experience would be shared at this reality, in this room. The merge of given sound movements invite you to walk with them, to walk along with the music. A series of improvisational soundscape composition would be present at Hackteria Soundscape Evening, the team will set up the room for real-time acoustic environment of presence, and the invited artists will sculpture the soundscape with a quadraphonic system.<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:soundScapes_00_kaspar_setting_up.JPG<br />
File:soundScapes_01_setupKaspar.jpeg<br />
File:soundScapes_02_stahl.jpg<br />
File:soundScapes_03_kaspar.jpg<br />
File:soundScapes_04_pei.jpg<br />
File:soundScapes_05_yashas_dusjagr.jpg<br />
<br />
</gallery><br />
<br />
<br />
== Links zu Partnern ==<br />
<br />
http://www.allerheiligen.ch/en/what-s-on/guided-tours-and-talks<br />
<br />
http://www.ngsh.ch/ngsh/veranstaltungen_aktuell.htm<br />
<br />
http://www.kunstverein-sh.ch/programm/jahresprogramm<br />
<br />
short link to [[Schaffhausen]]<br />
<br />
= Biographien =<br />
<br />
=== Dr. Marc Dusseiller (CH) === <br />
<br />
[http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
* http://hackteria.org/<br />
* http://mechatronicart.ch/<br />
* http://www.dusseiller.ch/labs/<br />
<br />
=== Pei-Wen Liu (CH/TW) ===<br />
<br />
As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, Java&Sumatra of Indoensia, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== Leo Bettina Roost (CH/I) ===<br />
<br />
Leo Bettina Roost (*1961) schöpft ihre Kunst aus Geschehnissen des alltäglichen, populären oder öffentlichen Lebens und entwickelt Aspekte davon zu eigenständigen Aussagen. Oft verknüpft sie dabei Texte mit der Gestalt des Kunstwerks. "Fehler, Ungereimtheiten - sie versucht jene Momente zu finden, die ihr Werk auf der Kippe stehen lassen und somit den Prozess eines Übergangs andeuten." (Stéphanie Stamm 2012) In dieser Auseinandersetzung entstehen raumbezogenen Installationen, Zeichnungen, Fotografien und Skulpturen.<br />
Sie studierte Freie Bildhauerei an der Staatlichen Kunstakademie Düsseldorf (1985-1991, Meisterschülerin). Ihre Professoren waren u.a. Tony Cragg, Ulrich Rückriem, Fritz Schwegler. Nach Stationen in London, New York und Köln, lebt sie seit 2011 in Schaffhausen. Nebst ihrer künstlerischen Arbeit führt sie Kunst im öffentlichen Raum aus, kuratiert regelmässig Ausstellungen (u.a. Manor Kunstpreis Schaffhausen 2013), arbeitet mit Kindern in Kunstprojekten und als Werklehrerin an Schulen. Ihre Kunstwerke sind seit 1991 in zahlreichen Ausstellungen zu sehen. <br />
<br />
* http://www.leo-bettina-roost.de/<br />
<br />
=== Erich Berger (AT/FI) ===<br />
<br />
Erich Berger is a visual artist and trained as a communication engineer and in philosophy. He has produced interactive art installations, artistic wearable interfaces, audiovisual performances and sound-art, which have been shown internationally since the mid 90ties. He also works as educator, curator, content developer and facilitator, focusing on the intersection of art, technology and science. Research interests include telerobotics and telematically mediated environments, interactive participatory spaces, sonification and visualisation of real-time processes with related questions in composition, semiotics and linguistics, generative processes, feedback situations and autopoietic systems. His research engages with hybrid space, deep time processes, biology and ecology and involves the facilitation of interdisciplinary environments for working and learning. His research also includes close cooperation with international partners within the arts and sciences.<br />
<br />
* http://bioartsociety.fi/<br />
* http://randomseed.org/<br />
<br />
=== Nur Akbar Arrofatullah (ID) ===<br />
[[File:akbar_UGM.JPG|180px|thumb|right|Nur Akbar Arofatullah in Microbiology Lab UGM]]<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://lifepatch.org/<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Boris Magrini (CH) ===<br />
<br />
Boris Magrini (*1975) is a Swiss art historian and curator. He earned a Master’s degree in art history and philosophy at the University of Geneva and is currently performing research for his PhD in the field of media arts at the University of Zurich, with a thesis on computer and generative art. He was curator at Duplex (Geneva), I Sotterranei dell’Arte (Monte Carasso) and assistant curator at Kunsthalle Fribourg and Kunsthalle Zürich. Among other projects, he has curated Mutamenti (Bellinzona, 2007), Anathema (Fri-Art, Fribourg, 2007-2008), Modifier (Dienstgebäude, Zurich, 2010) and co-curated Leise Rehe – Wilde Beeren (Cabaret Voltaire, Zurich, 2011-2012). In 2013, he has organized at Kunsthalle Zürich the series of talks and encounters Reality Check. He is editor of the Italian pages of the Swiss art journal Kunst-Bulletin and he regularly publishes on contemporary art and media art in magazines, books and exhibition catalogues.<br />
<br />
=== Kaspar König (CH/NL) tbc ===<br />
<br />
1975 Maastricht, Kaspar König ist seit seinem Masterabschluss (2012) an der HfM in Mainz und seinem Abschluss an der UDK in Berlin (2002) als freischaffender Komponist und Klangkünstler tätig. Sein Designhintergrund wird in seinen erfundenen Instrumenten und Sound Installationen sicht- und hörbar.<br />
Kaspar König hat bereits bei zahlreichen Tanz- und Theaterproduktionen als Komponist gearbeitet und wirkte als Klangkünstler in verschiedensten Installationen und Performances. In seiner Funktion als wissenschaftliche Hilfskraft konnte er viel Erfahrung im Hochschulwesen, im organisatorischen Bereich und in der Öffentlichkeitsarbeit sammeln.<br />
<br />
* http://www.kasparkoenig.com<br />
* http://www.arm.nu<br />
<br />
=== Wawies Wisnu Wisdantio (ID) tbc ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://lifepatch.org<br />
* http://landscapeindonesia.com<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Christoph Stähli (CH) ===<br />
Christoph Stähli is working as freelance artist, hacker and programmer. He studied New Media (BA) and Fine Arts (MA) at the Universitiy of the Arts Zurich, ZHdK. His interest lies in the broad scientific field of media technologies and their applications in artist based practices. He developed content and software for the 3d LED display NOVA of ETH Zurich. As a member of the Swiss Mechatronic Art Society SGMK he's giving workshops and is co-organizer of the diy*-festival. 2010 he founded ZAAK (Zentrum für angewandte Automation und Kunst). At the momement Christoph Stähli is working as research associate at the Institute for Computer Music and Sound Technology ICST at ZHdK.<br />
<br />
* http://www.stahlnow.com<br />
<br />
=== Effi Tanner (CH) tbc ===<br />
<br />
= Partners and Supporters =<br />
<br />
Die Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" ist eine Zusammenarbeit von Hackteria und dem Kunstverein Schaffhausen, mit Unterstützung unserer Partner: Lifepatch, Finnish Society of Bioart, Schweizerische Gesellschaft für Mechatronische Kunst, Landscape Indonesia Naturforschende Gesellschaft Schaffhausen, Museum zu Allerheiligen und den Sponsoren: Migros Kulturprozent.<br />
<br />
'''Organizer'''<br />
<br />
''Hackteria | Open Source Biological Art''<br />
<br />
[[File:hackteria_logo2012_green_black.png|480px|link=http://hackteria.org/]]<br />
<br />
Hackteria is a collection of Open Source Biological Art Projects instigated in February 2009 by Andy Gracie, Marc Dusseiller and Yashas Shetty, after collaboration during the Interactivos?09 Garage Science at Medialab Prado in Madrid. The aim of the project is to develop a rich web resource for people interested in or developing<br />
projects that involve DIY bioart, open source software and electronic experimentation. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, write critical and theoretical reflections, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, festival and meetings.Since 2009, Hackteria has conducted workshops in Europe (Switzerland, Slovenia, Norway, Austria, Hungary, Serbia, United Kingdom, Germany) , Asia (India, Indonesia, Taiwan, Hong Kong), Africa (Kenya) and North America (US, Canada).<br />
<br />
Link:<br />
* http://hackteria.org/?page_id=2<br />
<br />
''Kunstverein Schaffhausen''<br />
<br />
[[File:KunstvereinSH_Logo.png|240px|link=http://www.kunstverein-sh.ch/]]<br />
<br />
Der Kunstverein Schaffhausen besteht seit 1846 und zählt rund 1000 Mitglieder. Sein Engagement für die Gegenwartskunst findet aufmerksame Beachtung. Ziele des Kunstvereins Schaffhausen sind den Sinn für bildende Kunst zu fördern und zu pflegen und eine Sammlung von Werken regionaler und schweizerischer Kunstschaffender aufzubauen. Der Kunstverein unterstützt die Ausstellungen der Kunstabteilung des Museum zu Allerheiligen in Schaffhausen, dem er auch seine Sammlung als Dauerleihgabe zur Verfügung stellt. Das Programm der Kunstabteilung des Museums umfasst Ausstellungen zu aktuellen Positionen internationaler und Schweizer Kunst unter kontinuierlichem Einbezug des Kunstschaffens der Region. Zudem organisiert der Kunstverein Ausstellungen von regionalen Kunstschaffenden. Mit einem vielseitigen Veranstaltungs-Programm ermöglicht der Kunstverein seinen Mitgliedern und weiteren Interessierten Kreisen Begegnungen mit Kunst und Kunstschaffenden.<br />
<br />
Link:<br />
* http://www.kunstverein-sh.ch/<br />
<br />
'''Partners'''<br />
<br />
[[File:SBS_eng_bw_rgb.jpg|240px|link=http://www.bioartsociety.fi/]]<br />
<br />
[[File:lifepatch_black.png|240px|link=http://www.lifepatch.org/]]<br />
<br />
[[File:Logo-LI.png|240px|link=http://www.landscapeindonesia.com/]]<br />
<br />
[[File:sgmk_logo_text_web.png|240px|link=http://www.mechatronicart.ch]]<br />
<br />
[[File:logo-ngsh-12.jpg|240px|link=http://www.ngsh.ch/]]<br />
<br />
[[File:logo-museum_680s.jpg|240px|link=http://www.allerheiligen.ch/]]<br />
<br />
<br />
'''Sponsors'''<br />
<br />
[[File:migros_logo.jpg|none|240px|link=http://www.kulturprozent.ch/]]<br />
<br />
= Zusätzliche Texte und Links =<br />
<br />
== Medien ==<br />
<br />
http://www.radiomunot.ch/news/2014/06/12/hackteria_biologie_als_kunst_und_bastelprojekt<br />
<br />
http://www.shf.ch/index.php?huet-im-gschpraech<br />
<br />
== Literatur ==<br />
<br />
[[File:Schweiz_am_Sonntag.jpg|right|thumb|200px]]<br />
'''Zu Besuch bei den Biohackern , Schweiz am Sonntag, Nr. 18, 5. Mai 2013 , R. Schuppisser'''<br />
<br />
http://hackteria.org/2013/05/05/article-on-biohackers-in-schweiz-am-sonntag/<br />
<br />
„... Bakterien kultivieren und mit Gentechnik experimentieren: Das geht auch im Heimlabor, nennt sich Amateur-Biologen bauen selber Laborinstrumente und träumen von leuchtenden Pflanzen. Einige auch vom grossen Geld. <br />
<br />
DER ERSTE VERSUCH des Experiments ist fehlgeschlagen. Marc, Tuuli und Urs hatten verschiedene Fische gekauft, in Salzwasser eingelegt und einige Tage liegen gelassen. Nun sollten sich eigentlich die biolumineszierenden Bakterien auf dem Fisch vermehren, sodass man ihr Leuchten im Dunkeln erkennt. Die Bakterien sollten dann in einer Nährlösung aus Salzwasser, Pepton und Agar kultivieren. Doch nun muss erst einmal neuer Fisch her. Experimentieren im Heimlabor braucht Geduld. Marc, Urs und Tuuli sind Biohacker und damit Teil einer Bewegung, die die Welt ähnlich verändern könnte, wie in den 70er-Jahren die Computer-Tüftler mit der Entwicklung des PC in der Garage. Das zumindest glauben euphorische Journalisten und Technik-enthusiastische Wissenschafter. So meinte etwa der Physiker und Freidenker Freeman Dyson 2007 in einem Essay, «dass die domestizierte Biotechnologie unser Leben in den nächsten 50 Jahren mindestens so stark prägen werde, wie die Domestizierung des Computers in den letzten 50 Jahren». - ...„<br />
<br />
''«Ich will, dass Wissen und Technik der ganzen Welt zugänglich ist.»'' <br />
MARC DUSSEILLER, BIOHACKER <br />
<br />
<br />
[[File:ScreenShot_Magrini.png|right|thumb|200px]]<br />
'''Hackteria: An example of neomodern activism. Leonardo Online 2013, Boris Magrini'''<br />
<br />
http://www.leoalmanac.org/wp-content/uploads/2014/05/LeaVol20No1_-Magrini.pdf<br />
<br />
As a platform for knowledge sharing and artistic exploration, Hackteria constitutes a network of artists and researchers that merge the use of biotechnologies with hacking and do-it-yourself strategies. Its process-oriented and performative approaches, opposing to the materialistic imperatives of the art market, lean to the tradition of political art. In the present paper, I am arguing that Hackteria embodies what could be considered a neomodern activism, other recent examples of which are emerging within the new media art field. Instead of rejecting new controversial technologies, they propose a vision of a society that is moved forward by a more democratic use and discussion of these technologies. The activities of Hackteria are examined through the presentation of a bio-lab created in Ljubljana. <br />
<br />
The roots of Hackteria: from performative art to tactical media. <br />
<br />
The events organized by Hackteria are rooted in a long tradition of media art, as well as process-oriented and performative approaches. Performative art is not equivalent to process-oriented art; as Andreas Broeckmann correctly pointed out, “it only makes sense to speak of process-orientation in cases where the evolving process itself is a main factor of the aesthetic experience of the work.” [4] Nonetheless, neither performative nor process-oriented art focus on the creation of a finite product, a distinctive trait of the activities run by Hackteria. Furthermore, the BioTehna project, for example, share both performative, interactive and process-oriented qualities, for it is not the lab as such that is meaningful to the artistic intent of the group but rather the process involved in building and running it. <br />
<br />
<br />
[[File:FN_cover_front.jpg|right|thumb|200px]]<br />
'''Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon, Finnish Society of Bioart, 2013'''<br />
<br />
http://bioartsociety.fi/Field_Notes_Teaser.pdf<br />
<br />
Every second year the Finnish Society of Bioart invites a significant group of artists and scientists to the Kilpisjärvi Biological Station in Lapland/Finland to work for one week on topics related to art, biology and the environment. “Field_Notes – From Landscape to Laboratory” is the first in a series of publications originating from this field laboratory. It emphasizes the process of interaction between fieldwork, locality and the laboratory. Oron Catts, Antero Kare, Laura Beloff, Tarja Knuuttila amongst others explore the field and laboratory as sites for art&science practices.<br />
<br />
BETWEEN LANDSCAPE AND LABORATORY<br />
<br />
How to define the evolving field of art&science, including bioart, and where can the historical trajectory of this area within the arts be found? In very general terms one could divide currently existing artistic interests in the field into two very broad subject categories: artists that are concerned with the environment, and artists whose work focuses on the human as subject matter. The previous group deals with environment, landscape, natural phenomena, plants, and animals typically in their natural habitat. The latter group is interested in the human as such and within his technologically augmented environment. This includes work with human enhancement and organs, with devices and manipulation of human and animal cells. The work is carried out either under laboratory conditions or with technologically mediated social structures including human and non-human actors. Shared aspects across the field are e.g. politics, ethical debates and projections of the possible futures. This publication is specifically focusing on work that is concerned with the environment and ecology. However, the human is strongly present in all the arguments, statements and accounts. It is very apparent that we live in the era of the anthropocene, where viewpoints and actions are unavoidably developed with and projected from a human perspective.<br />
<br />
The publication is edited by Laura Beloff, Erich Berger and Terike Haapoja. It is bilingual in Finnish and English and contains 17 articles and additional material of Finnish and international contributors. You can buy the book now from our website:<br />
<br />
<br />
[[File:homemade_bio_dusseiller.png|right|thumb|200px]]<br />
'''Home Made Bio Electronic Arts Do-it-yourself: Microscopes, Sensors, Sonifications - Christoph Merian Verlag / Migros-Kulturprozent: Dominik Landwehr, Verena Kuni (Ed.), 2013'''<br />
<br />
http://hackteria.org/2013/05/23/home-made-bio-electronic-arts-published/<br />
<br />
After 2 years of discussions with various people in the field of DIYbio, hackteria and BioArt, Dominik Landwehr and Verena Kuni published a new book in their HomeMade series. This time with the title “Home Made Bio Electronic Arts” they go some steps closer to interfacing the living world with DIY tinkering and electronics, easy accessible instructions for everybody. Additionally some editorial essays and an interview with Gerfried Stocker. A production by Migros-Kulturprozent with the Christoph Merian Verlag.<br />
<br />
* Six easy do-it-yourself experimental projects<br />
* For biotechnology and electronics do-it-yourself enthusiasts<br />
<br />
“Science for all” is the motto of a new movement which deals with biology and electronics. It applies the do-it-yourself approach, well established in the electronic and computer scene, to natural sciences. Here the boundaries between the arts and sciences are fluid. The artists and scientists who work together in an interdisciplinary manner call themselves “bio-hackers” or “bio-punks” and deliberately continue in the creative tradition of those two movements. Their research is designed to communicate scientific insights which are otherwise reserved for scientists. Home Made Bio Electronic Arts introduces leading exponents and presents six easy do-it-yourself experimental projects.<br />
<br />
<br />
[[File:MCD.png|right|thumb|200px]]<br />
'''The Art of Open and Free Science, MCD #68, 2012, Ed. A. Delfanti, Interview S. Tocchetti'''<br />
<br />
http://www.digitalmcd.com/mcd-68-la-culture-libre-the-open/<br />
<br />
Download the [http://hackteria.org/wp-content/uploads/2012/10/MCD68-OpenScience.pdf extracted pages from the Open Science section here].<br />
<br />
Could you explain what is Open Source Biological Art and how it relates to DIY biology? <br />
<br />
Whether it is a wiki or a workshop or both doesn’t really matter, what is essential is to enable people to collaborate and shaer knowle edge and instructions. Open Source Biological Art enables people to perform complex scientific protocols without the support of an official institution. We believe that it is important to enable more people to feel confident in working with living systems in order for creative and new ideas to emerge. When applied to science and art, it can create a new type of public participation and understanding of both domains. <br />
<br />
What is your view on the future of citizen science? <br />
<br />
My hope is that if more people are making things with their hands and have this direct and everyday experience with scientific protocols, we can demystify science and open the whole decision making process to more people and opinions. I think this is the future society, where I want to live, a place where tinkerers and lay people find new and unexpected uses and functions of technologies and scientific knowledge, where they hack it and adapt it to their dreams and lives and don’t wait for some big corporation or government to decide what is good or safe for them. <br />
<br />
<br />
[[File:ABSTRAKT_Interview.jpg|right|thumb|200px]]<br />
'''Der Aufstand der Bastler, November 2012, ABSTRAKT N°8 “Machen ist Macht”'''<br />
<br />
http://hackteria.org/?p=1870<br />
<br />
Gespräch mit Marc Dusseiller. Von Max Celko.<br />
<br />
In Garagenlaboren macht sich analog zu den Computernerds der späten Siebzigerjahre eine junge Generation von Amateurbiologen ans Werk: die Biohacker. Marc Dusseiller ist Gründer des Hacker-Netzwerks Hackteria. Dass in der Szene der Bill Gates der Do-it-yourself-Forschung zu finden ist, glaubt er aber trotzdem nicht. <br />
<br />
... Worin liegt denn der gesellschaftliche Mehrwert des Selberforschens? <br />
<br />
Ein zentraler gesellschaftlicher Nutzen ist es, dass die DIYBioszene auch Laien den Zugang zur wissenschaftlichen Diskussion ermöglicht. Damit wird die Biotechnologie zumindest ein Stück weit demokratisiert. Ich halte dies für sehr wichtig, denn wir stehen heute an einem Punkt, an dem die Biotechnologie rasante Fortschritte macht und völlig neue Möglichkeiten eröffnet, lebende Materie zu manipulieren. Es liegt jetzt an uns allen, gemeinsam als Gesellschaft zu definieren, welche Forschung wir möchten und welche gesetzlichen Schranken wir der Biotechnologie auferlegen. Als Folge des grösseren Wissens sind die Leute auch weniger anfällig für populistische Ideen von Politikern oder leere Marketingversprechen von Firmen. <br />
<br />
<br />
[[File:Dazed_Confuser_BioArt_Now.png|right|thumb|200px]]<br />
'''Dazed & Confused: BIOART NOW: August 2013, S. Fortune'''<br />
<br />
http://www.dazeddigital.com/artsandculture/article/16465/1/bioart-now-%E2%80%93-part-1<br />
<br />
„... On the global stage biohacking collective Hackteria has lead the way on demystifing bioart and providing people with easy practical ways to engage with it. Formed in 2009 and featuring chapters in Europe, India and Indonesia the Hackteria Wikipedia has become the de-facto resource for all budding biohackers. The interplay between biohacking and bioart is particularly fluid among Hackteria affiliated practitioners. “Hackteria is not, generally speaking, about finished products or finished works. The bioart just happens, but is not the primary goal” said Hackteria co-founder Marc Dusseiller. Some of that 'incidental bioart' has been quite sublime. -....“<br />
<br />
„...The Hackteria flavour of bioart and biotech education is particularly visible in Indonesia, where sister organisation Lifepatch complements the bioart residencies hosted by media-art lab the House of Natural Fiber (HONF), helping underfunded school students with such ingenious hacks as converting a webcam into a functioning microscope. At HONF in 2010, Julian Abraham and others initiated a project aimed at creating a safe form of fermentation based on tropical fruit, after the Indonesian government raised prohibitively high duties on alcohol. After leaving HONF, Abraham continued the theme, creating sound-based bioart pieces under the name Kapitän Biopunk. He provided workshops in homebrewing alcohol to accompany his Fermentation Madness, a sound-art piece that converts the processes of fermentation into an interactive soundscape. -....“<br />
<br />
<br />
[[File:DIYbioEU_vs_US-BioEssays.png||right|thumb|200px]]<br />
'''European do-it-yourself (DIY) biology: Beyond the hope, hype and horror, Günter Seyfried et. al. BioEssays, Volume 36, Issue 6, June 2014'''<br />
<br />
http://onlinelibrary.wiley.com/doi/10.1002/bies.201300149/full<br />
<br />
The encounter of amateur science with synthetic biology has led to the formation of several amateur/do-it-yourself biology (DIYBio) groups worldwide. Although media outlets covered DIYBio events, most seemed only to highlight the hope, hype, and horror of what DIYBio would do in the future. Here, we analyze the European amateur biology movement to find out who they are, what they aim for and how they differ from US groups. We found that all groups are driven by a core leadership of (semi-)professional people who struggle with finding lab space and equipment. Regulations on genetic modification limit what groups can do. Differences between Europe and the US are found in the distinct regulatory environments and the European emphasis on bio-art. We conclude that DIYBio Europe has so far been a responsible and transparent citizen science movement with a solid user base that will continue to grow irrespective of media attention.<br />
<br />
Comparison between European and North American groups<br />
<br />
The DIYBio movements in the US and Europe have a lot in common. Beliefs in the democratization of science and the enabling of citizens to do biotechnology are shared by all groups on both sides of the Atlantic. In general, they have more in common than what sets them apart. However, there also seems to be aspects where the groups in the US and Europe differ from one another.<br />
<br />
In contrast to the USA (minding different state legislations), the groups in Europe need to obtain a license in order to carry out genetic engineering experiments. So far, the European groups have not done these types of experiments, but some of them plan to go through the licensing procedure and obtain a license. As an exception, the UK-Netherlands based C-LAB art collective did obtain a license to exhibit a bioart work with living genetically modified organisms in London, UK (http://c-lab.co.uk/projects.html). The work itself, however, was done in collaboration with a university research lab.<br />
<br />
A rather surprising finding, compared to the US, is a stronger collaboration of amateur biologists with artists and designers in Europe. It remains to be seen whether this observation is only due to the small sample size of groups, or if the art-science interaction is a real European characteristic.<br />
<br />
<br />
[[File:NZZ_biohacking.jpg|right|thumb|200px]]<br />
'''Forschen auf eigene Faust. Über einen Besuch bei Hobbybiologen in Los AngelesLena Stallmach 4. April 2012'''<br />
<br />
http://hackteria.org/2012/04/04/diybio-article-and-interview-in-neue-zurcher-zeitung/<br />
<br />
An article in today’s issue of NZZ (4. April 2012 Neue Zürcher Zeitung) gives a nice overview of the amateur biologist scene in LA. The journalist Lena Stallmach visited the people from LA biohackers in their own space/lab (which is currently in boxes, prepared for the move to a bigger space) and describes their working environment, dreams of inventions, ongoing projects and workshops in collaboration with the FBI.<br />
<br />
In the interview dusjagr gives some info about the local movement in switzerland and the hackteria network, some critical reflections on the promises the DIYbio movement paralleling the agro/chem industries, the potential of garage biotech for developing countries and generally the role of DIY science in educating and empowering a democratic society.</div>Peihttp://www.hackteria.org/wiki/index.php?title=Hackteria_Wiki:Biologische_Kunst_%E2%80%93_Wissenschaft,_Natur_und_Biohacking_-_Schaffhausen&diff=12557Hackteria Wiki:Biologische Kunst – Wissenschaft, Natur und Biohacking - Schaffhausen2014-07-01T11:31:50Z<p>Pei: /* Soundscapes Performance */</p>
<hr />
<div><div class="toclimit-2">__TOC__</div><br />
<br />
=Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking, Donnerstag, 12. Juni bis Samstag, 14. Juni=<br />
[[File:hackteria_schaffhausen_poster_web.png|thumb|400px]]<br />
Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking"<br />
<br />
Organisiert von Marc Dusseiller, Leo Bettina Roost und Hackteria, in Zusammenarbeit mit dem Kunstverein Schaffhausen.<br />
<br />
== Überblick ==<br />
<br />
Im Rahmen der Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" im Museum zu Allerheiligen, wird hackteria einem interessierten Publikum diesen noch jungen, internationalen und avantgardistischen Zweig an der Schnittstelle von Kunst und Wissenschaft vorstellen.<br />
<br />
<br />
=== Was ist Hackteria? ===<br />
'''Open Source Biological Art | DIY Biology |Generic Laboratory Infrastructure'''<br />
<br />
In den mittlerweile 5 Jahren seit der Gründung von "Hackteria | Open Source Biological Art" hat sich ein globales Netzwerk entwickelt, welches mit einem Ansatz der radikalen Transdisziplinarität, wie auch einer Offenheit zum Amateurismus in der Ausseinandersetzung mit Themen der Biologie durch künstlerische, wissenschaftliche und DIY (do-it-yourself) Praktiken widmet. Ein Schwerpunkt des Projektes ist es über die Website hackteria.org einen niederschwelligen Zugang zu schaffen für Künstler, Hacker / Maker, Forscher und Pädagogen sich ein Know-how anzueignen um selbstständing in einfachen und selbstgebauten Heimlaboren mit Biotechnologie, Umweltanalytik und Genetik zu experimentieren. Im Rahmen von 1-2 wöchigen Veranstaltungen, das [http://hackteria.org/category/hackterialab/ HackteriaLab 2010 - 2014], trafen sich regelmässig eine Vielzahl von internationalen Teilnehmer, um gemeinsam in kollaborativer Praxis an neuen Projekten zu tüfteln, ihr Wissen durch Workshops und Präsentationen untereinander und mit der Öffentlichkeit zu teilen und durch interdisziplinäre Zusammenarbeit eine gemeinsame und konstruktive neue Sprache und Methodik zu finden.<br />
<br />
=== Mehr zum Program ===<br />
<br />
Für das jugendliche Publikum gibt es zu Beginn am Donnerstag einen Workshop. Sie werden zusammen mit hackteria ein Do-it-Yourself Mikroskop im Museum zu Allerheiligen bauen.<br />
<br />
In der Diskussionsrunde am Freitag kommen persönliche, künstlerische, ökologische und politische Beweggründe sich mit „Bioart“ zu beschäftigen zur Sprache. Einzelne Künstler/Wissenschaftler aus Finnland, Indonesien und der Schweiz, halten kurze Vorträge zu ihrer Arbeitsweise und ihren Schwerpunkten. Danach ist die Diskussion für das Publikum geöffnet.<br />
<br />
Tagsüber am Samstag bietet ein Klangspaziergang auf dem Randen die Möglichkeit an einem „Biologisch inspirierten Kunsterlebnis“ teilzuhaben. Soundscapes und Fieldrecordings, Klangexperimente und elektromagnetische Wahrnehmungserweiterungen. Bringt euer Smartphone und Headset mit!<br />
<br />
In der Überführung dessen wird Abends im Rahmen eines Konzertes zurück im Raum innerhalb des Museums, gemeinsam mit den Teilnehmern, eine aussergewöhnliche künstlerische Soundperformance zu erfahren und zu hören sein.<br />
<br />
Download the [https://dl.dropboxusercontent.com/u/6072669/Hackteria-Schaffhausen_Flyer_sm.pdf Hackteria-Schaffhausen Flyer here]<br />
<br />
= Workshop: DIY Mikroskopie =<br />
Donnerstag, 12. Juni, 13.00 - 16.00 Uhr<br />
<br />
''Ein eigenes Do-it-Yourself Mikroskop bauen'' <br />
[[File:dusjagr_akbar_UGM.jpg|left|200px]]<br />
<br />
Kurs für SchülerInnen und weitere Interessierte. Limitierte Plätze!<br />
CHF 25.- inkl. Material<br />
<br />
'''Anmeldung:''' Mail an [mailto:marc@dusseiller.ch Marc Dusseiller]<br />
<br />
Ort: Vortragssaal, Museum zu Allerheiligen, Schaffhausen<br />
<br />
Der Kurs wird geleitet von Marc Dusseiller und Nur Akbar Arofatullah (ID), ein langjähriger Projektpartner aus Yogyakarta, Student Mikrobiologie, welcher diesen Workshop schon viele Male in Indonesien durchgeführt hat. Zusammen mit Lehrern und Schülern der Kantonschule Schaffhausen garantieren wir einen interessanten Nachmittag als Einstieg in verschiedene Themen des Do-It-With-Others / Do-It-Yourself Biologie, wie auch einen Einblick in die Welt der Mikroorganismen.<br />
<br />
Detailierte Informationen zum Workshop weiter hier: [[Mikroskopie-SH]]<br />
<br />
== Eindrücke vom Workshop ==<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SH-Microscopy_01_workshop_museum.jpg<br />
File:SH-Microscopy_02_workshop_start.jpg<br />
File:SH-Microscopy_03_workshop_hacking_cams.jpg<br />
File:SH-Microscopy_04_workshop_nice_students.jpg<br />
File:SH-Microscopy_05_workshop_dusjagr_presents.jpg<br />
File:SH-Microscopy_06_workshop_kräutergarten.-trip.jpg<br />
File:SH-Microscopy_07_kräutergarten_discussion.jpg<br />
File:SH-Microscopy_08_workshop_Kräutergarten_sampling.jpg<br />
File:SH-Microscopy_09_workshop_results_students.jpg<br />
File:SH-Microscopy_10_workshop_PetriScope.jpg<br />
File:SH-Microscopy_11_workshop_resultMicroscope.jpg<br />
File:SH-Microscopy_12_workshop_microscope_versions.jpg<br />
<br />
</gallery><br />
<br />
= Soirée Talks: Nature, Art & Science =<br />
Freitag, 13. Juni, 18.15 Uhr<br />
<br />
''Diskussionsrunde über Biokunst, Biohacking und Transdisziplinarität mit Gästen aus Finnland und Indonesien.'' <br />
<br />
Erich Berger (AT/FI) - Finnish Society of Bioart, gibt einen Einblick das Ars Bioarctica Residency Programm in Kilpisjärvi, Nord-Lappland, wie auch verschiedene künstlerische Engagements im Bezug zu Nuklearkraft in Finnland, gefolgt von der Vorstellung ihrer letzten Buchpublikation “Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon”. Wawies Wisnu Wisdianto (ID) - Lifepatch Citizen Initiative in Art, Science and Technology & Landscape Indonesia, gibt einen Überblick über die Zusammenarbeiten von Lifepatch mit Hackteria, BioDesign.cc und anderen Partnern im Rahmen des JRP, Jogja River Project. Im Weiteren stellt er ihre Amateur Photographie-Platfrom vor "Landscape Indonesia", mit welcher sie Photobände von Indonesiern für Indonesier produzieren. Marc Dusseiller stellt allgemein das Projekt Hackteria | Open Source Biological Art vor, und gibt einen Einblick über HackteriaLab 2014 - Yogyakarta, welcher er mitorganisiert hat diesen April in Indonesien. Boris Magrini (CH), Kunsthistoriker, wird einen Versuch machen, die verschiedenen vorgestellten Themen, wie auch die BioKunst allgemein, aus seiner Sicht zusammenzufassen, wie auch zwischen zeitgenössischer Kunst und Neomodernem Aktivismus zu positionieren. Das Publikum ist anschliessend eingeladen in eine offene Diskussionsrunde moderiert von Leo Bettina Roost und Boris Magrini.<br />
<br />
Die Vorträge der Indonesischen Gäste sind in Englischer Sprache, Diskussionen in Deutsch.<br />
<br />
* Einführung: Marc, Leo & Lynn<br />
* Vorträge: Boris - Erich - Wawies - Marc (12 Minutes each)<br />
* Soundscape Intermezzo: Pei (5 min)<br />
* Publikums-Diskussion / Panel: Moderation Leo & Boris (ev. Lynn?). Zusätzliche Gäste: Mark Liebenberg (SN), 1 Person aus NGSH / BioLehrer<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:SoireeTalks_01_intro.jpg<br />
File:SoireeTalks_02_erich.jpg<br />
File:SoireeTalks_03_dusjagr_DIY.jpg<br />
File:SoireeTalks_04_wawies_JRP.jpg<br />
File:SoireeTalks_05_Boris.jpg<br />
File:SoireeTalks_06_Apero.jpg<br />
File:SoireeTalks_07_roundTable.jpg<br />
<br />
</gallery><br />
<br />
= Randen Listening Fields - Nature and Phenomena =<br />
Samstag, 14. Juni, 11.30h - 17:00h<br />
<br />
''Klangspaziergang auf dem Randen mit internationalen Soundkünstlern''<br />
<br />
'''Treffpunkt: Vortragssaal, Museum zu Allerheiligen, 11:30h'''<br />
[[File:P1140672.JPG|200px|thumb|left|Treffpunkt: MzA Vortragssaal]]<br />
<br />
'''Treffpunkt auf dem Hagen, Heidenbaum Parkplatz, 12:00h'''<br />
<br />
https://maps.google.com/maps?q=47.758709,+8.565961&num=1&t=h&vpsrc=0&ie=UTF8&z=19&iwloc=A<br />
<br />
'''Pause und Diskussion in der SAC-Hütte Hasenbuck, 13:30h'''<br />
<br />
https://maps.google.com/maps?q=47.761663,+8.574165&num=1&t=h&vpsrc=0&ie=UTF8&z=20&iwloc=A<br />
<br />
<br />
== Aktivitäten ==<br />
<br />
<br />
Plain nature, everyday surrounding of a vast grass ground, a journey of rediscovery to our early summer, the crossing border of the visible soundings of those native cricket, winds, cows, birds, timelessness, we record. We may as well react and listen to the soundings of the invisible; with simply diy gadget along the walk or at the fields of experiment, we can listen to the vibrations of living matters and other materials that sounds. The designed soundwalk will be accompanied with three of collective listening and sound interventions co-ordinated by Kaspar König (NL/CH), Pei-Wen Liu (TW/CH) und Christoph Stähli (CH)<br />
<br />
'''Methods of Participation'''<br />
* Wear a pair of good walking shoes (nearly a must)<br />
* Open mind and your ear<br />
* Download Andriod App - [http://noisetracks.com Noisetrack] (free will)<br />
* Bring your own audio recording devices (free will)<br />
* we encourage the participant to re-use the experience of soundwalk to join the soundscape performance at the same evening (free will)<br />
* non of above, simple join the listening (free will)<br />
<br />
'''Transportation to Randen'''<br />
* The team will organise transportation between MzA meeting & Randen walking point, with the capacity approx. 12 - 16 pp inlcuding the team.<br />
* Everyone is welcome to join us, and we enourgage you to drive up together with the van to (GPS location). <br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:Randenspaziergang_01_arrival_heidenbaum.jpg<br />
File:Randenspaziergang_02_group_discussion.jpg<br />
File:Randenspaziergang_03_magic_ball.jpeg<br />
File:Randenspaziergang_04_KasparResonator.jpeg<br />
File:Randenspaziergang_05_exploring_resonanceBodies.jpeg<br />
File:Randenspaziergang_06_Mark_mushroom.jpeg<br />
File:Randenspaziergang_07_beeHacking.JPG<br />
File:Randenspaziergang_08_lunchbreak.jpeg<br />
File:Randenspaziergang_09_theTower.jpeg<br />
File:Randenspaziergang_10_GeekingUrs.jpeg<br />
File:Randenspaziergang_11_group_on_tower.jpeg<br />
File:Randenspaziergang_12_turmInstruments.jpeg<br />
File:Randenspaziergang_13_wawies_turm.JPG<br />
<br />
</gallery><br />
<br />
<br />
=== Map ===<br />
<br />
[[File:Randen_map_klangsiech_arrows.jpg.png|800px]]<br />
<br />
Weitere Details folgen in den nächsten Tagen... stay tuned.<br />
<br />
=== Impressionen frühere Hagen-Sessions ===<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
<br />
File:IMG_2947.JPG<br />
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File:tina_listens_to_ants.JPG<br />
File:veli_sheep_speakers.jpg<br />
<br />
</gallery><br />
<br />
=== Soundwalk mit ~ ===<br />
<br />
==== Kaspar - the forrest-score ====<br />
<br />
[[File:Kasper yourforresttalks.jpg|300px]]<br />
<br />
Wollten Sie den Klang der Geräusche des Windes durch Baumwipfel und Blätterwerk simulieren, bräuchten Sie tausende von Oszillatoren, welche alle ein klein weinig anders eingestellt sind. Das wäre für uns eine Menge Arbeit. Wind und Bäume hingegen erzeugen diese Musik völlig nebenher und selbstverständlich.<br />
Auf dem Soundwalk können wir die Wald-Musik ad hoc mit DIY gebauten Waldinstrumenten bereichern, ein Stück Holz mit Resonanzqualität, ein paar Seiten, ein Steg und schon klingt etwas zusätzlich mit. Am Bach spielen wir mit dem Wasser, auf dem Turm machen wir spontan Windharfen. Spätestens da möchten wir gemeinsam erleben wie der Sound des Waldes als Partitur hörbar wird. Hoffen wir, dass die Vögel uns kräftig unterstützen. Der Wald ist voller überraschender Geräusche, viel mehr als wir erwarten.<br />
<br />
''English''<br />
<br />
If you liked to simulate the sound of the noise of the wind through some basic leaves, you would have to make Thousends of oscilators slightly different tuned. This would be a lot of work which one or 2 or 3 trees just do like that.<br />
There is more sound in a forrest then you would expect. However one can also play the forrest. On our soundwalk we`ll find natural resonance body that can sound unexpectedly or suprisingly. Without to much technic, we`ll try to make a tree-birembau or instruments just as they occur. With some simple strings and bridges we can even make a small harmonic sound. In the river we can tune the water and on the tower we`ll be just spontanuously making some Aeolharps. And from that point on, you`ll see the whole forrest as a score. If we`re good, we play the score together. And we`ll find many more scores in micro and macro environments. Let`s see if we get the birds around to embody our orchestra even stronger.<br />
<br />
http://kasparkoenig.com<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
<br />
File:DSC03226.jpeg<br />
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File:DSC03269.jpeg<br />
<br />
<br />
</gallery><br />
<br />
=== Pei - active and passive listening ===<br />
[[File:pei_in_the_fog.JPG|200px]]<br />
<br />
Die alltägliche Klanglandschaft als ein fortlaufendes Musikstück zu hören, schärft den Sinn unsere tägliche akustischen Umgebung als ein Ereignis unseres Lebens wahrzunehmen und gleichzeitig als Musik zu hören. Letzteres lenkt unsere Aufmerksamkeit für die Sinneswahrnehmung des reinen Hörens, des messbaren Klanges, hin zu der Frage nach der Bedeutung des Gehörten. Der Akt diese Klänge zu hören, lässt uns als Teil eines grossen Ganzen spüren und unser Leben in einem Klangraum verorten, der aus täglicher Geräuschkulisse unserer modernen Welt und der allgegenwärtigen Natur gespeist ist.<br />
<br />
Der fâneur ist ein aktiver Zuhörer, der die Stille wählt und sich ihr zuwendet. Wir hören die Musik der Stille jedoch mit den Ohren des passiven Hörens.<br />
In der Reduktion der Klangerzeugung durch Körperbewegung, wird die Luft zum Sound-Verstärker (Amplifier) der bewegten, pulsierenden Luft.<br />
<br />
Während der Wanderung und Feldexperimenten, bekommen Sie Tipps zu aktivem und passivem Hören, welche Sie alleine oder in der Gruppe ausprobieren können. Eine nützliche Bereicherung zudem auch für all diejenigen die sich mit Aussentonaufnahmen beschäftigen. <br />
<br />
''English''<br />
<br />
Listening to everyday soundscapes as an ongoing piece of music creates a subtlety between the daily acoustic environment as life events, and as music. The latter transcends our perceptual sensory from recognising a sound, of its connate characteristics of physical (measurable) nature to the meaning it produces. The act of soundscape listening engages us closer to how life is composed, in another words, listen to the daily soundscape shared by the contemporary world and its nature.<br />
<br />
The fâneur as an active spectator, and silence becomes an active choice. We hear,<br />
those soundings endure the ears of a passive listener, the reduction of man-made movement as the apmlifier adopts the vibrant of air.<br />
<br />
During the walk and field experiment, we can exercise as individual or a pair of few of common soundwalk tips to enhance the experiece of active & passive listening, which is sometimes very useful for field recording. <br />
<br />
http://www.little-object.com<br />
<br />
=== Stahl - Noisetracks ===<br />
[[File:stahl_noisetracks.JPG|200px]]<br />
<br />
Noisetracks ist eine App für Smartphones mit der kurze Audio Aufnahmen gemacht werden können. Diese werden lokalisiert mittels GPS, anschliessend visualisiert und mit der Noisetracks community geteilt. So entsteht ein Archiv des Alltags, eine soziale Soundscape, eine Erinnerung, ein Remix.<br />
<br />
Konzert:<br />
Basierend auf Noisetracks stellt Christoph Stähli in seiner Performance Fragen an die kompositorischen Möglichkeiten des Materials. Durch die einfache Technik des Wiederholens der kurzen Sounds entsteht eine Klangsimulation, die zwischen abstrakten Soundfetzen und hyperrealen Überlagerungen von Alltag meandriert.<br />
<br />
Download App: http://www.noisetracks.com<br />
Access code: noisetracker<br />
<br />
= Soundscapes Performance =<br />
Samstag, 14. Juni, Türöffnung 19:00, Konzertbeginn 19:30<br />
<br />
Recordings:<br />
<br />
{{#widget:Iframe<br />
|url=https://archive.org/embed/HackteriaSH_WAV<br />
|width=410<br />
|height=342<br />
|border=0<br />
}}<br />
<br />
[[File:P1140666.JPG|200px|thumb|left|The Sound Room-Front]]<br />
<br />
''Biologisch inspirierte Klangexperimente und Soundperformances''<br />
<br />
Line-Up:<br />
* Kaspar Konig - carte blanche<br />
* Pei - The Philosophy of Constant Waiting, Chapter 7 Yogyakarta<br />
* Stahl - Noise and Nature <br />
* (tbc) Special guests und Teilnehmer - Randen Listening Fields <br />
<br />
Living Matters, that sounded. What is selected or excluded? Soundscape space is also the space of possibilities to listening, where it holds something together, called music. By knitting the physical representations of sound, scales varied, the listening experience would be shared at this reality, in this room. The merge of given sound movements invite you to walk with them, to walk along with the music. A series of improvisational soundscape composition would be present at Hackteria Soundscape Evening, the team will set up the room for real-time acoustic environment of presence, and the invited artists will sculpture the soundscape with a quadraphonic system.<br />
<br />
<gallery mode="packed-hover" widths=300px heights=200px><br />
<br />
File:soundScapes_00_kaspar_setting_up.JPG<br />
File:soundScapes_01_setupKaspar.jpeg<br />
File:soundScapes_02_stahl.jpg<br />
File:soundScapes_03_kaspar.jpg<br />
File:soundScapes_04_pei.jpg<br />
File:soundScapes_05_yashas_dusjagr.jpg<br />
<br />
</gallery><br />
<br />
<br />
== Links zu Partnern ==<br />
<br />
http://www.allerheiligen.ch/en/what-s-on/guided-tours-and-talks<br />
<br />
http://www.ngsh.ch/ngsh/veranstaltungen_aktuell.htm<br />
<br />
http://www.kunstverein-sh.ch/programm/jahresprogramm<br />
<br />
short link to [[Schaffhausen]]<br />
<br />
= Biographien =<br />
<br />
=== Dr. Marc Dusseiller (CH) === <br />
<br />
[http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
* http://hackteria.org/<br />
* http://mechatronicart.ch/<br />
* http://www.dusseiller.ch/labs/<br />
<br />
=== Pei-Wen Liu (CH/TW) ===<br />
<br />
As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, Java&Sumatra of Indoensia, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== Leo Bettina Roost (CH/I) ===<br />
<br />
Leo Bettina Roost (*1961) schöpft ihre Kunst aus Geschehnissen des alltäglichen, populären oder öffentlichen Lebens und entwickelt Aspekte davon zu eigenständigen Aussagen. Oft verknüpft sie dabei Texte mit der Gestalt des Kunstwerks. "Fehler, Ungereimtheiten - sie versucht jene Momente zu finden, die ihr Werk auf der Kippe stehen lassen und somit den Prozess eines Übergangs andeuten." (Stéphanie Stamm 2012) In dieser Auseinandersetzung entstehen raumbezogenen Installationen, Zeichnungen, Fotografien und Skulpturen.<br />
Sie studierte Freie Bildhauerei an der Staatlichen Kunstakademie Düsseldorf (1985-1991, Meisterschülerin). Ihre Professoren waren u.a. Tony Cragg, Ulrich Rückriem, Fritz Schwegler. Nach Stationen in London, New York und Köln, lebt sie seit 2011 in Schaffhausen. Nebst ihrer künstlerischen Arbeit führt sie Kunst im öffentlichen Raum aus, kuratiert regelmässig Ausstellungen (u.a. Manor Kunstpreis Schaffhausen 2013), arbeitet mit Kindern in Kunstprojekten und als Werklehrerin an Schulen. Ihre Kunstwerke sind seit 1991 in zahlreichen Ausstellungen zu sehen. <br />
<br />
* http://www.leo-bettina-roost.de/<br />
<br />
=== Erich Berger (AT/FI) ===<br />
<br />
Erich Berger is a visual artist and trained as a communication engineer and in philosophy. He has produced interactive art installations, artistic wearable interfaces, audiovisual performances and sound-art, which have been shown internationally since the mid 90ties. He also works as educator, curator, content developer and facilitator, focusing on the intersection of art, technology and science. Research interests include telerobotics and telematically mediated environments, interactive participatory spaces, sonification and visualisation of real-time processes with related questions in composition, semiotics and linguistics, generative processes, feedback situations and autopoietic systems. His research engages with hybrid space, deep time processes, biology and ecology and involves the facilitation of interdisciplinary environments for working and learning. His research also includes close cooperation with international partners within the arts and sciences.<br />
<br />
* http://bioartsociety.fi/<br />
* http://randomseed.org/<br />
<br />
=== Nur Akbar Arrofatullah (ID) ===<br />
[[File:akbar_UGM.JPG|180px|thumb|right|Nur Akbar Arofatullah in Microbiology Lab UGM]]<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://lifepatch.org/<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Boris Magrini (CH) ===<br />
<br />
Boris Magrini (*1975) is a Swiss art historian and curator. He earned a Master’s degree in art history and philosophy at the University of Geneva and is currently performing research for his PhD in the field of media arts at the University of Zurich, with a thesis on computer and generative art. He was curator at Duplex (Geneva), I Sotterranei dell’Arte (Monte Carasso) and assistant curator at Kunsthalle Fribourg and Kunsthalle Zürich. Among other projects, he has curated Mutamenti (Bellinzona, 2007), Anathema (Fri-Art, Fribourg, 2007-2008), Modifier (Dienstgebäude, Zurich, 2010) and co-curated Leise Rehe – Wilde Beeren (Cabaret Voltaire, Zurich, 2011-2012). In 2013, he has organized at Kunsthalle Zürich the series of talks and encounters Reality Check. He is editor of the Italian pages of the Swiss art journal Kunst-Bulletin and he regularly publishes on contemporary art and media art in magazines, books and exhibition catalogues.<br />
<br />
=== Kaspar König (CH/NL) tbc ===<br />
<br />
1975 Maastricht, Kaspar König ist seit seinem Masterabschluss (2012) an der HfM in Mainz und seinem Abschluss an der UDK in Berlin (2002) als freischaffender Komponist und Klangkünstler tätig. Sein Designhintergrund wird in seinen erfundenen Instrumenten und Sound Installationen sicht- und hörbar.<br />
Kaspar König hat bereits bei zahlreichen Tanz- und Theaterproduktionen als Komponist gearbeitet und wirkte als Klangkünstler in verschiedensten Installationen und Performances. In seiner Funktion als wissenschaftliche Hilfskraft konnte er viel Erfahrung im Hochschulwesen, im organisatorischen Bereich und in der Öffentlichkeitsarbeit sammeln.<br />
<br />
* http://www.kasparkoenig.com<br />
* http://www.arm.nu<br />
<br />
=== Wawies Wisnu Wisdantio (ID) tbc ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://lifepatch.org<br />
* http://landscapeindonesia.com<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Christoph Stähli (CH) ===<br />
Christoph Stähli is working as freelance artist, hacker and programmer. He studied New Media (BA) and Fine Arts (MA) at the Universitiy of the Arts Zurich, ZHdK. His interest lies in the broad scientific field of media technologies and their applications in artist based practices. He developed content and software for the 3d LED display NOVA of ETH Zurich. As a member of the Swiss Mechatronic Art Society SGMK he's giving workshops and is co-organizer of the diy*-festival. 2010 he founded ZAAK (Zentrum für angewandte Automation und Kunst). At the momement Christoph Stähli is working as research associate at the Institute for Computer Music and Sound Technology ICST at ZHdK.<br />
<br />
* http://www.stahlnow.com<br />
<br />
=== Effi Tanner (CH) tbc ===<br />
<br />
= Partners and Supporters =<br />
<br />
Die Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" ist eine Zusammenarbeit von Hackteria und dem Kunstverein Schaffhausen, mit Unterstützung unserer Partner: Lifepatch, Finnish Society of Bioart, Schweizerische Gesellschaft für Mechatronische Kunst, Landscape Indonesia Naturforschende Gesellschaft Schaffhausen, Museum zu Allerheiligen und den Sponsoren: Migros Kulturprozent.<br />
<br />
'''Organizer'''<br />
<br />
''Hackteria | Open Source Biological Art''<br />
<br />
[[File:hackteria_logo2012_green_black.png|480px|link=http://hackteria.org/]]<br />
<br />
Hackteria is a collection of Open Source Biological Art Projects instigated in February 2009 by Andy Gracie, Marc Dusseiller and Yashas Shetty, after collaboration during the Interactivos?09 Garage Science at Medialab Prado in Madrid. The aim of the project is to develop a rich web resource for people interested in or developing<br />
projects that involve DIY bioart, open source software and electronic experimentation. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, write critical and theoretical reflections, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, festival and meetings.Since 2009, Hackteria has conducted workshops in Europe (Switzerland, Slovenia, Norway, Austria, Hungary, Serbia, United Kingdom, Germany) , Asia (India, Indonesia, Taiwan, Hong Kong), Africa (Kenya) and North America (US, Canada).<br />
<br />
Link:<br />
* http://hackteria.org/?page_id=2<br />
<br />
''Kunstverein Schaffhausen''<br />
<br />
[[File:KunstvereinSH_Logo.png|240px|link=http://www.kunstverein-sh.ch/]]<br />
<br />
Der Kunstverein Schaffhausen besteht seit 1846 und zählt rund 1000 Mitglieder. Sein Engagement für die Gegenwartskunst findet aufmerksame Beachtung. Ziele des Kunstvereins Schaffhausen sind den Sinn für bildende Kunst zu fördern und zu pflegen und eine Sammlung von Werken regionaler und schweizerischer Kunstschaffender aufzubauen. Der Kunstverein unterstützt die Ausstellungen der Kunstabteilung des Museum zu Allerheiligen in Schaffhausen, dem er auch seine Sammlung als Dauerleihgabe zur Verfügung stellt. Das Programm der Kunstabteilung des Museums umfasst Ausstellungen zu aktuellen Positionen internationaler und Schweizer Kunst unter kontinuierlichem Einbezug des Kunstschaffens der Region. Zudem organisiert der Kunstverein Ausstellungen von regionalen Kunstschaffenden. Mit einem vielseitigen Veranstaltungs-Programm ermöglicht der Kunstverein seinen Mitgliedern und weiteren Interessierten Kreisen Begegnungen mit Kunst und Kunstschaffenden.<br />
<br />
Link:<br />
* http://www.kunstverein-sh.ch/<br />
<br />
'''Partners'''<br />
<br />
[[File:SBS_eng_bw_rgb.jpg|240px|link=http://www.bioartsociety.fi/]]<br />
<br />
[[File:lifepatch_black.png|240px|link=http://www.lifepatch.org/]]<br />
<br />
[[File:Logo-LI.png|240px|link=http://www.landscapeindonesia.com/]]<br />
<br />
[[File:sgmk_logo_text_web.png|240px|link=http://www.mechatronicart.ch]]<br />
<br />
[[File:logo-ngsh-12.jpg|240px|link=http://www.ngsh.ch/]]<br />
<br />
[[File:logo-museum_680s.jpg|240px|link=http://www.allerheiligen.ch/]]<br />
<br />
<br />
'''Sponsors'''<br />
<br />
[[File:migros_logo.jpg|none|240px|link=http://www.kulturprozent.ch/]]<br />
<br />
= Zusätzliche Texte und Links =<br />
<br />
== Medien ==<br />
<br />
http://www.radiomunot.ch/news/2014/06/12/hackteria_biologie_als_kunst_und_bastelprojekt<br />
<br />
http://www.shf.ch/index.php?huet-im-gschpraech<br />
<br />
== Literatur ==<br />
<br />
[[File:Schweiz_am_Sonntag.jpg|right|thumb|200px]]<br />
'''Zu Besuch bei den Biohackern , Schweiz am Sonntag, Nr. 18, 5. Mai 2013 , R. Schuppisser'''<br />
<br />
http://hackteria.org/2013/05/05/article-on-biohackers-in-schweiz-am-sonntag/<br />
<br />
„... Bakterien kultivieren und mit Gentechnik experimentieren: Das geht auch im Heimlabor, nennt sich Amateur-Biologen bauen selber Laborinstrumente und träumen von leuchtenden Pflanzen. Einige auch vom grossen Geld. <br />
<br />
DER ERSTE VERSUCH des Experiments ist fehlgeschlagen. Marc, Tuuli und Urs hatten verschiedene Fische gekauft, in Salzwasser eingelegt und einige Tage liegen gelassen. Nun sollten sich eigentlich die biolumineszierenden Bakterien auf dem Fisch vermehren, sodass man ihr Leuchten im Dunkeln erkennt. Die Bakterien sollten dann in einer Nährlösung aus Salzwasser, Pepton und Agar kultivieren. Doch nun muss erst einmal neuer Fisch her. Experimentieren im Heimlabor braucht Geduld. Marc, Urs und Tuuli sind Biohacker und damit Teil einer Bewegung, die die Welt ähnlich verändern könnte, wie in den 70er-Jahren die Computer-Tüftler mit der Entwicklung des PC in der Garage. Das zumindest glauben euphorische Journalisten und Technik-enthusiastische Wissenschafter. So meinte etwa der Physiker und Freidenker Freeman Dyson 2007 in einem Essay, «dass die domestizierte Biotechnologie unser Leben in den nächsten 50 Jahren mindestens so stark prägen werde, wie die Domestizierung des Computers in den letzten 50 Jahren». - ...„<br />
<br />
''«Ich will, dass Wissen und Technik der ganzen Welt zugänglich ist.»'' <br />
MARC DUSSEILLER, BIOHACKER <br />
<br />
<br />
[[File:ScreenShot_Magrini.png|right|thumb|200px]]<br />
'''Hackteria: An example of neomodern activism. Leonardo Online 2013, Boris Magrini'''<br />
<br />
http://www.leoalmanac.org/wp-content/uploads/2014/05/LeaVol20No1_-Magrini.pdf<br />
<br />
As a platform for knowledge sharing and artistic exploration, Hackteria constitutes a network of artists and researchers that merge the use of biotechnologies with hacking and do-it-yourself strategies. Its process-oriented and performative approaches, opposing to the materialistic imperatives of the art market, lean to the tradition of political art. In the present paper, I am arguing that Hackteria embodies what could be considered a neomodern activism, other recent examples of which are emerging within the new media art field. Instead of rejecting new controversial technologies, they propose a vision of a society that is moved forward by a more democratic use and discussion of these technologies. The activities of Hackteria are examined through the presentation of a bio-lab created in Ljubljana. <br />
<br />
The roots of Hackteria: from performative art to tactical media. <br />
<br />
The events organized by Hackteria are rooted in a long tradition of media art, as well as process-oriented and performative approaches. Performative art is not equivalent to process-oriented art; as Andreas Broeckmann correctly pointed out, “it only makes sense to speak of process-orientation in cases where the evolving process itself is a main factor of the aesthetic experience of the work.” [4] Nonetheless, neither performative nor process-oriented art focus on the creation of a finite product, a distinctive trait of the activities run by Hackteria. Furthermore, the BioTehna project, for example, share both performative, interactive and process-oriented qualities, for it is not the lab as such that is meaningful to the artistic intent of the group but rather the process involved in building and running it. <br />
<br />
<br />
[[File:FN_cover_front.jpg|right|thumb|200px]]<br />
'''Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon, Finnish Society of Bioart, 2013'''<br />
<br />
http://bioartsociety.fi/Field_Notes_Teaser.pdf<br />
<br />
Every second year the Finnish Society of Bioart invites a significant group of artists and scientists to the Kilpisjärvi Biological Station in Lapland/Finland to work for one week on topics related to art, biology and the environment. “Field_Notes – From Landscape to Laboratory” is the first in a series of publications originating from this field laboratory. It emphasizes the process of interaction between fieldwork, locality and the laboratory. Oron Catts, Antero Kare, Laura Beloff, Tarja Knuuttila amongst others explore the field and laboratory as sites for art&science practices.<br />
<br />
BETWEEN LANDSCAPE AND LABORATORY<br />
<br />
How to define the evolving field of art&science, including bioart, and where can the historical trajectory of this area within the arts be found? In very general terms one could divide currently existing artistic interests in the field into two very broad subject categories: artists that are concerned with the environment, and artists whose work focuses on the human as subject matter. The previous group deals with environment, landscape, natural phenomena, plants, and animals typically in their natural habitat. The latter group is interested in the human as such and within his technologically augmented environment. This includes work with human enhancement and organs, with devices and manipulation of human and animal cells. The work is carried out either under laboratory conditions or with technologically mediated social structures including human and non-human actors. Shared aspects across the field are e.g. politics, ethical debates and projections of the possible futures. This publication is specifically focusing on work that is concerned with the environment and ecology. However, the human is strongly present in all the arguments, statements and accounts. It is very apparent that we live in the era of the anthropocene, where viewpoints and actions are unavoidably developed with and projected from a human perspective.<br />
<br />
The publication is edited by Laura Beloff, Erich Berger and Terike Haapoja. It is bilingual in Finnish and English and contains 17 articles and additional material of Finnish and international contributors. You can buy the book now from our website:<br />
<br />
<br />
[[File:homemade_bio_dusseiller.png|right|thumb|200px]]<br />
'''Home Made Bio Electronic Arts Do-it-yourself: Microscopes, Sensors, Sonifications - Christoph Merian Verlag / Migros-Kulturprozent: Dominik Landwehr, Verena Kuni (Ed.), 2013'''<br />
<br />
http://hackteria.org/2013/05/23/home-made-bio-electronic-arts-published/<br />
<br />
After 2 years of discussions with various people in the field of DIYbio, hackteria and BioArt, Dominik Landwehr and Verena Kuni published a new book in their HomeMade series. This time with the title “Home Made Bio Electronic Arts” they go some steps closer to interfacing the living world with DIY tinkering and electronics, easy accessible instructions for everybody. Additionally some editorial essays and an interview with Gerfried Stocker. A production by Migros-Kulturprozent with the Christoph Merian Verlag.<br />
<br />
* Six easy do-it-yourself experimental projects<br />
* For biotechnology and electronics do-it-yourself enthusiasts<br />
<br />
“Science for all” is the motto of a new movement which deals with biology and electronics. It applies the do-it-yourself approach, well established in the electronic and computer scene, to natural sciences. Here the boundaries between the arts and sciences are fluid. The artists and scientists who work together in an interdisciplinary manner call themselves “bio-hackers” or “bio-punks” and deliberately continue in the creative tradition of those two movements. Their research is designed to communicate scientific insights which are otherwise reserved for scientists. Home Made Bio Electronic Arts introduces leading exponents and presents six easy do-it-yourself experimental projects.<br />
<br />
<br />
[[File:MCD.png|right|thumb|200px]]<br />
'''The Art of Open and Free Science, MCD #68, 2012, Ed. A. Delfanti, Interview S. Tocchetti'''<br />
<br />
http://www.digitalmcd.com/mcd-68-la-culture-libre-the-open/<br />
<br />
Download the [http://hackteria.org/wp-content/uploads/2012/10/MCD68-OpenScience.pdf extracted pages from the Open Science section here].<br />
<br />
Could you explain what is Open Source Biological Art and how it relates to DIY biology? <br />
<br />
Whether it is a wiki or a workshop or both doesn’t really matter, what is essential is to enable people to collaborate and shaer knowle edge and instructions. Open Source Biological Art enables people to perform complex scientific protocols without the support of an official institution. We believe that it is important to enable more people to feel confident in working with living systems in order for creative and new ideas to emerge. When applied to science and art, it can create a new type of public participation and understanding of both domains. <br />
<br />
What is your view on the future of citizen science? <br />
<br />
My hope is that if more people are making things with their hands and have this direct and everyday experience with scientific protocols, we can demystify science and open the whole decision making process to more people and opinions. I think this is the future society, where I want to live, a place where tinkerers and lay people find new and unexpected uses and functions of technologies and scientific knowledge, where they hack it and adapt it to their dreams and lives and don’t wait for some big corporation or government to decide what is good or safe for them. <br />
<br />
<br />
[[File:ABSTRAKT_Interview.jpg|right|thumb|200px]]<br />
'''Der Aufstand der Bastler, November 2012, ABSTRAKT N°8 “Machen ist Macht”'''<br />
<br />
http://hackteria.org/?p=1870<br />
<br />
Gespräch mit Marc Dusseiller. Von Max Celko.<br />
<br />
In Garagenlaboren macht sich analog zu den Computernerds der späten Siebzigerjahre eine junge Generation von Amateurbiologen ans Werk: die Biohacker. Marc Dusseiller ist Gründer des Hacker-Netzwerks Hackteria. Dass in der Szene der Bill Gates der Do-it-yourself-Forschung zu finden ist, glaubt er aber trotzdem nicht. <br />
<br />
... Worin liegt denn der gesellschaftliche Mehrwert des Selberforschens? <br />
<br />
Ein zentraler gesellschaftlicher Nutzen ist es, dass die DIYBioszene auch Laien den Zugang zur wissenschaftlichen Diskussion ermöglicht. Damit wird die Biotechnologie zumindest ein Stück weit demokratisiert. Ich halte dies für sehr wichtig, denn wir stehen heute an einem Punkt, an dem die Biotechnologie rasante Fortschritte macht und völlig neue Möglichkeiten eröffnet, lebende Materie zu manipulieren. Es liegt jetzt an uns allen, gemeinsam als Gesellschaft zu definieren, welche Forschung wir möchten und welche gesetzlichen Schranken wir der Biotechnologie auferlegen. Als Folge des grösseren Wissens sind die Leute auch weniger anfällig für populistische Ideen von Politikern oder leere Marketingversprechen von Firmen. <br />
<br />
<br />
[[File:Dazed_Confuser_BioArt_Now.png|right|thumb|200px]]<br />
'''Dazed & Confused: BIOART NOW: August 2013, S. Fortune'''<br />
<br />
http://www.dazeddigital.com/artsandculture/article/16465/1/bioart-now-%E2%80%93-part-1<br />
<br />
„... On the global stage biohacking collective Hackteria has lead the way on demystifing bioart and providing people with easy practical ways to engage with it. Formed in 2009 and featuring chapters in Europe, India and Indonesia the Hackteria Wikipedia has become the de-facto resource for all budding biohackers. The interplay between biohacking and bioart is particularly fluid among Hackteria affiliated practitioners. “Hackteria is not, generally speaking, about finished products or finished works. The bioart just happens, but is not the primary goal” said Hackteria co-founder Marc Dusseiller. Some of that 'incidental bioart' has been quite sublime. -....“<br />
<br />
„...The Hackteria flavour of bioart and biotech education is particularly visible in Indonesia, where sister organisation Lifepatch complements the bioart residencies hosted by media-art lab the House of Natural Fiber (HONF), helping underfunded school students with such ingenious hacks as converting a webcam into a functioning microscope. At HONF in 2010, Julian Abraham and others initiated a project aimed at creating a safe form of fermentation based on tropical fruit, after the Indonesian government raised prohibitively high duties on alcohol. After leaving HONF, Abraham continued the theme, creating sound-based bioart pieces under the name Kapitän Biopunk. He provided workshops in homebrewing alcohol to accompany his Fermentation Madness, a sound-art piece that converts the processes of fermentation into an interactive soundscape. -....“<br />
<br />
<br />
[[File:DIYbioEU_vs_US-BioEssays.png||right|thumb|200px]]<br />
'''European do-it-yourself (DIY) biology: Beyond the hope, hype and horror, Günter Seyfried et. al. BioEssays, Volume 36, Issue 6, June 2014'''<br />
<br />
http://onlinelibrary.wiley.com/doi/10.1002/bies.201300149/full<br />
<br />
The encounter of amateur science with synthetic biology has led to the formation of several amateur/do-it-yourself biology (DIYBio) groups worldwide. Although media outlets covered DIYBio events, most seemed only to highlight the hope, hype, and horror of what DIYBio would do in the future. Here, we analyze the European amateur biology movement to find out who they are, what they aim for and how they differ from US groups. We found that all groups are driven by a core leadership of (semi-)professional people who struggle with finding lab space and equipment. Regulations on genetic modification limit what groups can do. Differences between Europe and the US are found in the distinct regulatory environments and the European emphasis on bio-art. We conclude that DIYBio Europe has so far been a responsible and transparent citizen science movement with a solid user base that will continue to grow irrespective of media attention.<br />
<br />
Comparison between European and North American groups<br />
<br />
The DIYBio movements in the US and Europe have a lot in common. Beliefs in the democratization of science and the enabling of citizens to do biotechnology are shared by all groups on both sides of the Atlantic. In general, they have more in common than what sets them apart. However, there also seems to be aspects where the groups in the US and Europe differ from one another.<br />
<br />
In contrast to the USA (minding different state legislations), the groups in Europe need to obtain a license in order to carry out genetic engineering experiments. So far, the European groups have not done these types of experiments, but some of them plan to go through the licensing procedure and obtain a license. As an exception, the UK-Netherlands based C-LAB art collective did obtain a license to exhibit a bioart work with living genetically modified organisms in London, UK (http://c-lab.co.uk/projects.html). The work itself, however, was done in collaboration with a university research lab.<br />
<br />
A rather surprising finding, compared to the US, is a stronger collaboration of amateur biologists with artists and designers in Europe. It remains to be seen whether this observation is only due to the small sample size of groups, or if the art-science interaction is a real European characteristic.<br />
<br />
<br />
[[File:NZZ_biohacking.jpg|right|thumb|200px]]<br />
'''Forschen auf eigene Faust. Über einen Besuch bei Hobbybiologen in Los AngelesLena Stallmach 4. April 2012'''<br />
<br />
http://hackteria.org/2012/04/04/diybio-article-and-interview-in-neue-zurcher-zeitung/<br />
<br />
An article in today’s issue of NZZ (4. April 2012 Neue Zürcher Zeitung) gives a nice overview of the amateur biologist scene in LA. The journalist Lena Stallmach visited the people from LA biohackers in their own space/lab (which is currently in boxes, prepared for the move to a bigger space) and describes their working environment, dreams of inventions, ongoing projects and workshops in collaboration with the FBI.<br />
<br />
In the interview dusjagr gives some info about the local movement in switzerland and the hackteria network, some critical reflections on the promises the DIYbio movement paralleling the agro/chem industries, the potential of garage biotech for developing countries and generally the role of DIY science in educating and empowering a democratic society.</div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03269.jpeg&diff=12476File:DSC03269.jpeg2014-06-16T14:05:36Z<p>Pei: </p>
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<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03261.jpeg&diff=12468File:DSC03261.jpeg2014-06-16T13:51:14Z<p>Pei: </p>
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<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03260.jpeg&diff=12467File:DSC03260.jpeg2014-06-16T13:50:29Z<p>Pei: </p>
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<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03259.jpeg&diff=12466File:DSC03259.jpeg2014-06-16T13:50:16Z<p>Pei: </p>
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<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03257.jpeg&diff=12464File:DSC03257.jpeg2014-06-16T13:49:47Z<p>Pei: </p>
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<div></div>Peihttp://www.hackteria.org/wiki/index.php?title=Hackteria_Wiki:Biologische_Kunst_%E2%80%93_Wissenschaft,_Natur_und_Biohacking_-_Schaffhausen&diff=12461Hackteria Wiki:Biologische Kunst – Wissenschaft, Natur und Biohacking - Schaffhausen2014-06-16T13:49:04Z<p>Pei: /* Kaspar - the forrest-score */</p>
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<div><div class="toclimit-2">__TOC__</div><br />
<br />
=Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking, Donnerstag, 12. Juni bis Samstag, 14. Juni=<br />
[[File:hackteria_schaffhausen_poster_web.png|thumb|400px]]<br />
Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking"<br />
<br />
Organisiert von Marc Dusseiller, Leo Bettina Roost und Hackteria, in Zusammenarbeit mit dem Kunstverein Schaffhausen.<br />
<br />
== Überblick ==<br />
<br />
Im Rahmen der Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" im Museum zu Allerheiligen, wird hackteria einem interessierten Publikum diesen noch jungen, internationalen und avantgardistischen Zweig an der Schnittstelle von Kunst und Wissenschaft vorstellen.<br />
<br />
<br />
=== Was ist Hackteria? ===<br />
'''Open Source Biological Art | DIY Biology |Generic Laboratory Infrastructure'''<br />
<br />
In den mittlerweile 5 Jahren seit der Gründung von "Hackteria | Open Source Biological Art" hat sich ein globales Netzwerk entwickelt, welches mit einem Ansatz der radikalen Transdisziplinarität, wie auch einer Offenheit zum Amateurismus in der Ausseinandersetzung mit Themen der Biologie durch künstlerische, wissenschaftliche und DIY (do-it-yourself) Praktiken widmet. Ein Schwerpunkt des Projektes ist es über die Website hackteria.org einen niederschwelligen Zugang zu schaffen für Künstler, Hacker / Maker, Forscher und Pädagogen sich ein Know-how anzueignen um selbstständing in einfachen und selbstgebauten Heimlaboren mit Biotechnologie, Umweltanalytik und Genetik zu experimentieren. Im Rahmen von 1-2 wöchigen Veranstaltungen, das [http://hackteria.org/category/hackterialab/ HackteriaLab 2010 - 2014], trafen sich regelmässig eine Vielzahl von internationalen Teilnehmer, um gemeinsam in kollaborativer Praxis an neuen Projekten zu tüfteln, ihr Wissen durch Workshops und Präsentationen untereinander und mit der Öffentlichkeit zu teilen und durch interdisziplinäre Zusammenarbeit eine gemeinsame und konstruktive neue Sprache und Methodik zu finden.<br />
<br />
=== Mehr zum Program ===<br />
<br />
Für das jugendliche Publikum gibt es zu Beginn am Donnerstag einen Workshop. Sie werden zusammen mit hackteria ein Do-it-Yourself Mikroskop im Museum zu Allerheiligen bauen.<br />
<br />
In der Diskussionsrunde am Freitag kommen persönliche, künstlerische, ökologische und politische Beweggründe sich mit „Bioart“ zu beschäftigen zur Sprache. Einzelne Künstler/Wissenschaftler aus Finnland, Indonesien und der Schweiz, halten kurze Vorträge zu ihrer Arbeitsweise und ihren Schwerpunkten. Danach ist die Diskussion für das Publikum geöffnet.<br />
<br />
Tagsüber am Samstag bietet ein Klangspaziergang auf dem Randen die Möglichkeit an einem „Biologisch inspirierten Kunsterlebnis“ teilzuhaben. Soundscapes und Fieldrecordings, Klangexperimente und elektromagnetische Wahrnehmungserweiterungen. Bringt euer Smartphone und Headset mit!<br />
<br />
In der Überführung dessen wird Abends im Rahmen eines Konzertes zurück im Raum innerhalb des Museums, gemeinsam mit den Teilnehmern, eine aussergewöhnliche künstlerische Soundperformance zu erfahren und zu hören sein.<br />
<br />
Download the [https://dl.dropboxusercontent.com/u/6072669/Hackteria-Schaffhausen_Flyer_sm.pdf Hackteria-Schaffhausen Flyer here]<br />
<br />
= Workshop: DIY Mikroskopie =<br />
Donnerstag, 12. Juni, 13.00 - 16.00 Uhr<br />
<br />
''Ein eigenes Do-it-Yourself Mikroskop bauen'' <br />
[[File:dusjagr_akbar_UGM.jpg|left|200px]]<br />
<br />
Kurs für SchülerInnen und weitere Interessierte. Limitierte Plätze!<br />
CHF 25.- inkl. Material<br />
<br />
'''Anmeldung:''' Mail an [mailto:marc@dusseiller.ch Marc Dusseiller]<br />
<br />
Ort: Vortragssaal, Museum zu Allerheiligen, Schaffhausen<br />
<br />
Der Kurs wird geleitet von Marc Dusseiller und Nur Akbar Arofatullah (ID), ein langjähriger Projektpartner aus Yogyakarta, Student Mikrobiologie, welcher diesen Workshop schon viele Male in Indonesien durchgeführt hat. Zusammen mit Lehrern und Schülern der Kantonschule Schaffhausen garantieren wir einen interessanten Nachmittag als Einstieg in verschiedene Themen des Do-It-With-Others / Do-It-Yourself Biologie, wie auch einen Einblick in die Welt der Mikroorganismen.<br />
<br />
Detailierte Informationen zum Workshop weiter hier: [[Mikroskopie-SH]]<br />
<br />
== Eindrücke vom Workshop ==<br />
<br />
<gallery mode="packed-hover" widths=200px heights=160px><br />
<br />
File:DSC_2302.jpg<br />
File:DSC_2304.jpg<br />
File:DSC_2309.jpg<br />
File:DSC_2310.jpg<br />
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</gallery><br />
<br />
= Soirée Talks: Nature, Art & Science =<br />
Freitag, 13. Juni, 18.15 Uhr<br />
<br />
''Diskussionsrunde über Biokunst, Biohacking und Transdisziplinarität mit Gästen aus Finnland und Indonesien.'' <br />
<br />
Erich Berger (AT/FI) - Finnish Society of Bioart, gibt einen Einblick das Ars Bioarctica Residency Programm in Kilpisjärvi, Nord-Lappland, wie auch verschiedene künstlerische Engagements im Bezug zu Nuklearkraft in Finnland, gefolgt von der Vorstellung ihrer letzten Buchpublikation “Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon”. Wawies Wisnu Wisdianto (ID) - Lifepatch Citizen Initiative in Art, Science and Technology & Landscape Indonesia, gibt einen Überblick über die Zusammenarbeiten von Lifepatch mit Hackteria, BioDesign.cc und anderen Partnern im Rahmen des JRP, Jogja River Project. Im Weiteren stellt er ihre Amateur Photographie-Platfrom vor "Landscape Indonesia", mit welcher sie Photobände von Indonesiern für Indonesier produzieren. Marc Dusseiller stellt allgemein das Projekt Hackteria | Open Source Biological Art vor, und gibt einen Einblick über HackteriaLab 2014 - Yogyakarta, welcher er mitorganisiert hat diesen April in Indonesien. Boris Magrini (CH), Kunsthistoriker, wird einen Versuch machen, die verschiedenen vorgestellten Themen, wie auch die BioKunst allgemein, aus seiner Sicht zusammenzufassen, wie auch zwischen zeitgenössischer Kunst und Neomodernem Aktivismus zu positionieren. Das Publikum ist anschliessend eingeladen in eine offene Diskussionsrunde moderiert von Leo Bettina Roost und Boris Magrini.<br />
<br />
Die Vorträge der Indonesischen Gäste sind in Englischer Sprache, Diskussionen in Deutsch.<br />
<br />
* Einführung: Marc, Leo & Lynn<br />
* Vorträge: Boris - Erich - Wawies - Marc (12 Minutes each)<br />
* Soundscape Intermezzo: Pei (5 min)<br />
* Publikums-Diskussion / Panel: Moderation Leo & Boris (ev. Lynn?). Zusätzliche Gäste: Mark Liebenberg (SN), 1 Person aus NGSH / BioLehrer<br />
<br />
= Randen Listening Fields - Nature and Phenomena =<br />
Samstag, 14. Juni, 11.30h - 17:00h<br />
<br />
''Klangspaziergang auf dem Randen mit internationalen Soundkünstlern''<br />
<br />
'''Treffpunkt: Vortragssaal, Museum zu Allerheiligen, 11:30h'''<br />
[[File:P1140672.JPG|200px|thumb|left|Treffpunkt: MzA Vortragssaal]]<br />
<br />
'''Treffpunkt auf dem Hagen, Heidenbaum Parkplatz, 12:00h'''<br />
<br />
https://maps.google.com/maps?q=47.758709,+8.565961&num=1&t=h&vpsrc=0&ie=UTF8&z=19&iwloc=A<br />
<br />
'''Pause und Diskussion in der SAC-Hütte Hasenbuck, 13:30h'''<br />
<br />
https://maps.google.com/maps?q=47.761663,+8.574165&num=1&t=h&vpsrc=0&ie=UTF8&z=20&iwloc=A<br />
<br />
<br />
== Aktivitäten ==<br />
<br />
<br />
Plain nature, everyday surrounding of a vast grass ground, a journey of rediscovery to our early summer, the crossing border of the visible soundings of those native cricket, winds, cows, birds, timelessness, we record. We may as well react and listen to the soundings of the invisible; with simply diy gadget along the walk or at the fields of experiment, we can listen to the vibrations of living matters and other materials that sounds. The designed soundwalk will be accompanied with three of collective listening and sound interventions co-ordinated by Kaspar König (NL/CH), Pei-Wen Liu (TW/CH) und Christoph Stähli (CH)<br />
<br />
'''Methods of Participation'''<br />
* Wear a pair of good walking shoes (nearly a must)<br />
* Open mind and your ear<br />
* Download Andriod App - [http://noisetracks.com Noisetrack] (free will)<br />
* Bring your own audio recording devices (free will)<br />
* we encourage the participant to re-use the experience of soundwalk to join the soundscape performance at the same evening (free will)<br />
* non of above, simple join the listening (free will)<br />
<br />
'''Transportation to Randen'''<br />
* The team will organise transportation between MzA meeting & Randen walking point, with the capacity approx. 12 - 16 pp inlcuding the team.<br />
* Everyone is welcome to join us, and we enourgage you to drive up together with the van to (GPS location). <br />
<br />
=== Map ===<br />
<br />
[[File:Randen_map_klangsiech_arrows.jpg.png|800px]]<br />
<br />
Weitere Details folgen in den nächsten Tagen... stay tuned.<br />
<br />
=== Impressionen frühere Hagen-Sessions ===<br />
<br />
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<br />
</gallery><br />
<br />
=== Soundwalk mit ~ ===<br />
<br />
==== Kaspar - the forrest-score ====<br />
<br />
[[File:Kasper yourforresttalks.jpg|300px]]<br />
<br />
Wollten Sie den Klang der Geräusche des Windes durch Baumwipfel und Blätterwerk simulieren, bräuchten Sie tausende von Oszillatoren, welche alle ein klein weinig anders eingestellt sind. Das wäre für uns eine Menge Arbeit. Wind und Bäume hingegen erzeugen diese Musik völlig nebenher und selbstverständlich.<br />
Auf dem Soundwalk können wir die Wald-Musik ad hoc mit DIY gebauten Waldinstrumenten bereichern, ein Stück Holz mit Resonanzqualität, ein paar Seiten, ein Steg und schon klingt etwas zusätzlich mit. Am Bach spielen wir mit dem Wasser, auf dem Turm machen wir spontan Windharfen. Spätestens da möchten wir gemeinsam erleben wie der Sound des Waldes als Partitur hörbar wird. Hoffen wir, dass die Vögel uns kräftig unterstützen. Der Wald ist voller überraschender Geräusche, viel mehr als wir erwarten.<br />
<br />
''English''<br />
<br />
If you liked to simulate the sound of the noise of the wind through some basic leaves, you would have to make Thousends of oscilators slightly different tuned. This would be a lot of work which one or 2 or 3 trees just do like that.<br />
There is more sound in a forrest then you would expect. However one can also play the forrest. On our soundwalk we`ll find natural resonance body that can sound unexpectedly or suprisingly. Without to much technic, we`ll try to make a tree-birembau or instruments just as they occur. With some simple strings and bridges we can even make a small harmonic sound. In the river we can tune the water and on the tower we`ll be just spontanuously making some Aeolharps. And from that point on, you`ll see the whole forrest as a score. If we`re good, we play the score together. And we`ll find many more scores in micro and macro environments. Let`s see if we get the birds around to embody our orchestra even stronger.<br />
<br />
http://kasparkoenig.com<br />
<br />
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<br />
</gallery><br />
<br />
=== Pei - active and passive listening ===<br />
[[File:pei_in_the_fog.JPG|200px]]<br />
<br />
Die alltägliche Klanglandschaft als ein fortlaufendes Musikstück zu hören, schärft den Sinn unsere tägliche akustischen Umgebung als ein Ereignis unseres Lebens wahrzunehmen und gleichzeitig als Musik zu hören. Letzteres lenkt unsere Aufmerksamkeit für die Sinneswahrnehmung des reinen Hörens, des messbaren Klanges, hin zu der Frage nach der Bedeutung des Gehörten. Der Akt diese Klänge zu hören, lässt uns als Teil eines grossen Ganzen spüren und unser Leben in einem Klangraum verorten, der aus täglicher Geräuschkulisse unserer modernen Welt und der allgegenwärtigen Natur gespeist ist.<br />
<br />
Der fâneur ist ein aktiver Zuhörer, der die Stille wählt und sich ihr zuwendet. Wir hören die Musik der Stille jedoch mit den Ohren des passiven Hörens.<br />
In der Reduktion der Klangerzeugung durch Körperbewegung, wird die Luft zum Sound-Verstärker (Amplifier) der bewegten, pulsierenden Luft.<br />
<br />
Während der Wanderung und Feldexperimenten, bekommen Sie Tipps zu aktivem und passivem Hören, welche Sie alleine oder in der Gruppe ausprobieren können. Eine nützliche Bereicherung zudem auch für all diejenigen die sich mit Aussentonaufnahmen beschäftigen. <br />
<br />
''English''<br />
<br />
Listening to everyday soundscapes as an ongoing piece of music creates a subtlety between the daily acoustic environment as life events, and as music. The latter transcends our perceptual sensory from recognising a sound, of its connate characteristics of physical (measurable) nature to the meaning it produces. The act of soundscape listening engages us closer to how life is composed, in another words, listen to the daily soundscape shared by the contemporary world and its nature.<br />
<br />
The fâneur as an active spectator, and silence becomes an active choice. We hear,<br />
those soundings endure the ears of a passive listener, the reduction of man-made movement as the apmlifier adopts the vibrant of air.<br />
<br />
During the walk and field experiment, we can exercise as individual or a pair of few of common soundwalk tips to enhance the experiece of active & passive listening, which is sometimes very useful for field recording. <br />
<br />
http://www.little-object.com<br />
<br />
=== Stahl - Noisetracks ===<br />
[[File:stahl_noisetracks.JPG|200px]]<br />
<br />
Noisetracks ist eine App für Smartphones mit der kurze Audio Aufnahmen gemacht werden können. Diese werden lokalisiert mittels GPS, anschliessend visualisiert und mit der Noisetracks community geteilt. So entsteht ein Archiv des Alltags, eine soziale Soundscape, eine Erinnerung, ein Remix.<br />
<br />
Konzert:<br />
Basierend auf Noisetracks stellt Christoph Stähli in seiner Performance Fragen an die kompositorischen Möglichkeiten des Materials. Durch die einfache Technik des Wiederholens der kurzen Sounds entsteht eine Klangsimulation, die zwischen abstrakten Soundfetzen und hyperrealen Überlagerungen von Alltag meandriert.<br />
<br />
Download App: http://www.noisetracks.com<br />
Access code: noisetracker<br />
<br />
= Soundscapes Performance =<br />
Samstag, 14. Juni, Türöffnung 19:00, Konzertbeginn 19:30<br />
<br />
[[File:P1140666.JPG|200px|thumb|left|The Sound Room-Front]]<br />
[[File:P1140667.JPG|200px|thumb|left|The Sound Room-Side]]<br />
[[File:P1140668.JPG|200px|thumb|left|The Sound Room-Door]]<br />
<br />
''Biologisch inspirierte Klangexperimente und Soundperformances''<br />
<br />
Line-Up:<br />
* Kaspar Konig - carte blanche<br />
* Pei - The Philosophy of Constant Waiting, Chapter 7 Yogyakarta<br />
* Stahl - Noise and Nature <br />
* (tbc) Special guests und Teilnehmer - Randen Listening Fields <br />
<br />
Living Matters, that sounded. What is selected or excluded? Soundscape space is also the space of possibilities to listening, where it holds something together, called music. By knitting the physical representations of sound, scales varied, the listening experience would be shared at this reality, in this room. The merge of given sound movements invite you to walk with them, to walk along with the music. A series of improvisational soundscape composition would be present at Hackteria Soundscape Evening, the team will set up the room for real-time acoustic environment of presence, and the invited artists will sculpture the soundscape with a quadraphonic system.<br />
<br />
== Links zu Partnern ==<br />
<br />
http://www.allerheiligen.ch/en/what-s-on/guided-tours-and-talks<br />
<br />
http://www.ngsh.ch/ngsh/veranstaltungen_aktuell.htm<br />
<br />
http://www.kunstverein-sh.ch/programm/jahresprogramm<br />
<br />
short link to [[Schaffhausen]]<br />
<br />
= Biographien =<br />
<br />
=== Dr. Marc Dusseiller (CH) === <br />
<br />
[http://www.dusseiller.ch/labs Dr. Marc R. Dusseiller] is a transdisciplinary scholar, lecturer for micro- and nanotechnology, cultural facilitator and artist. He works in an integral way to combine science, art and education. He performs DIY (do-it-yourself) workshops in lo-fi electronics, hardware hacking, microscopy, music and robotics. He was co-organizing Dock18, Room for Mediacultures, diy* festival (Zürich, Switzerland), KIBLIX 2011 (Maribor, Slovenia), workshops for artists, schools and children as the former president (2008-12) of the [http://mechatronicart.ch/ Swiss Mechatronic Art Society, SGMK]. Currently, he is developing means to perform bio- and nanotechnology research and dissemination, [http://hackteria.org/ Hackteria | Open Source Biological Art], in a DIY fashion in kitchens, ateliers and in developing countries.<br />
<br />
* http://hackteria.org/<br />
* http://mechatronicart.ch/<br />
* http://www.dusseiller.ch/labs/<br />
<br />
=== Pei-Wen Liu (CH/TW) ===<br />
<br />
As a sound artist, I have been collecting field recordings with portable recorders over years in Australia, Taiwan, Europe, southern islands of Japan, Java&Sumatra of Indoensia, northern-west of China and east Turkey, those soundings of nature phenomenons and human activities, or an emerging moment of small talk. Slowly I built a personal archive of sonic observations; with intensions or without. While most of artistic activity focus on listening and generative composition, as well, I am co-organising series of PlayAround workshop in Taiwan, an intensely parallel and collaborative workshop of mediating the creative use of fair software and DIY practices to an audience of young students and artists of diverse backgrounds, promoting sharism. It combines the knowledge creation and open distribution of new media technologies and contemporary art practices in a socially responsible and relevant context. MFA in Digital Media, Gothenburg University, Sweden.<br />
<br />
* http://www.little-object.com<br />
* http://playaround.cc<br />
<br />
=== Leo Bettina Roost (CH/I) ===<br />
<br />
Leo Bettina Roost (*1961) schöpft ihre Kunst aus Geschehnissen des alltäglichen, populären oder öffentlichen Lebens und entwickelt Aspekte davon zu eigenständigen Aussagen. Oft verknüpft sie dabei Texte mit der Gestalt des Kunstwerks. "Fehler, Ungereimtheiten - sie versucht jene Momente zu finden, die ihr Werk auf der Kippe stehen lassen und somit den Prozess eines Übergangs andeuten." (Stéphanie Stamm 2012) In dieser Auseinandersetzung entstehen raumbezogenen Installationen, Zeichnungen, Fotografien und Skulpturen.<br />
Sie studierte Freie Bildhauerei an der Staatlichen Kunstakademie Düsseldorf (1985-1991, Meisterschülerin). Ihre Professoren waren u.a. Tony Cragg, Ulrich Rückriem, Fritz Schwegler. Nach Stationen in London, New York und Köln, lebt sie seit 2011 in Schaffhausen. Nebst ihrer künstlerischen Arbeit führt sie Kunst im öffentlichen Raum aus, kuratiert regelmässig Ausstellungen (u.a. Manor Kunstpreis Schaffhausen 2013), arbeitet mit Kindern in Kunstprojekten und als Werklehrerin an Schulen. Ihre Kunstwerke sind seit 1991 in zahlreichen Ausstellungen zu sehen. <br />
<br />
* http://www.leo-bettina-roost.de/<br />
<br />
=== Erich Berger (AT/FI) ===<br />
<br />
Erich Berger is a visual artist and trained as a communication engineer and in philosophy. He has produced interactive art installations, artistic wearable interfaces, audiovisual performances and sound-art, which have been shown internationally since the mid 90ties. He also works as educator, curator, content developer and facilitator, focusing on the intersection of art, technology and science. Research interests include telerobotics and telematically mediated environments, interactive participatory spaces, sonification and visualisation of real-time processes with related questions in composition, semiotics and linguistics, generative processes, feedback situations and autopoietic systems. His research engages with hybrid space, deep time processes, biology and ecology and involves the facilitation of interdisciplinary environments for working and learning. His research also includes close cooperation with international partners within the arts and sciences.<br />
<br />
* http://bioartsociety.fi/<br />
* http://randomseed.org/<br />
<br />
=== Nur Akbar Arrofatullah (ID) ===<br />
[[File:akbar_UGM.JPG|180px|thumb|right|Nur Akbar Arofatullah in Microbiology Lab UGM]]<br />
Nur ‘Don’ Akbar Arofatullah (1987) is a researcher and scientist currently working at the Department of Biotechnology, UGM Yogyakarta, Indonesia. He focused on the field of fermentation techniques in various systems, such as liquid and solid-state fermentation. Several of his main research interests are bioethanol fermentation from sweet sorghum juice, biofertilizer design and production, organic farming, and silage fermentation for cattle feeds. In 2012, he co-founded lifepatch.org - citizen initiative in art, science and technology, a community base organization working in creative and approriate use of technology in the field of art and science. His current research project is an in vitro method for establishing mycorrhizae on elais guineensis trees.<br />
<br />
* http://lifepatch.org/<br />
* http://akbar.blog.ugm.ac.id/<br />
<br />
=== Boris Magrini (CH) ===<br />
<br />
Boris Magrini (*1975) is a Swiss art historian and curator. He earned a Master’s degree in art history and philosophy at the University of Geneva and is currently performing research for his PhD in the field of media arts at the University of Zurich, with a thesis on computer and generative art. He was curator at Duplex (Geneva), I Sotterranei dell’Arte (Monte Carasso) and assistant curator at Kunsthalle Fribourg and Kunsthalle Zürich. Among other projects, he has curated Mutamenti (Bellinzona, 2007), Anathema (Fri-Art, Fribourg, 2007-2008), Modifier (Dienstgebäude, Zurich, 2010) and co-curated Leise Rehe – Wilde Beeren (Cabaret Voltaire, Zurich, 2011-2012). In 2013, he has organized at Kunsthalle Zürich the series of talks and encounters Reality Check. He is editor of the Italian pages of the Swiss art journal Kunst-Bulletin and he regularly publishes on contemporary art and media art in magazines, books and exhibition catalogues.<br />
<br />
=== Kaspar König (CH/NL) tbc ===<br />
<br />
1975 Maastricht, Kaspar König ist seit seinem Masterabschluss (2012) an der HfM in Mainz und seinem Abschluss an der UDK in Berlin (2002) als freischaffender Komponist und Klangkünstler tätig. Sein Designhintergrund wird in seinen erfundenen Instrumenten und Sound Installationen sicht- und hörbar.<br />
Kaspar König hat bereits bei zahlreichen Tanz- und Theaterproduktionen als Komponist gearbeitet und wirkte als Klangkünstler in verschiedensten Installationen und Performances. In seiner Funktion als wissenschaftliche Hilfskraft konnte er viel Erfahrung im Hochschulwesen, im organisatorischen Bereich und in der Öffentlichkeitsarbeit sammeln.<br />
<br />
* http://www.kasparkoenig.com<br />
* http://www.arm.nu<br />
<br />
=== Wawies Wisnu Wisdantio (ID) tbc ===<br />
Wisnu ‘Bob Wewet’ Wisdantio is an architect focusing in urban planning and building design after finishing his studies and take part as planning consultant in 2007. Apart from his daily routines, Wisnu has a big interest in nature adventure and landscape photography. This interest became his main activity in working and collaborating with many communities and organizations. Several of them are his role as a chief editor and travel writer in Landscape Indonesia (http://landscapeindonesia.com) since 2010; a platform for outdoor travel sharing experience and visual documentation on natural landscapes in Indonesia, and as a member of Lifepatch (http://lifepatch.org, a community base organization working in creative and appropriate applicaion in the field of art, science and technology.<br />
<br />
* http://lifepatch.org<br />
* http://landscapeindonesia.com<br />
* http://wisnuwisdantio.wordpress.com<br />
<br />
=== Christoph Stähli (CH) ===<br />
Christoph Stähli is working as freelance artist, hacker and programmer. He studied New Media (BA) and Fine Arts (MA) at the Universitiy of the Arts Zurich, ZHdK. His interest lies in the broad scientific field of media technologies and their applications in artist based practices. He developed content and software for the 3d LED display NOVA of ETH Zurich. As a member of the Swiss Mechatronic Art Society SGMK he's giving workshops and is co-organizer of the diy*-festival. 2010 he founded ZAAK (Zentrum für angewandte Automation und Kunst). At the momement Christoph Stähli is working as research associate at the Institute for Computer Music and Sound Technology ICST at ZHdK.<br />
<br />
* http://www.stahlnow.com<br />
<br />
=== Effi Tanner (CH) tbc ===<br />
<br />
= Partners and Supporters =<br />
<br />
Die Veranstaltungsreihe "Hackteria: Biologische Kunst - Wissenschaft, Natur und Biohacking" ist eine Zusammenarbeit von Hackteria und dem Kunstverein Schaffhausen, mit Unterstützung unserer Partner: Lifepatch, Finnish Society of Bioart, Schweizerische Gesellschaft für Mechatronische Kunst, Landscape Indonesia Naturforschende Gesellschaft Schaffhausen, Museum zu Allerheiligen und den Sponsoren: Migros Kulturprozent.<br />
<br />
'''Organizer'''<br />
<br />
''Hackteria | Open Source Biological Art''<br />
<br />
[[File:hackteria_logo2012_green_black.png|480px|link=http://hackteria.org/]]<br />
<br />
Hackteria is a collection of Open Source Biological Art Projects instigated in February 2009 by Andy Gracie, Marc Dusseiller and Yashas Shetty, after collaboration during the Interactivos?09 Garage Science at Medialab Prado in Madrid. The aim of the project is to develop a rich web resource for people interested in or developing<br />
projects that involve DIY bioart, open source software and electronic experimentation. As a community platform hackteria tries to encourage the collaboration of scientists, hackers and artists to combine their expertise, write critical and theoretical reflections, share simple instructions to work with lifescience technologies and cooperate on the organization of workshops, festival and meetings.Since 2009, Hackteria has conducted workshops in Europe (Switzerland, Slovenia, Norway, Austria, Hungary, Serbia, United Kingdom, Germany) , Asia (India, Indonesia, Taiwan, Hong Kong), Africa (Kenya) and North America (US, Canada).<br />
<br />
Link:<br />
* http://hackteria.org/?page_id=2<br />
<br />
''Kunstverein Schaffhausen''<br />
<br />
[[File:KunstvereinSH_Logo.png|240px|link=http://www.kunstverein-sh.ch/]]<br />
<br />
Der Kunstverein Schaffhausen besteht seit 1846 und zählt rund 1000 Mitglieder. Sein Engagement für die Gegenwartskunst findet aufmerksame Beachtung. Ziele des Kunstvereins Schaffhausen sind den Sinn für bildende Kunst zu fördern und zu pflegen und eine Sammlung von Werken regionaler und schweizerischer Kunstschaffender aufzubauen. Der Kunstverein unterstützt die Ausstellungen der Kunstabteilung des Museum zu Allerheiligen in Schaffhausen, dem er auch seine Sammlung als Dauerleihgabe zur Verfügung stellt. Das Programm der Kunstabteilung des Museums umfasst Ausstellungen zu aktuellen Positionen internationaler und Schweizer Kunst unter kontinuierlichem Einbezug des Kunstschaffens der Region. Zudem organisiert der Kunstverein Ausstellungen von regionalen Kunstschaffenden. Mit einem vielseitigen Veranstaltungs-Programm ermöglicht der Kunstverein seinen Mitgliedern und weiteren Interessierten Kreisen Begegnungen mit Kunst und Kunstschaffenden.<br />
<br />
Link:<br />
* http://www.kunstverein-sh.ch/<br />
<br />
'''Partners'''<br />
<br />
[[File:SBS_eng_bw_rgb.jpg|240px|link=http://www.bioartsociety.fi/]]<br />
<br />
[[File:lifepatch_black.png|240px|link=http://www.lifepatch.org/]]<br />
<br />
[[File:Logo-LI.png|240px|link=http://www.landscapeindonesia.com/]]<br />
<br />
[[File:sgmk_logo_text_web.png|240px|link=http://www.mechatronicart.ch]]<br />
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[[File:logo-ngsh-12.jpg|240px|link=http://www.ngsh.ch/]]<br />
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[[File:logo-museum_680s.jpg|240px|link=http://www.allerheiligen.ch/]]<br />
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'''Sponsors'''<br />
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[[File:migros_logo.jpg|none|240px|link=http://www.kulturprozent.ch/]]<br />
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= Zusätzliche Texte und Links =<br />
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== Medien ==<br />
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http://www.radiomunot.ch/news/2014/06/12/hackteria_biologie_als_kunst_und_bastelprojekt<br />
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http://www.shf.ch/index.php?huet-im-gschpraech<br />
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== Literatur ==<br />
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[[File:Schweiz_am_Sonntag.jpg|right|thumb|200px]]<br />
'''Zu Besuch bei den Biohackern , Schweiz am Sonntag, Nr. 18, 5. Mai 2013 , R. Schuppisser'''<br />
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http://hackteria.org/2013/05/05/article-on-biohackers-in-schweiz-am-sonntag/<br />
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„... Bakterien kultivieren und mit Gentechnik experimentieren: Das geht auch im Heimlabor, nennt sich Amateur-Biologen bauen selber Laborinstrumente und träumen von leuchtenden Pflanzen. Einige auch vom grossen Geld. <br />
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DER ERSTE VERSUCH des Experiments ist fehlgeschlagen. Marc, Tuuli und Urs hatten verschiedene Fische gekauft, in Salzwasser eingelegt und einige Tage liegen gelassen. Nun sollten sich eigentlich die biolumineszierenden Bakterien auf dem Fisch vermehren, sodass man ihr Leuchten im Dunkeln erkennt. Die Bakterien sollten dann in einer Nährlösung aus Salzwasser, Pepton und Agar kultivieren. Doch nun muss erst einmal neuer Fisch her. Experimentieren im Heimlabor braucht Geduld. Marc, Urs und Tuuli sind Biohacker und damit Teil einer Bewegung, die die Welt ähnlich verändern könnte, wie in den 70er-Jahren die Computer-Tüftler mit der Entwicklung des PC in der Garage. Das zumindest glauben euphorische Journalisten und Technik-enthusiastische Wissenschafter. So meinte etwa der Physiker und Freidenker Freeman Dyson 2007 in einem Essay, «dass die domestizierte Biotechnologie unser Leben in den nächsten 50 Jahren mindestens so stark prägen werde, wie die Domestizierung des Computers in den letzten 50 Jahren». - ...„<br />
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''«Ich will, dass Wissen und Technik der ganzen Welt zugänglich ist.»'' <br />
MARC DUSSEILLER, BIOHACKER <br />
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[[File:ScreenShot_Magrini.png|right|thumb|200px]]<br />
'''Hackteria: An example of neomodern activism. Leonardo Online 2013, Boris Magrini'''<br />
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http://www.leoalmanac.org/wp-content/uploads/2014/05/LeaVol20No1_-Magrini.pdf<br />
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As a platform for knowledge sharing and artistic exploration, Hackteria constitutes a network of artists and researchers that merge the use of biotechnologies with hacking and do-it-yourself strategies. Its process-oriented and performative approaches, opposing to the materialistic imperatives of the art market, lean to the tradition of political art. In the present paper, I am arguing that Hackteria embodies what could be considered a neomodern activism, other recent examples of which are emerging within the new media art field. Instead of rejecting new controversial technologies, they propose a vision of a society that is moved forward by a more democratic use and discussion of these technologies. The activities of Hackteria are examined through the presentation of a bio-lab created in Ljubljana. <br />
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The roots of Hackteria: from performative art to tactical media. <br />
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The events organized by Hackteria are rooted in a long tradition of media art, as well as process-oriented and performative approaches. Performative art is not equivalent to process-oriented art; as Andreas Broeckmann correctly pointed out, “it only makes sense to speak of process-orientation in cases where the evolving process itself is a main factor of the aesthetic experience of the work.” [4] Nonetheless, neither performative nor process-oriented art focus on the creation of a finite product, a distinctive trait of the activities run by Hackteria. Furthermore, the BioTehna project, for example, share both performative, interactive and process-oriented qualities, for it is not the lab as such that is meaningful to the artistic intent of the group but rather the process involved in building and running it. <br />
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[[File:FN_cover_front.jpg|right|thumb|200px]]<br />
'''Field_Notes – From Landscape to Laboratory – Maisemasta Laboratorioon, Finnish Society of Bioart, 2013'''<br />
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http://bioartsociety.fi/Field_Notes_Teaser.pdf<br />
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Every second year the Finnish Society of Bioart invites a significant group of artists and scientists to the Kilpisjärvi Biological Station in Lapland/Finland to work for one week on topics related to art, biology and the environment. “Field_Notes – From Landscape to Laboratory” is the first in a series of publications originating from this field laboratory. It emphasizes the process of interaction between fieldwork, locality and the laboratory. Oron Catts, Antero Kare, Laura Beloff, Tarja Knuuttila amongst others explore the field and laboratory as sites for art&science practices.<br />
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BETWEEN LANDSCAPE AND LABORATORY<br />
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How to define the evolving field of art&science, including bioart, and where can the historical trajectory of this area within the arts be found? In very general terms one could divide currently existing artistic interests in the field into two very broad subject categories: artists that are concerned with the environment, and artists whose work focuses on the human as subject matter. The previous group deals with environment, landscape, natural phenomena, plants, and animals typically in their natural habitat. The latter group is interested in the human as such and within his technologically augmented environment. This includes work with human enhancement and organs, with devices and manipulation of human and animal cells. The work is carried out either under laboratory conditions or with technologically mediated social structures including human and non-human actors. Shared aspects across the field are e.g. politics, ethical debates and projections of the possible futures. This publication is specifically focusing on work that is concerned with the environment and ecology. However, the human is strongly present in all the arguments, statements and accounts. It is very apparent that we live in the era of the anthropocene, where viewpoints and actions are unavoidably developed with and projected from a human perspective.<br />
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The publication is edited by Laura Beloff, Erich Berger and Terike Haapoja. It is bilingual in Finnish and English and contains 17 articles and additional material of Finnish and international contributors. You can buy the book now from our website:<br />
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[[File:homemade_bio_dusseiller.png|right|thumb|200px]]<br />
'''Home Made Bio Electronic Arts Do-it-yourself: Microscopes, Sensors, Sonifications - Christoph Merian Verlag / Migros-Kulturprozent: Dominik Landwehr, Verena Kuni (Ed.), 2013'''<br />
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http://hackteria.org/2013/05/23/home-made-bio-electronic-arts-published/<br />
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After 2 years of discussions with various people in the field of DIYbio, hackteria and BioArt, Dominik Landwehr and Verena Kuni published a new book in their HomeMade series. This time with the title “Home Made Bio Electronic Arts” they go some steps closer to interfacing the living world with DIY tinkering and electronics, easy accessible instructions for everybody. Additionally some editorial essays and an interview with Gerfried Stocker. A production by Migros-Kulturprozent with the Christoph Merian Verlag.<br />
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* Six easy do-it-yourself experimental projects<br />
* For biotechnology and electronics do-it-yourself enthusiasts<br />
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“Science for all” is the motto of a new movement which deals with biology and electronics. It applies the do-it-yourself approach, well established in the electronic and computer scene, to natural sciences. Here the boundaries between the arts and sciences are fluid. The artists and scientists who work together in an interdisciplinary manner call themselves “bio-hackers” or “bio-punks” and deliberately continue in the creative tradition of those two movements. Their research is designed to communicate scientific insights which are otherwise reserved for scientists. Home Made Bio Electronic Arts introduces leading exponents and presents six easy do-it-yourself experimental projects.<br />
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[[File:MCD.png|right|thumb|200px]]<br />
'''The Art of Open and Free Science, MCD #68, 2012, Ed. A. Delfanti, Interview S. Tocchetti'''<br />
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http://www.digitalmcd.com/mcd-68-la-culture-libre-the-open/<br />
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Download the [http://hackteria.org/wp-content/uploads/2012/10/MCD68-OpenScience.pdf extracted pages from the Open Science section here].<br />
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Could you explain what is Open Source Biological Art and how it relates to DIY biology? <br />
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Whether it is a wiki or a workshop or both doesn’t really matter, what is essential is to enable people to collaborate and shaer knowle edge and instructions. Open Source Biological Art enables people to perform complex scientific protocols without the support of an official institution. We believe that it is important to enable more people to feel confident in working with living systems in order for creative and new ideas to emerge. When applied to science and art, it can create a new type of public participation and understanding of both domains. <br />
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What is your view on the future of citizen science? <br />
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My hope is that if more people are making things with their hands and have this direct and everyday experience with scientific protocols, we can demystify science and open the whole decision making process to more people and opinions. I think this is the future society, where I want to live, a place where tinkerers and lay people find new and unexpected uses and functions of technologies and scientific knowledge, where they hack it and adapt it to their dreams and lives and don’t wait for some big corporation or government to decide what is good or safe for them. <br />
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[[File:ABSTRAKT_Interview.jpg|right|thumb|200px]]<br />
'''Der Aufstand der Bastler, November 2012, ABSTRAKT N°8 “Machen ist Macht”'''<br />
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http://hackteria.org/?p=1870<br />
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Gespräch mit Marc Dusseiller. Von Max Celko.<br />
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In Garagenlaboren macht sich analog zu den Computernerds der späten Siebzigerjahre eine junge Generation von Amateurbiologen ans Werk: die Biohacker. Marc Dusseiller ist Gründer des Hacker-Netzwerks Hackteria. Dass in der Szene der Bill Gates der Do-it-yourself-Forschung zu finden ist, glaubt er aber trotzdem nicht. <br />
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... Worin liegt denn der gesellschaftliche Mehrwert des Selberforschens? <br />
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Ein zentraler gesellschaftlicher Nutzen ist es, dass die DIYBioszene auch Laien den Zugang zur wissenschaftlichen Diskussion ermöglicht. Damit wird die Biotechnologie zumindest ein Stück weit demokratisiert. Ich halte dies für sehr wichtig, denn wir stehen heute an einem Punkt, an dem die Biotechnologie rasante Fortschritte macht und völlig neue Möglichkeiten eröffnet, lebende Materie zu manipulieren. Es liegt jetzt an uns allen, gemeinsam als Gesellschaft zu definieren, welche Forschung wir möchten und welche gesetzlichen Schranken wir der Biotechnologie auferlegen. Als Folge des grösseren Wissens sind die Leute auch weniger anfällig für populistische Ideen von Politikern oder leere Marketingversprechen von Firmen. <br />
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[[File:Dazed_Confuser_BioArt_Now.png|right|thumb|200px]]<br />
'''Dazed & Confused: BIOART NOW: August 2013, S. Fortune'''<br />
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http://www.dazeddigital.com/artsandculture/article/16465/1/bioart-now-%E2%80%93-part-1<br />
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„... On the global stage biohacking collective Hackteria has lead the way on demystifing bioart and providing people with easy practical ways to engage with it. Formed in 2009 and featuring chapters in Europe, India and Indonesia the Hackteria Wikipedia has become the de-facto resource for all budding biohackers. The interplay between biohacking and bioart is particularly fluid among Hackteria affiliated practitioners. “Hackteria is not, generally speaking, about finished products or finished works. The bioart just happens, but is not the primary goal” said Hackteria co-founder Marc Dusseiller. Some of that 'incidental bioart' has been quite sublime. -....“<br />
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„...The Hackteria flavour of bioart and biotech education is particularly visible in Indonesia, where sister organisation Lifepatch complements the bioart residencies hosted by media-art lab the House of Natural Fiber (HONF), helping underfunded school students with such ingenious hacks as converting a webcam into a functioning microscope. At HONF in 2010, Julian Abraham and others initiated a project aimed at creating a safe form of fermentation based on tropical fruit, after the Indonesian government raised prohibitively high duties on alcohol. After leaving HONF, Abraham continued the theme, creating sound-based bioart pieces under the name Kapitän Biopunk. He provided workshops in homebrewing alcohol to accompany his Fermentation Madness, a sound-art piece that converts the processes of fermentation into an interactive soundscape. -....“<br />
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[[File:DIYbioEU_vs_US-BioEssays.png||right|thumb|200px]]<br />
'''European do-it-yourself (DIY) biology: Beyond the hope, hype and horror, Günter Seyfried et. al. BioEssays, Volume 36, Issue 6, June 2014'''<br />
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http://onlinelibrary.wiley.com/doi/10.1002/bies.201300149/full<br />
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The encounter of amateur science with synthetic biology has led to the formation of several amateur/do-it-yourself biology (DIYBio) groups worldwide. Although media outlets covered DIYBio events, most seemed only to highlight the hope, hype, and horror of what DIYBio would do in the future. Here, we analyze the European amateur biology movement to find out who they are, what they aim for and how they differ from US groups. We found that all groups are driven by a core leadership of (semi-)professional people who struggle with finding lab space and equipment. Regulations on genetic modification limit what groups can do. Differences between Europe and the US are found in the distinct regulatory environments and the European emphasis on bio-art. We conclude that DIYBio Europe has so far been a responsible and transparent citizen science movement with a solid user base that will continue to grow irrespective of media attention.<br />
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Comparison between European and North American groups<br />
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The DIYBio movements in the US and Europe have a lot in common. Beliefs in the democratization of science and the enabling of citizens to do biotechnology are shared by all groups on both sides of the Atlantic. In general, they have more in common than what sets them apart. However, there also seems to be aspects where the groups in the US and Europe differ from one another.<br />
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In contrast to the USA (minding different state legislations), the groups in Europe need to obtain a license in order to carry out genetic engineering experiments. So far, the European groups have not done these types of experiments, but some of them plan to go through the licensing procedure and obtain a license. As an exception, the UK-Netherlands based C-LAB art collective did obtain a license to exhibit a bioart work with living genetically modified organisms in London, UK (http://c-lab.co.uk/projects.html). The work itself, however, was done in collaboration with a university research lab.<br />
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A rather surprising finding, compared to the US, is a stronger collaboration of amateur biologists with artists and designers in Europe. It remains to be seen whether this observation is only due to the small sample size of groups, or if the art-science interaction is a real European characteristic.<br />
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[[File:NZZ_biohacking.jpg|right|thumb|200px]]<br />
'''Forschen auf eigene Faust. Über einen Besuch bei Hobbybiologen in Los AngelesLena Stallmach 4. April 2012'''<br />
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http://hackteria.org/2012/04/04/diybio-article-and-interview-in-neue-zurcher-zeitung/<br />
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An article in today’s issue of NZZ (4. April 2012 Neue Zürcher Zeitung) gives a nice overview of the amateur biologist scene in LA. The journalist Lena Stallmach visited the people from LA biohackers in their own space/lab (which is currently in boxes, prepared for the move to a bigger space) and describes their working environment, dreams of inventions, ongoing projects and workshops in collaboration with the FBI.<br />
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In the interview dusjagr gives some info about the local movement in switzerland and the hackteria network, some critical reflections on the promises the DIYbio movement paralleling the agro/chem industries, the potential of garage biotech for developing countries and generally the role of DIY science in educating and empowering a democratic society.</div>Peihttp://www.hackteria.org/wiki/index.php?title=File:DSC03254.jpeg&diff=12460File:DSC03254.jpeg2014-06-16T13:48:42Z<p>Pei: </p>
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